Archive for the ‘Crime’ Category

The Drop

Wednesday, February 25th, 2015

tn_dropThere’s something I love about a movie where English Tom Hardy, Swedish Noomi Rapace and Belgian Matthias Schoenaerts play Brooklyn neighborhood folks. It’s this international cast, directed by Michaël R. Roskam (who previously did the “Best Foreign Language Film” Academy Award nominee BULLHEAD starring Schoenaerts) but there’s still a theme of characters having to correct each other’s ignorant statements about nationalities and languages: no, those gangsters aren’t from Russia, they’re from Chechnya. And you call them Chechens, not “Chechnyans.” And the language they speak in Brazil is called Portueguese, not Brazilian.

Rapace actually doesn’t put alot of effort into hiding her real accent, but Hardy, being Tom Hardy, throws himself into the task head long, especially in his occasional voiceover narration. He loves to mumble and slur, and to be funny-dumb, but also intelligent-inarticulate. As good as he is at playing eloquent snobs I suspect he has way more fun playing louts like this. (read the rest of this shit…)

Wild at Heart

Thursday, February 12th, 2015

tn_wildatheartSailor Ripley is the character who was born for Nicolas Cage to play. He’s the ultimate bad boy who you wouldn’t bring home to your parents, an old timey hoodlum ex-con, self-conscious about his rebellious image, and obsessed with Elvis, who he calls “E” for short. He talks like him, combs his hair kind of like him, sings his love songs only at important romantic milestones. He and his young girlfriend Lula (Laura Dern) love to dance together, and at one point they pull their Thunderbird convertible to the side of the highway, play heavy metal and dance, which to him mostly means jumping around doing karate kicks and punches. They don’t have to discuss that they’re going to do this, so you gotta assume it’s one of their regular activities.

Sailor wears a snakeskin jacket, which he proudly says on more than one occasion “represents a symbol of my individuality and my belief in personal freedom.” He’s a self-professed “robber and a manslaughterer” and hasn’t “had any parental guidance.” He started smoking when he was “about four,” and cigarette brand loyalty seem to be one tradition he and Lula inherit from their parents. He knows many unsavory characters from his time as an underworld driver, including Lula’s mother Marietta Fortune (Dern’s real life mother Diane Ladd), who is so serious about keeping Sailor away from her daughter that she takes a hit out on him. She’s also so wicked that she frequently goes on cackling jags and is several times depicted as the WIZARD OF OZ witch, flying on a broom or watching them in a crystal ball. (read the rest of this shit…)

Wild Card

Friday, February 6th, 2015

tn_wildcard“I can take care of things. That’s all you need to know.”

In WILD CARD, Jason Statham plays Nick Wild (seriously), a legendary special ops badass who now works as an all purpose “security consultant” for hire. That’s not going well for him, though. He shares his office with a lawyer (Jason Alexander from THE BURNING) on the strip mall outskirts of Vegas, most of his friends seem to be prostitutes, hotel maids, gangsters or casino employees, and he gets such glamourous gigs as getting fake beat up by Vinnie from Doogie Howser to impress a Sofia Vergara. It’s hard to bask in your own greatness when you’re such a fucking loser. So in that sense this is less like THE TRANSPORTER and more like REDEMPTION (where he starts out as a homeless crackhead).

He gets a couple “Just how badass is he?” speeches, but one of them is by himself, and ends with “And I lie alot.” As cool as this guy is – his name is Nick Wild, for God’s sake! – everybody knows he’s a fuckup, and this is underlined by casual comments about the mediocre value of his life. When a friend wants him to get involved in something dangerous and he asks “What if they kill me?” she says “I’ll be miserable for days.” Not years, not months, days. Later a gangster wants to hear his side of the story before killing him just because if he was innocent of what he was accused of “I would feel dreadful.”

