THE KICK is a family friendly Thai martial arts movie from director Prachya Pinkaew (ONG BAK, TOM YUM GOONG, CHOCOLATE). It’s not as ridiculous as POWER KIDS (arguably that’s a bad thing) but way less cheesy and broad than MUAY THAI GIANT (definitely a good thing). It’s less gory than POWER KIDS but otherwise schews a little older, with a teen brother and sister getting alot of the focus.
Despite being a Thai production it’s about a Korean family who train and perform Tae Kwon Do. The father has alot of resentment about a loss at the Olympics long ago, just as he had to abandon his dream in order to raise a family. Because of this he puts alot of pressure on his family to train hard, especially his older son, who would rather pursue his dream of STEP UP style dancing. Dad doesn’t even want him to go to a big audition to be a dancer for “Dream Entertainment.” The poor kid has to make a deal to master the impossible “Tornado Kick” to even be allowed to pursue dancing at all. (read the rest of this shit…)
OZ THE GREAT AND POWERFUL could also be called WALT DISNEY’S SAM RAIMI 3D. That’s what I was hoping to see, and that’s what I got. If it had been a WIZARD OF OZ prequel movie made by somebody not as exciting as Raimi I don’t know that I would’ve even bothered, and it’s not my first choice of what he should be doing now that he’s stopped being a captive of SPIDER-MAN. But it turns out to be a better-than-expected use of Raimi’s time and mine.
Finally the truth can be told. Because you know what? We have the right to know.
TEENAGE MUTANT NINJA TURTLES (1990) is a martial arts fantasy produced by Raymond Chow and Golden Harvest (ENTER THE DRAGON), with excellent animatronic and puppet effects by Jim Henson, and impressively agile fight and stunt sequences involving people in full body rubber creature suits. It has early performances by Elias Koteas and Sam Rockwell, and stuntwork by Ernie Reyes Jr. One major problem, though: it’s about teenage mutant ninja turtles.
Here’s a not-perfect but surprisingly enjoyable family sports robots drama from the visionary director of, to be frankly honest, CHEAPER BY THE DOZEN (remake) and THE PINK PANTHER (remake) and a bunch of other shit like that. Obviously the title is a cheap stunt, they’re trying to make you think Shaquille O’Neal is in it, so please spread the word that that’s not the case. It’s also not officially based on the beloved intellectual property Rock ‘Em Sock ‘Em Robots, even though it’s about boxing robots. It’s credited as being partly based on a Richard Matheson short story called “Steel” (also turned into a Twilight Zone episode starring Lee Marvin), but I say it’s suspiciously similar to Menahem Golan’s OVER THE TOP. 
After seeing WAR HORSE I wanted to see something about a civilian horse, so I watched this 2002 animated cartoon movie about a horse running wild in the old west. I guess his name is Spirit. I guess he is a stallion. I guess he lives in one of the places that is called Cimarron. I’m not sure which one. 
HUGO is the new “picture” from Martin Scorsese (GOODFELLAS). Like HAPPY FEET TWO it’s in 3D and like THE MUPPETS it’s a nostalgic revival of bygone popular entertainment and involves visiting a long-since-given-up former legend and getting him to reluctantly think about the old days. But in this case it’s the work of early cinema pioneer George Melies. So the history lesson seems more appropriate here. I wasn’t convinced that we needed to be reminded what the Muppets are, but when it’s silent film, yeah, maybe explain some of that shit, Scorsy. (I don’t feel comfortable calling him ‘Marty,’ so I use ‘Scorsy.’)
The most philosophically ambitious of the 3 PG-rated movies I watched is the one that’ll probly get the least credit for it, George Motherfuckin Two Men Enter One Man Leaves Miller’s HAPPY FEET TWO. And first of all I want to give them credit for spelling out the number in their sequel title and not misspelling it for a pun. I’m sure it’s not the first spelled out non-homonym sequel title in history, but I couldn’t name you another one.
After watching the whole HOSTEL trilogy I felt like I had to watch something a little happier, and preferably with less torture, although that’s not necessarily a dealbreaker. Well, it just so happens that three great filmmakers of the ’70s – Martin Scorsese, George Miller and Kermit the Frog – have released new PG-rated family movies in recent weeks. So somehow I ended up watching them. And you know I am hesitant to spend too much time on puppets and cartoon animals and crap like that, but honestly these movies all have a little something to say, a little more going on beneath the surface than alot of the ones they make that are supposedly for grown adults. Maybe puppet movies and cartoons are just such a pain in the ass to make that people figure if they’re gonna do one they should try to make it worthwhile. Although that wouldn’t explain the Chipmunk movies. 
POWER KIDS is another Thai action movie but for kids. It stars the same two girls from MUAY THAI GIANT plus three boys, and no giant. There’s the Thai Wil Wheaton as sort of the main kid, the Thai Corey Feldman as the slicked back hair charmer guy who thinks he’s hot shit, and the first kid’s little brother who has a weak heart.
