Archive for the ‘Action’ Category

Mercenaries

Wednesday, March 18th, 2015

tn_mercenariesThere are innumerable dreams to which humanity aspires: feeding the hungry, building racial harmony, inventing comfortable shoes that also look cool, ending war, etc. Of these goals, the one we’ve come closest to achieving is “a female EXPENDABLES.” But it takes small steps to make big ones.

This was a concept that guys like us were already discussing and backseat casting before the movie news told us it was really in the works. In fact there are two such movies still in development. There’s the one from the producers of the male EXPENDABLES. It was announced before Rowdy Ronda Rousey was in part 3, so I don’t know if they plan to spin off from her character or not. From the sound of it it might not be worthy of a woman that tough. They’re calling it “EXPENDABELLES” and it’s from the director and the writers of LEGALLY BLOND. It was reported that they were trying to get Naomi Watts, Kate Beckinsale, Marcia Gay Harden, Li Bingbing and Mila Kunis. Sigourney Weaver turned it down. I’m gonna go ahead and write this one off.

The other one is from Adi Shankar, the face-paint wearing producer of DREDD and those “bootleg universe” shorts like Joseph Kahn’s POWER/RANGERS. This one reportedly stars Gina Carano (HAYWIRE, FURIOUS 6), Katee Sackhoff (RIDDICK) and maybe Sharni Vinson (YOU’RE NEXT, STEP UP 3), which is a promising start.

But leave it to Asylum, the studio that brought us SHARKNADO and I AM OMEGA, to have theirs already done and released before the other two even settle their casting. Admittedly this DTV female mercenary squad is light on marquee names, but it’s a good team. They have Zoë Bell (DEATH PROOF, THE BAYTOWN OUTLAWS, GAME OF DEATH), Kristanna Loken (TERMINATOR 3, S.W.A.T.: FIREFIGHT), Vivica A. Fox (KILL BILL, THE HARD CORPS, BLAST, SET IT OFF), and, uh, Nicole Bilderback (CLUELESS, BRING IT ON). (read the rest of this shit…)

Goyokin

Tuesday, March 17th, 2015

tn_goyokinGOYOKIN is the seventh movie from Hideo Gosha, the director who started with THREE OUTLAW SAMURAI and SWORD OF THE BEAST. So he’d been around a bit by that point. It was 1969, the hippie era over here, but questioning authority was part of the samurai movie tradition anyway. The heroes follow a strict code and usually have to deal with some government asshole trying to pervert it. They struggle when there’s a discrepancy between following the rules and doing the right thing. And they always have differing interpretations of what those two things are. But this one seems particularly fitting for a couple summers after the summer of love, because it’s about one man who feels he must stand up against the power structure to stop an atrocity.

It starts with a mysterious incident. A girl returns home to her village to find that everyone has disappeared. Nobody there but her and the crows. They blame it on a curse called the Kamikakushi, but in fact it was a government sanctioned massacre. Some Waco shit. The Saido province feels they have to steal a shipment of gold in order to pay their taxes and survive, and they kill the local fishermen so there aren’t any witnesses. They feel it’s a necessary sacrifice for the greater good.

Three years later the ronin Magobei (Tatsuya Nakadai, YOJIMBO, THE SWORD OF DOOM, RAN) still regrets not trying to stop the slaughter. His brother-in-law Tatewaki (Tetsuro Tanba, THREE OUTLAW SAMURAI, RIKI-OH), the guy in charge, vowed to never do it again. But when assassins come to kill Magobei (they fail) he finds out it’s a precursor to another one. Clearly this stolen gold economics is not very sustainable in my opinion.

Magobei’s not gonna make the same mistake he made last time. He’s gotta stop this massacre or die trying. So he puts on his cool hat and starts walking. (read the rest of this shit…)

Run All Night

Monday, March 16th, 2015

tn_runallnightAlthough he’d already done HOUSE OF WAX and GOAL II: LIVING THE DREAM, it was ORPHAN that brought director Jaume Collet-Serra to my attention. I gotta admire a director whose movie I go to thinking I’m gonna be all ironical on it and then it defeats me with its audacity and genuine cleverness. So far that’s the height of his output, but I keep going back.

I guess I’d be watching them anyway, because his ORPHAN follow up has been three Liam Neeson vehicles in a row. UNKNOWN was a somewhat forgettable twisty thriller with some good touches here and there. Apparently I forgot to even post a review of it, but the part I remember liking best was some awkwardness between Neeson and Diane Kruger where they laugh because they’re in her small apartment and hear sex noises from next door, and that turns out to be set-up that her walls are thin enough for him to throw a guy through. NON-STOP was more my speed, a fun take on a confined-location-high-concept with some pretty interesting political subtext. Now the third one, RUN ALL NIGHT, takes the collaboration in a different direction. There’s less emphasis on the thrillery gimmicks and more on the character drama.