If some of this sounds familiar that’s because it’s a remake of HEAT. Not the one by Michael Mann, the 1986 one with Burt Reynolds and based on the book by William Goldman. It counts as a remake though because they re-used Goldman’s old script with just a few tweaks, like Van Sant did with PSYCHO. (In fact, Anne Heche is even in this. But not Vince Vaughn) They changed his name from Nick Escalante and added references to his Britishness. He says “mum” in one part. And I noticed big changes in the action parts (I missed a trick Burt did to light a guy on fire, and a scene where he torments a guy in the dark). But mostly, from what I could remember, it’s scene-for-scene the same. (read the rest of this shit…)

Sin City: A Dame To Kill For

Monday, December 1st, 2014

tn_sincity2BruceI’m not saying I liked SIN CITY: A DAME TO KILL FOR exactly, but it wasn’t as bad as reported. Considering that its two directors’ last films were THE SPIRIT and MACHETE KILLS, which I would consider among the worst things I’ve ever paid to see in theaters, this almost seems like a real movie.

It has all the same problems as the first SIN CITY without the novelty of being a weird new approach to a comic book adaptation, and with very little technological or stylistic advancement considering it was done 9 years later. But I think maybe things bugged me about the first one that people overlooked at the time and now are having a problem with, so they’re being harder on it than me. I don’t know. (read the rest of this shit…)

15 Minutes

Thursday, September 4th, 2014

tn_15minutesex3-grammer15 MINUTES is a transitional Robert De Niro thriller bridging the Everybody Respects Robert De Niro era with the Robert De Niro Is a Guy Who Stars In DTV Movies With 50 Cent one. Here De Niro plays Detective Eddie Flemming, famous NYC supercop who steps on the toes of younger hot shot Fire Marshal Jordy Warsaw (Ed Burns in a practice run of his sidekick character in ALEX CROSS) when both report to the scene of a deadly apartment fire.

Eddie is famous for being on the tabloid show Top Story, where he lets the host, Robert Hawkins (Kelsey Grammer, Cheetos*), follow him on busts, so everybody treats him like a rock star and it pisses Warsaw off. But he really has been around the block and has alot of wisdom to share, so it’s a buddy movie where they butt heads but then he unexpectedly goes out on a limb for the kid and sort of mentors him and what not. All that type of stuff.

But also this is a satire about this crime celebrity culture, that’s what that title’s about. Back in the late ’80s, early 2000s we were very concerned about tabloid news shows and their morbid obsession with O.J. Simpson, the Menendez Brothers and etc., so here is a movie coming years after after MAN BITES DOG, SERIAL MOM, NATURAL BORN KILLERS, SCREAM, etc., and hitting at kind of an embarrassingly obvious target in my opinion. But it does get a little bit of novelty by framing it as the American dream, showing a crime spree committed by two European immigrants (introducing Karel Roden and Oleg Taktarov) who have come to America seeking opportunity. Well, actually to collect their share of the money from a bank robbery, which it turns out their buddy already spent while they were in prison. Whoops. Sorry fellas.

By the way I wonder if they ever met Yuri Boyka in prison? (read the rest of this shit…)

Tequila Sunrise

Wednesday, August 27th, 2014

tn_tequilasunriseex3-gibsonIn the opening of TEQUILA SUNRISE, Mel Gibson as “Mac” McKussic comes to a motel with a guy and a briefcase full of coke for one of those business transactions that guys with briefcases full of coke have at hotels. One of the guys who comes to meet him is Nick Frescia (Kurt Russell), talking cocky, hair all slicked back. Mac immediately knows that Nick is a cop so he talks his way out of the room and makes a run for it, doing a parkour-like swing from a balconly, nimbly hopping fences, ducking under a freeway overpass, trudging through water, dodging police searchlights. (read the rest of this shit…)

Lucy

Thursday, July 31st, 2014

tn_lucyLUCY is the new movie by Luc Besson and his first directorial work since… THE MESSENGER? … to be noticed much in the U.S. He had supposedly retired from directing after ANGEL-A in 2005, but then he made another one of those ARTHUR children’s movies and by 2010 he was doing THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC (which I liked) and fuck it, he was still a director. Last year he did THE FAMILY with Robert DeNiro and Michelle Pfeiffer (which I, like most Americans, haven’t gotten around to yet) but now all the sudden he has this LUCY and it’s a big hit, opening much bigger than The Rock’s HERCULES even though that one is PG-13. (There actually was a point early in LUCY where I thought to myself “Oh good, they do still make R-rated movies.”)

