"KEEP BUSTIN'."

Archive for the ‘Comedy/Laffs’ Category

Curse of the Pink Panther

Tuesday, August 8th, 2023

August 12, 1983

So far in this series we’ve seen the third STAR WARS movie, the second PSYCHO movie, the thirteenth James Bond movie, the third SUPERMAN movie, the second Tony Manero movie, and the third JAWS movie. (We skipped the second PORKY’S movie, but that also came out, and we looked at the second GRIZZLY movie, which did not come out.) Among all these, one of the least remembered, for justifiable reasons, is the eighth PINK PANTHER movie, CURSE OF THE PINK PANTHER.

Though people my age tend to be more interested in the animated cat character spun-off from the Friz Freleng-directed title sequence of the first movie in 1963, the PINK PANTHER is of course a series of mystery slapstick comedies about the clumsy but accidentally effective French detective Inspector Jacques Clouseau, played by Peter Sellers in THE PINK PANTHER, A SHOT IN THE DARK, THE RETURN OF THE PINK PANTHER, THE PINK PANTHER STRIKES AGAIN and REVENGE OF THE PINK PANTHER. After Sellers died in 1980 the series became an experiment in ways to continue after the death of a star that was 98% of the attraction. (read the rest of this shit…)

Get Crazy

Thursday, August 3rd, 2023

August 5, 1983

GET CRAZY is a goofy let’s-put-on-a-show comedy directed by Allan Arkush, with a tone similar to his earlier, more popular ROCK ’N’ ROLL HIGH SCHOOL. It’s another broad comedy and celebration of punk culture, oddly mixed with some blues this time.

Daniel Stern (BLUE THUNDER) stars as Neil Allen, stage manager for the historic Saturn Theater, where legendary promoter Max Wolfe (Allen Garfield, NASHVILLE) is putting on his 15th annual New Year’s Eve concert. But there’s a villain trying to steal his thunder. Younger, more competitive promoter Colin Beverly (Ed Begley Jr., CAT PEOPLE) of Serpent Sounds lands his helicopter in front of the theater, causing various women’s clothes to blow off, and struts in with his two henchmen (Bobby Sherman and Fabian), all three of them dressed in silver. He threatens to take over the lease on the Saturn, causing Max to have a heart attack and his shitty nephew Sammy (Miles Chapin, THE FUNHOUSE) to kiss Beverly’s ass. (read the rest of this shit…)

Risky Business

Wednesday, August 2nd, 2023

August 5, 1983

RISKY BUSINESS is a teen sex comedy best remembered for the scene where Tom Cruise in tighty-whiteys dorkily dances around his living room to one of the least cool songs of the era. But put that out of your mind because the overall style and feel of this movie is one of severe coolness. It’s the only horny teen movie I’ve seen that feels kinda like a distant relative to AMERICAN GIGOLO and AFTER HOURS.

That may largely come down to the score by Tangerine Dream (whose previous movie scores were SORCERER, THIEF, STRANGE BEHAVIOR, THE SOLDIER, and WAVELENGTH), on top of strong work by cinematographers Bruce Surtrees (DIRTY HARRY, THE OUTFIT, WHITE DOG) and Reynaldo Villalobos (URBAN COWBOY), production designer William J. Cassidy (ROCKY, CARNY, ROCKY III) and editor Richard Chew (THE CONVERSATION, STAR WARS). But it also has a different tone and attitude than similar movies of the era. Although writer/director Paul Brickman’s previous screenwriting credits were THE BAD NEWS BEARS IN BREAKING TRAINING and HANDLE WITH CARE, this was his first time directing, and he was welcomed as an exciting new voice. Variety’s review compared the movie to “a promising first novel,” and Roger Ebert wrote that it had earned comparisons to THE GRADUATE. (read the rest of this shit…)

Mr. Mom

Thursday, July 27th, 2023

July 22, 1983

MR. MOM is a domestic comedy with a likable performance by Michael Keaton and a dated premise. The screenplay is credited to John Hughes, the National Lampoon magazine humorist who had started a career in movies by writing NATIONAL LAMPOON’S JAWS 3: PEOPLE 0, to be directed by Joe Dante. Steven Spielberg threatened to never work with Universal again if they really went through with that shit, and they ditched the project, making way for the hated but not parodic JAWS 3-D. So instead Hughes’ first screenplay credit ended up being NATIONAL LAMPOON’S CLASS REUNION, and this was his second (beating NATIONAL LAMPOON’S VACATION by a week). It was directed by Stan Dragoti (LOVE AT FIRST BITE).

Keaton (in his fourth movie, between NIGHT SHIFT and JOHNNY DANGEROUSLY) plays Jack Butler, an engineer at the Ford Motor Company in Detroit. But the economy isn’t good, cars aren’t selling so well, so one day after commuting to work with his friends “Jinx” Latham (Jeffrey Tambor, SATURDAY THE 14TH), Larry (Christopher Lloyd, SCHIZOID) and Humphries (Graham Jarvis, THE HOT ROCK), Jinx calls the other three in to his office to tell them they’ve been laid off. (read the rest of this shit…)

Stroker Ace

Thursday, June 29th, 2023

July 1, 1983

STROKER ACE is one of the many Burt Reynolds movies directed by stunt legend Hal Needham. Before this he’d been second unit director for the car chase in THE LONGEST YARD and then directed Burt in SMOKEY AND THE BANDIT, HOOPER, SMOKEY AND THE BANDIT II and THE CANNONBALL RUN. This one’s not nearly as good as Hooper, but at least not as broad as CANNONBALL.

