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Archive for the ‘Documentary’ Category

The Secret

Wednesday, March 14th, 2007

“People around the world have been talking about a movie so powerful that it can change the course of your life. ” –oprah.com

“If you’re talking about DIE HARD I agree.” –outlawvern.com

I am so happy and grateful now that I saw THE SECRET, because I can warn you not watch this shit.

Not too long ago I used to run into this drunk Native American gentlemen at bus stops who would tell me to go see WHAT THE COCKSUCKER DO WE KNOW, a movie that would change my life. Actually he called it WHAT THE BLEEP DO WE KNOW, but the title on the poster had a %$#^! type gibberish curse on it so I figured it was up to interpretation. Anyway, all the new agers and people you never knew were new agers were raving about it, and it played for months on end at one of the smaller Seattle theaters, making it the new NAPOLEON DYNAMITE. But I wasn’t sure if that was due to genuine demand or if the theater was rented out by the Ramtha cult. The movie features this crazy gal from Washington who makes lots of money pretending to channel the ancient wisdom of some Hagar the Horrible type warrior named Ramtha. That sounds like a funny movie, obviously, but I never gave it a shot. (read the rest of this shit…)

Vern Reviews FREE LISL: FEAR AND LOATHING IN DENVER, A New Wayne Ewing/Hunter Thompson Documentary!!

Friday, December 22nd, 2006

Hey, everyone. ”Moriarty” here.

I’m not sure how I missed this in the e-mail box, but I did, and in a way I’m glad I did, because it now has a great Vern opening.

You know I love you, bud. As always, Vern’s got something to say and I strongly urge you to pay attention:

Howdy boys,

I sent you guys this review several days ago and you never ran it, so I added this new paragraph to get your attention. Rocky Rocky Rocky, dragons, silver surfers, x-men, etc. As well as boobs and ass, boner boner boner, everybody has a boner, bodily fluids all over the place, geekgasm, etc.

Now to FREE LISL: FEAR AND LOATHING IN DENVER. I know, what kind of a name is Lisl, but I didn’t name her. This is the new documentary by Wayne Ewing, who did the great Hunter S. Thompson documentary BREAKFAST WITH HUNTER. It is his third Thompson-related movie, although with the good doctor’s passing each one gets more removed from the man himself. This one is not really about Thompson, but it’s about a cause he aligned himself with in his last years. Lisl Auman is a woman who, at the age of 21, was sentenced to life in prison for a murder everyone agreed she did not commit. She was actually handcuffed in the back of a police car while a dude she just met the day before, who had been helping her move, killed a police officer and then himself. Because she was an accomplice to his crime she was considered guilty of the murder. (read the rest of this shit…)

Shut Up & Sing

Monday, November 27th, 2006

This is a documentary about the Dixie Chicks. Now, you probaly won’t be surprised to hear that I got no interest in the music of the Dixie Chicks. But you may or may not be surprised to hear that I liked the movie alot.

Of course the title refers to the main subject of the movie, the controversy that came in 2003 after Dixie Chicks singer Natalie Maines ad-libbed the dangerous sentence, “We’re ashamed that the President of the United States comes from Texas,” during a concert in London. Because of that one sentence (and some mild anti-war, pro-human life comments on the eve of the invasion) right wing web sights organized call-in campaigns to country music stations across the country, causing the corporation that runs the computer that programs every radio station to not play Dixie Chicks songs anymore. Meanwhile, idiots with bad handwriting made signs and stood outside of Dixie Chicks concerts reinforcing all the worst stereotypes about lower class white southerners. (read the rest of this shit…)

When I Die

Thursday, September 21st, 2006

(The Gonzo Monument… A Documentary)

After the great Hunter S. Thompson died last year, we all heard about how Johnny Depp had put up the money to make good on Thompson’s wish to have his ashes fired out of a cannon from a giant statue of the two-thumbed gonzo fist. You may have seen him discussing this in an old BBC documentary, it showed him making the plans and sketching it up with Ralph Steadman. And last year it actually happened at a memorial service at his Woody Creek ranch.

The whole thing was pretty mysterious. There were some distant, blurry photos, but no press were allowed during the party. Some fans criticized it because it was attended by many celebrities, and because a whole bunch of police and security people kept the fans away. At least one thing I read complained because John Kerry was apparently there. They said Hunter would’ve hated it. (read the rest of this shit…)

Vern Finds Al Gore’s INCONVENIENT TRUTH!!

Wednesday, May 3rd, 2006

Merrick wishes more people would at least think about stuff like this…

Vern got a look at AN INCONVENIENT TRUTH – Al Gore’s cinematic admonition regarding the various ecological “crises” facing our world today.

Regardless of politics, anyone who uses FUTURAMA as a learning aid (as Gore does here) is aiight in my book!