Scarlett Johansson plays the titlogical Lucy, a student in Taiwan when her douchebag boyfriend of one week (a Donal-Logue-at-a-rave type dude with a shitty cowboy hat and yellow-tinted glasses) gets her involved against her will with some ruthless gangsters led by Choi Min-sik (OLDBOY). She doesn’t speak the language so she barely knows what’s going on by the time she has a bag of experimental drugs (actually blue pop rocks I think) sewn into her belly for clandestine transport.

(read the rest of this shit…)

A Time To Die

Tuesday, July 22nd, 2014

tn_timetodieI found A TIME TO DIE in the action section, and it looks like an action vehicle for Traci Lords. On the cover she’s holding a gun in front of some burning vehicles and she looks awesome. But that’s not exactly what this is, there’s not alot of action. I’m gonna go ahead and classify it as “crime” to be less misleading. A few people get shot, and there’s a car chase where an unrelated car crashes and blows up. And the one part at the beginning where she crushes a dude’s balls (pictured left). But you’re not gonna see Traci Lords doing karate or anything. It’s more of a suspense-drama I guess.

But I kinda liked it. It has all the hallmarks of a generic and at times amateurish thriller, but it keeps surprising with extra bits of personality. Take for example the opening scene, where an arms deal is going on on the roof of a building, and one of the dealers gets mad ’cause a kid sets off the alarm on his car in the alley below. He yells at the kid, and the kid gets offended and lays on top of the car just to fuck with him. The dealer loses his temper and shoots the kid, fucking up the whole deal.

This is not the introduction of the bad guys, and the kid is not a brother or friend of Jackie (Lords) who needs to get avenged. It’s just a weird incident that she reports to as a crime scene photographer. (read the rest of this shit…)

A Woman, a Gun and a Noodle Shop

Wednesday, July 16th, 2014

tn_noodleshopThere’s a nice little tradition of cross-cultural, cross-genre remakes. The most famous of course is the Japanese samurai movie YOJIMBO becoming the Italian western A FISTFUL OF DOLLARS. And recently I reviewed the Japanese samurai remake of the American western UNFORGIVEN. There was also BLIND FURY, that was an American action movie based on Zatoichi, and they didn’t even have to get cowboys involved at all. There are both Indian and American remakes of OLDBOY. This is a thing that we do now. If the story is strong enough it can work, and translate in different ways for different cultures.

Still, it was a surprise in 2009 when Zhang Yimou, director of gorgeous epics like HERO and RAISE THE RED LANTERN, took on the Coen Brothers’ lean neo-noir debut BLOOD SIMPLE. The dry, dusty tale of adultery, murder and dumb mistakes becomes a period Chinese story with broad comedy elements. It’s weird and not entirely successful, but interesting to a fan of this type of cultural outreach. (read the rest of this shit…)

The Return of Superfly

Wednesday, April 23rd, 2014

tn_returnofsuperfly“Me and Priest go back to the golden age of hustlin.”

Alot of people tend to forget that Superfly returned in 1990. And unlike, say, Batman in BATMAN RETURNS, he actually had a place to return from. He’s still living overseas, now in Paris, when he hears his old partner Eddie has been killed, so he finally comes back to New York.

Oh shit, but I fell into the trap. “Superfly” was never his name, his name was Youngblood Priest and the title referred to the alleged quality of his illegal medicinal products. And it was two words anyway. Super Fly. Maybe “The Return of Superfly” means that Eddie’s dope was not up to snuff and now has been replaced by superior product by this guy Hector (Carlos Carrasco, CROCODILE DUNDEE II, SPEED, PARKER), who’s taking over. (read the rest of this shit…)