Oh, hey, this might explain it: it’s a screenplay by Brad Ingelsby, the guy that wrote OUT OF THE FURNACE. That’s another movie that uses badass genre elements but is more interested in exploring relationships than in satisfying expectations. (Though this one does have shootouts and car crashes.) (read the rest of this shit…)

Desert Kickboxer

Thursday, March 12th, 2015

tn_desertkickboxerrookiesIsaac Florentine’s first feature DESERT KICKBOXER is not a remake of KICKBOXER that takes place in a more arid climate. It’s also not DESSERT KICKBOXER. That would be weird, and I’m not sure what it would be about. No, this one is just a story about a kickboxer who lives in the desert. Actually I doubt he even considers himself a kickboxer anymore. In a hazy, dreamlike prologue he kills a man in the ring. If this was KICKBOXER he’d be the bad guy, and his dead opponent’s brother would come after him for revenge. Since it’s not, he feels bad about it and is a loner living in his deceased father’s trailer in the middle of nowhere.

His name is Hawk, and I bet you can guess what that means. Yep, he’s that archetype “The Half Breed,” like Billy Jack, or Elvis in FLAMING STAR, or Bronson in CHINO, or the Daywalker. He has all of the white man’s strengths, none of his weaknesses. But he never quite fits in either world. He’s never fully accepted on the reservation, probly called racist slurs by some white people, impressive to others because of his exotic wisdom. And as far as I know the actor playing him is a white guy. He’s John Haymes Newton, best known for playing Superboy in the late ’80s TV series of the same name.

When we first meet Hawk he’s some sort of deputized border guard badass beating up drug smugglers, but he’s pissed when he finds out it’s just pot they’re smuggling, and tells the sheriff – an old colleague of his dad, of course – that he’s not doing this shit anymore. Pretty progressive. (read the rest of this shit…)

Hard Times

Wednesday, March 11th, 2015

tn_hardtimesrookiesWalter Hill’s HARD TIMES could almost be a western or a samurai movie, but it happens to be a bareknuckle brawler movie instead. In fact I think it’s the template for my beloved sub-genre of the underground fight circuit movie. Charles Bronson as a guy named Chaney wanders into town (New Orleans circa 1933) on the back of a train. He’s so broke he can’t afford a coffee refill, but he sees a bunch of guys going into a warehouse across the street and he decides to follow them in. Turns out they’re there to gamble on a bare knuckle fight.

Did Chaney know that’s what was going on? Did he come here looking for it? Is this his vocation? Or does he just happen to notice this is going on and need the work? That would be pretty lucky for him, since he happens to be really fuckin good at it. But this is Charles Bronson we’re talking about. I’m sure he’d be the best at whatever manly job was available.

We don’t know what his deal is, but he approaches Speed (James Coburn), the manager of the losing fighter, and convinces him to get him a fight. Speed has no faith in him, but he’s got nothing to lose because Chaney has a little wad of life savings to put up the bet himself.  There’s a big buildup as everyone scoffs at him and then, as in so many of this genre later on (BLOOD AND BONE, NEVER BACK DOWN, DIGGSTOWN, ONG-BAK, LIONHEART, UNLEASHED [suggest others in the comments and I will add them to the list, I know there’s a million of ‘em]), he K.O.s the guy in one blow. (read the rest of this shit…)

Sanshiro Sugata

Tuesday, March 10th, 2015

tn_sanshirosugatarookiesAkira Kurosawa’s directorial debut SANSHIRO SUGATA, a.k.a. JUDO SAGA, is the judo saga of Sanshiro Sugata (Susumu Fujita, MOTHRA VS. GODZILLA). When we first meet Sanshiro he’s a stranger wandering into town, but he’s not a badass like our friend in YOJIMBO. He’s wide-eyed and naive and looking for a jujitsu teacher. Some locals point him to the nearby school of the instructor Momma (Yoshio Kosugi, 47 SAMURAI) where they’re sitting around complaining about their rival “Yano of the Shudokan” (Denjiro Okochi), who’s been calling jujitsu “judo” and getting alot of attention for it. I imagine they feel about this kind of like I felt when I first heard the word “blog,” or like we as a society feel when some ad tries to convince us that pizza can just be called “‘za.”

They’re worried this word-coiner Yano is gonna get the gig they want instructing the police force, so they’re gonna ambush him tonight to “teach him a lesson,” and they let the new kid Sanshiro come along to see how fucking awesome these guys are that he’s about to learn from.

