Is it just me, or do some of these movie titles start to blend in together after a while? The ones I have trouble with are: I’M STILL HERE, I’M NOT THERE, LET ME IN, and NEVER LET ME GO. Well, now that I’ve actually seen one of these maybe I’ll remember which one that is and it’ll help me straighten out which is which between the other ones by narrowing the choices a little. I hope so, because I’m not sure what else I got out of this one, exactly. I mean, I got something, I think. Just a something that’s hard to identify.
(read the rest of this shit…)
I didn’t have cable in the ’80s so I never saw
I want to tell you guys about a new book I got called DESTROY ALL MOVIES: THE COMPLETE GUIDE TO PUNKS ON FILM, edited by Zack Carlson and Bryan Connolly. I guess you might’ve already heard about it because some of the other movie websights beat me to posting about it, but you know what? The tortoise ate the hare, the boy who cried on the wolf, etc. Anyway I’ve been looking through it for a few days and I want to discuss it with the ladies and gentlemen of the outlaw community or whatever, because this is one of those passion project books printed with special blood sweat and tears based inks, and those deserve recognition.
Ever since the runaway Hong-Kong-equivalent-of-best-picture-Oscar success of the Donnie-Yen-starring biopic
It’s not clear yet when ROLLING THUNDER can be ordered, but THE OUTFIT is already available
The first 
SQUIRM is an odd duck. (note: come up with worm pun, save “odd duck” for killer duck movie, or DON’T TORTURE A DUCKLING.) This killer worm movie pulls a bait and switch (get it, bait? not switch though, that’s not part of the pun) where it’s setting up the characters before it gets to the killer worm mayhem, then it starts to reel you in (reel) to what’s going on with these characters to the point where you don’t even care that it doesn’t show the worms much or kill very many people.
aka CHALLENGE OF THE NINJA, SHAOLIN VS. NINJA, SHAOLIN CHALLENGES NINJA
SOLOMON KANE (James Purefoy) is a cruel bastard of a treasure hunter. I’d say he’s like a meaner Indiana Jones except in the opening scene I honestly thought he was the bad guy. He fights his way into some kind of ancient temple and even kills demons that pop out of the mirrors. But then he gets locked in a chamber with a flaming-sword-wielding-gentleman who introduces himself as “The Devil’s Reaper.” And this is when Solomon Kane realizes he’s reached rock bottom. For Richard Pryor it was running down the street on fire, alot of guys it’s waking up with no pants in an unfamiliar backyard, crawling home with no keys, having to break in, only to discover the place trashed and the wife’s closet empty, things like that. This guy it’s when the Devil’s Reaper shows up and tries to literally drag him to Hell.