Here’s Vern…

This summer there will be many exciting movies you can watch. There will be guns, cars, pirates, snakes, probably Superman or somebody, maybe Spiderman will show up, maybe a time machine or space ape of some kind. These are all thrilling scenarios, but I got another one for you. What about a movie about A GOD DAMN GLOBAL CATASTROPHE? Cities under water. Whole lakes drying up. Glaciers disappearing. Hurricanes and tornadoes, bugs and diseases, miscellaneous terror. Pretty much everything horrible except giant snakes and killer bees. Innocent polar bears drowning right and left. A fuckin’ nightmare. (read the rest of this shit…)

Dave Chappelle’s Block Party

Thursday, March 9th, 2006

DAVE CHAPPELLE’S BLOCK PARTY is the happiest, warmest, most joyful movie I’ve seen in a long god damn time. And not in a stupid way. The problems of the world are not ignored. There’s some light-hearted jokes about race issues, there’s a mention or two of the war, there’s some militant rap lyrics and a brief sermon by Fred Hampton Jr. All things I’m in favor of discussing. But mostly what this movie is is a whole bunch of people coming together to laugh and make beautiful music and have a good time together. In that sense it turns out it is kind of like WATTSTAX, the movie they mentioned as a model when they were filming this. I made fun of my ain’t it cool colleague Quint for writing that the trailer gives off a Wattstax vibe as if he came to that conclusion on his own. But there is a faint whiff of that vibe in the final movie I guess, if you’re really making a close examination of its vibes.

I saw this movie in what I consider a JASON X set up: the same big auditorium where I saw JASON X, mostly empty with only a few people peppered throughout, but sharing their love for the movie across the empty rows. At the end of the movie people clapped, like it was a live performance. I can’t remember the last time I saw that at a regular multiplex showing like this. (read the rest of this shit…)

Black and Blue: Legends of the Hip-Hop Cop

Friday, February 24th, 2006

I don’t know if you ever saw that Nick Broomfield documentary BIGGIE AND TUPAC. It’s a pretty good one, but I mention it because it had this one part that kind of threw me off. At one point in the narration, Broomfield claims that the government had Tupac under surveillance. It seemed believable, but the movie doesn’t back it up or mention it again and I’ve never seen it explored since then. I just wondered if this was true why the documentary didn’t explore it at all. I mean that seems like a pretty big story to me.

This movie is not exactly that story, but almost. It’s about a special task force of the NYPD set up specifically to spy on famous rappers. At first the movie kind of seems like it’s full of shit. They interview various A-list and B-list rappers who sort of brag about getting harassed by cops. In particular I noticed there was a white dude named Pitbull who bragged that “the hip hop cops” must be following him, he bets, in his opinion. I almost turned the movie off at this point figuring this was going to be the level of documentation they were willing to settle for. Some dumbass white rapper you never heard of claiming that MAYBE people are spying on him. Not because he has noticed being spied on, but because he’s fuckin PITBULL, man. Why wouldn’t they spy on him? (read the rest of this shit…)

Ringers: Lord of the Fans

Wednesday, October 12th, 2005

This review is for anybody out there who is a poor sucker, like me. If you are a poor sucker you might foolishly assume that this documentary about LORD OF THE RINGS fans is called RINGERS because it is like the movie TREKKIES. A horrifying look into the abyss. You stare at that fucker and it stares right back at you, or whatever. A freak show. A good time at the movies. A cultural document that gives you the fuckin creeps even thinking about it years later.

But you remember how TREKKIES seemed like it was trying to be respectful and non-exploitative of the fans, but the people they found were just so fuckin over the top that it didn’t work? You know, like halfway through the interview with the guy dressed as a woman that he says is the never shown on screen wife of a minor astrounaut character for one episode, they figured “Ah, fuck it, we can’t make a respectful documentary about these lunatics. Let the freak show begin.” Well this is not like that. This is more like a rejected VH-1 special. (read the rest of this shit…)

Tell Them Who You Are

Wednesday, September 14th, 2005

This is a documentary about the legendary cinematographer Haskell Wexler, only it’s directed by his son Mark, so instead of being about Wexler’s career and genius, it’s more about daddy doesn’t love me enough. The son rebelling against the father and then trying to make up before he kicks it (he’s in his ’80s).

The opening scene won me over right off the bat. Haskell is in a big store room in front of all kinds of camera equipment, talking about what he does. From behind the camera, Mark asks him to tell where he is.

Now, we the audience aren’t retards. We know he’s in some sort of room where he keeps his camera equipment, because he’s standing in front of a bunch of camera equipment. Mark is a grown man and has directed documentaries before, but he clearly doesn’t know about “cinema verite,” also known as “direct cinema” or “good documentaries.” Haskell tries to explain that he shouldn’t have to say where he is, the audience will know where he is by watching what he’s talking about, seeing his surroundings, watching what happens. But Mark isn’t having it. He keeps asking Haskell where he is, and Haskell flips out. Immediately I knew I liked the guy. (read the rest of this shit…)

Lipstick and Dynamite

Thursday, August 25th, 2005

Well I should get this out of the way upfront, there is no actual dynamite in this movie, or explosions of any literal kind. What this is is another wrestling documentary. It is not nearly as good as BEYOND THE MAT or my favorite, HITMAN HART: WRESTLING WITH SHADOWS, because it’s done mostly in that tv special kind of way with talking head interviews and Ken Burns style photo montages. (There is not all that much footage of the era they focus on.) But it’s a different and interesting angle on the wrestling topic. This one is all about lady wrestlers, told through interviews with a group of elderly women that used to do the deed back in the golden age.

Most of these women looked like b movie stars when they were young, but they were tough ladies with names like Gladys “Killem” Gillem, and as we know from the other wrestling documentaries, even if it’s fake, it’s a dangerous sport/artform/opera that destroys the body of pretty much anybody who does it long enough to be successful. (read the rest of this shit…)