Burt (in his followup to BEST FRIENDS) stars as Stroker Ace, undisputed regional champion of smarmy womanizing, also a legendary NASCAR driver. There’s a prologue where he’s a little kid and seems to gain his love of driving fast by experiencing a police chase while getting a ride home from his friend’s dad, who’s a moonshiner. The kid they have playing young Stroker is really good, chewing gum and repeatedly checking his hair in the rear view mirror. (read the rest of this shit…)

Yellowbeard

Thursday, June 22nd, 2023

June 24, 1983

Later than 1983, but not that much later, I watched MONTY PYTHON AND THE HOLY GRAIL over at my friend Jerrod’s house, and it was the funniest thing I ever saw. You know – they make this clip-clop sound with coconut shells instead of riding horses, and the guy sings “and his penis—“, and there’s fake credits in the middle, and there’s a killer bunny. It’s a really funny movie, and I was a young boy at the time, so it was a mindblowingly funny movie. At some point later I saw MONTY PYTHON AND THE LIFE OF BRIAN and I liked that one even better. As a teenager I tried watching the show for a bit, and I think I liked some of it, but it didn’t stick. It was those two movies for me, and I’m okay leaving it at that, and otherwise only following Terry Gilliam’s career. So add “the various Monty Python guys” to the list of “things that were huge in 1983 that were just a little bit before my time.”

YELLOWBEARD is a pirate comedy starring Python’s Graham Chapman, who’s a wild man in this one instead of the straight man like in those other ones. The movie opens on a Spanish galleon, with Cheech & Chong playing (in reverse order) the Inquisitor Nebulosa and his primary stooge (credited as El Segundo). Nebuloso plays with gold coins chanting “I am the richest man in the world!,” and then tells his underling to bang his head against the floor as punishment for questioning his right to keep the treasure for himself as “god’s representative.” He does it willingly, saying “Muchas gracias!(read the rest of this shit…)

Superman III

Thursday, June 15th, 2023

On May 5th, 1983, future Superman actor Henry Cavill was born in St. Helier, Jersey. While he was in his crib, on June 17, 1983, the definitive cinematic Superman met Richard Pryor.

Boy, I hope I’m not trying people’s patience too much with this series. I believe 1985 is the earliest retrospective I’ve done previously, and I thought that went well, but what I’ve really realized looking at 1983 is how many of these movies feel just a little bit before my time. I remember being alive then, but I was only aware of a little kid-sized slice of pop culture. I was hearing all about Salacious Crum, but not BLUE THUNDER or anything starring Burt Reynolds. My friends born a few or several years before me, people who are older than Generation Ewok, have attachments to some of these movies, characters and actors that I just don’t.

So I hope it’s not getting annoying. Even if you forgive me for not caring about James Bond or TRADING PLACES, the camel’s back could break when I confess that I don’t really care that much about the Christopher Reeve Superman movies either. I’m so sorry! Let me explain. (read the rest of this shit…)

Renfield

Tuesday, June 13th, 2023

RENFIELD is a so-so movie with one element of excellence that kinda goes without saying, but I will say it. Later in the review.

This is basically a comedy-action vehicle for Dracula’s crazy bug-eating stooge Renfield, played here by Nicholas Hoult (CLASH OF THE TITANS). I guess you could say it follows in the tradition of the much dorkier VICTOR FRANKENSTEIN, and (sort of) I, FRANKENSTEIN, in that it’s riffing off of classic horror characters and putting them in a modern action/super hero type of context. But it’s different in that it’s a straight up comedy, complete with jokey first person narration and the hook “what if Dracula’s familiar started going to group therapy for co-dependency?” I guess you could say it’s kind of a ZOMBIELAND tone. I generally prefer ABRAHAM LINCOLN: VAMPIRE HUNTER approach of using an absurd concept but committing to it as if it’s serious and trusting the audience to get it, but this is not my movie. It’s not up to me. (read the rest of this shit…)

Trading Places

Thursday, June 8th, 2023

June 8, 1983

To many, TRADING PLACES is a beloved comedy classic. To me it’s a movie that Mrs. Vern references often and that we occasionally flip past on TNT. I think the only time I saw it all the way through I was still in elementary school. So I came to this viewing pretty fresh.

I know it goes back to The Prince and the Pauper or some shit, but Hollywood particularly loved this kind of comedy concept in the ’80s through ’90s: What if a non-rich guy could live among the rich? And what if a rich guy could live among the non-rich? What laughs would we have? What lessons would we learn? Don’t you agree it would be valuable? This one’s writers, Timothy Harris & Herschel Weingrod, later gave us BREWSTER’S MILLIONS, and you could also count THE TOY, LIFE STINKS, KING RALPH, and I’m sure some others. This is John Landis’s version, and he kicks it off with some satirical bite, but it eventually eases up and acts like we’re supposed to like the rich guy, assumes we want to see him have a happy ending. As was the style in those days. (read the rest of this shit…)

Beau Is Afraid

Monday, May 15th, 2023

We all agree here, unanimously, to a person, that Ari Aster is a great director with two undeniable modern horror classics to his name. And it goes without saying that A24 is a cool company that has produced many good and/or interesting movies*, and even if you weren’t into those it would be weird to have some kind of a grudge against them. Since we have always been on the same page about those things, I’m sure we also agree that it’s cool that the company now let Aster step outside of horror for a much more niche dark comedy with a budget the armchair bean-counters say they won’t be able to make back. And that it was worth every penny.

As much as I loved HEREDITARY and MIDSOMMAR, I actually didn’t think BEAU IS AFRAID was a sure bet for me. When I saw the trailer it looked visually impressive, but seemed to be going for a Charlie Kaufman/Michel Gondry type of thing. I love those two filmmakers (both together and separate), but it’s their one-of-a-kindness that makes them great. Even the best imitators of their stuff tend to feel hollow and disposable. Was Aster going to go from an original in horror to a copycat in… whatever genre this is? (read the rest of this shit…)