They surprise Yano on the dock and one by one they run at him and get tossed into the water. This being a night scene in black and white it’s really striking and sometimes looks like he’s tossing them into a black void. Once he’s gotten Momma into an armlock and made him beg to be killed to hide his shame of being defeated by a scoundrel, Sanshiro is like “You know what, maybe this Yano would have a better curriculum” and next thing you know he’s pulling the guy’s rickshaw back to his school.
(read the rest of this shit…)

Lady Snowblood

Wednesday, March 4th, 2015

tn_ladysnowbloodTalk about a revenge story! Yuki, a.k.a. Lady Snowblood (Meiko Kaji from the FEMALE CONVICT SCORPION series), has been raised from birth specifically for vengeance. Nothing else. No coloring, no jump rope, just “let’s get you ready to track down some people and chop them the fuck up.” It all started when four scumbags (three men, one woman) attacked a couple, killing the man and raping the woman. When the woman later killed one of the attackers she was put in jail, where she died giving birth to Yuki.

As an adult, Snowblood actually remembers being born in jail. Then a teacher trained her in swordsmanship and fighting and a lady named Auntie taught her to be a pickpocket. She’s like Batman, travelling around to different teachers, mastering different skills, but she will avenge her parents’ death not by fighting crime (DEATH WISH) but by killing the actual perpetrators (DEATH WISH II).

When we first meet her she’s tracked one down, approaches with an umbrella, attacks the guy’s caravan and slices them up. Then she goes to a tribal leader guy who likes her because she once did some killing for them. He agrees to use his people to track all the names on her wish list so she can cross them off. (read the rest of this shit…)

Lady Dragon

Tuesday, March 3rd, 2015

tn_ladydragonIn the opening of LADY DRAGON, Kathy Galagher (Cynthia Rothrock) arrives late to her underground fight. The crowd goes silent from cheering on her opponent when she enters in silhouette, a mysterious figure of intimidation in a pointy druid hood, carrying a gym bag, her footsteps echoing like Walker in POINT BLANK. She stands with her back to the camera as she pulls off the hood, then spins around to reveal her face.

It seems like we’re supposed to spit out our Pepsi when we see that it’s a girl. What, did they not know we knew we were renting a Cynthia Rothrock vehicle?

Director/story-provider David Worth (this was his followup to KICKBOXER) gives her lots of cool entrances like that and different outfits, sometimes masculine (a black leisure suit), sometimes the opposite (lots of glittery dresses). She’s trying to track the white arms dealer in Indonesia who killed her CIA agent husband. We learn all this only after special guest star Robert Ginty (THE EXTERMINATOR), who was watching her fight from behind shades and a cigarette, finds her at a bar and tries to bring her back into “the Company.” She says no and tells him to “have a nice day.” He says “Yeah, you too.” (read the rest of this shit…)

Azumi

Thursday, February 26th, 2015

tn_azumiBTISLPoor Azumi (Aya Ueto) is one of the best young swordswomen you ever did see, but it’s because she’s lived such a fucked up life. In the opening scene we see how she ended up like she did. When she was a little girl the Master (Yoshio Harada, THE HUNTED) was leading some young boys on a trail and came across her kneeling over her dead mother. He took the orphan girl with them to their isolated mountain area where he raised them to be elite sword fighters on a covert mission from Lord Tokugawa’s priest.

I mean really he saved her life, and their whole clan of nine boys and her are like a family, brothers and sisters who have fun fighting and training and joking around with each other. And they love their master and trust in him enough to believe that this thing he’s been preparing them for their whole lives is a righteous thing. They are tasked with assassinating the ambitious warlords who want to take over the country, whose selfish actions would otherwise keep the country in civil war forever. They will take life to prevent endless war. (read the rest of this shit…)

The Killer Elite

Friday, February 20th, 2015

tn_thekillereliteTHE KILLER ELITE is Sam Peckinpah’s don’t-be-naive-these-covert-ops-are-happening-all-the-time thriller kinda like MUNICH. It starts with straight up perfection: a title card explaining that “This film is a work of fiction. There is no company called Communications Integrity NOR ComTeg and the thought that the C.I.A. might employ such an organization for any purpose is, of course, preposterous.”

James Caan and Robert Duvall star as Locken and Hansen, two hard-drinking, lady-loving partners who claim to have never heard of the C.I.A. even though we just saw them bomb a building. They’ve spent enough time together that they’re always singing made up songs and saying stupid jokes that seem like you had to be there. But they’re obviously having fun.

When they go to a safe house, Locken goes to take a shower and Hansen turns traitor, killing the defector they’re supposed to be protecting and then trying to cripple his partner. When he’s standing there naked with a gun pointed at him Locken doesn’t even get scared because he can only comprehend it as a joke. He really thought he knew that guy, now he’s shooting him in the shower? He never took him for a shower-shooter.
(read the rest of this shit…)