This is the story of a man (me), a famous television critic (Gene Shalit) and a children’s action picture called SPY KIDS PART 2. Three entitities living their separate existences. Independent and peaceful. And it coulda easily stayed that way, if not for the simple words of a newspaper advertisement. But it was not to be. Because of those words, our three lives converged. And we would be changed for a while, I guess.
GENE SHALIT OF The TODAY Show RAVES:
“THE MOST JOYOUSLY IMAGINATIVE MOVIE OF THE SUMMER! JUST ABOUT EVERY MINUTE IS FUNNY OR INGENIOUS… IN A WORD, FUN-TASTIC!”
Now I gotta be honest. Normally I don’t pay attention to these fuckwads on the ads. I am one of the most important film Writers today and I never been quoted once. So obviously these people aren’t the cream of the crop. But there was something about this quote from Gene Shalit that intrigued me. (read the rest of this shit…)
Hey folks, Harry here… I finally met Vern when I went to Seattle recently. Just so you know, Vern is actually a Paul Bunyon looking muther. He’s literally like 6’11″ 310lbs – solid as a granite dildo slammed home! He has most of his original teeth, and a few he’s knocked out of others’ heads that he keeps in a ju-ju medicine bag that hangs around his neck – “Nobody fucks with the Vern!” – He reminds me of a redneck John Sayles. Without further thumb twiddling, here’s Vern…
What this is about is hard to explain. It’s a cartoon about a professor who creates these three little girls. They have super powers to fly and shoot lasers out of their eyes and basically anything that pussy Superman can do. Only they have big round heads, giant eyes, and no fingers. And the professor is all made out of squares. At the same time he creates them in a laboratory accident he doesn’t know he also gives his pet monkey a giant brain. The monkey goes off to live in exile, plotting his revenge which involves monkeys and robots. Then there is fighting. 
In 1940 the Walt Disney animation company unleashed a bold new experiment, Fantasia, a collection of animated pieces inspired by classical music. Unlike say a Bambi or a Pinocchio this is a movie with no dialogue or traditional feature length narrative story. In a stunning display of craftsmanship and artistic achievement the animators listened to the music and created stories, sometimes retelling a fairy tale like The Sorceror’s apprentice or riffing on some goofball premise like dancing hippoes or mushrooms. At fantasia’s best moments it triumphs in bold flourishes, splashing abstract type shapes across the screen or depicting evolution and the rise and fall of the dinosaurs. My favorite is the night of the bald mountain king sequence in which a demonic demon comes out of the mountain and all the ghosts fly up, and then afterwards a whole bunch of people are marching along with candles I believe.
Subject: Re: Whats the *smallest* crowd you’ve seen a movie with?
Now correct me if I’m wrong but didn’t Richard Pryor ALSO have a movie by the name of toy story. This was not one of mr. Pryor’s better pictures in my opinion, its the one where a rich white kid buys richard as a toy. He says “a big train set won’t do it for me dad, I need a famous black comic to degrade.” The basic type of humor is Richard falls in the water and runs around in fast speed while the piranhas bite him in the ass. This may have paved the way for many of the Sinbad pictures I’ve seen on cable however in MY opinion it still is not one of the high points in pryors career.
