THE BEOWULF 3-D IMAX EXPERIENCE
BEOWULF is the new “motion capture” weirdly computerized sword and sandal 3-D movie from Robert Zemeckis. He’s using the same technology and directational style as POLAR EXPRESS but it will go over better because that one was for kids, this one has a bunch of stabbings and monsters and a part where Virtual Angelina Jolie gives a handjob to a sword, so that means it’s more sophisticated and adult.
Ray iWinstone voices the blonde he-man of the title. Anthony Hopkins 2.0 plays the old king, Robin Wright Penn’s likeness plays the princess from the fuckin Shrek movies, and John Pac-Mankovich does his usual distractingly weird performance as some asshole who is pissed off about something or other. Also you got Crispin Glover inhabiting the monster Grendel and a very good computerized duplicate of Angelina Jolie’s head as Grendel’s hot mom. (read the rest of this shit…)
This is part 2 of the Underworld saga and unfortunately I’m less sold on this Len Wiseman individual after part 2. I gotta admit, I had hopes for this one. From the trailers it looked more exciting than the first one. I thought maybe after a little practice and with a bigger budget this guy was gonna make a movie that was more fun. Now I’m not gonna say that Len Wiseman has destroyed my faith in the human spirit and man’s knack for overcoming obstacles with innovation and hardwork, but the guy was definitely trying to. We, as a people, can do better than this.
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Some of you may be wondering why the Bruce icon would adorn a review for some corny movie about an ancient war between leather clad vampires and werewolves, especially since Bruce does not appear in the film and probaly hasn’t even seen it, unless maybe on a plane. But some of you know what I’m getting at. According to recent reports, Mr. Len Wiseman – whose sole accomplishments in Hollywood so far are directing the two Underworld pictures and marrying Kate Beckinsale – will be directing “Die Hard 4.0.”
Ever since that documentary LOST IN LA MANCHA, Terry Gilliam has a reputation as the bad luck director who can’t finish a movie without the Lord dropping down on him like a bag of cinder blocks. I heard he writes his shooting schedules under a ladder on the 13th day of the month. It’s been what, six years since FEAR AND LOATHING IN LAS VEGAS, he’s been trying to make movies since then but this is the first one to make it to the screen. People figure it’s a miracle if he can shoot a scene that is not interupted by an act of God, let alone finish a whole movie and have it released in theaters. So in that sense, THE BROTHERS GRIMM is a miracle. Because it is a finished movie with credits and everything. They even made a poster I think.
THE POLAR EXPRESS 3-D IMAX SPOOKARAMA 
SPOILER ALERT !!
(Written for The Ain’t It Cool News, but they never put it up.) 
Hey folks, Harry here with Vern… he’s our magical little friend from up in Seattle and he doesn’t like KRULL! What sort of soulless mutherfucker doesn’t dig on KRULL! KRULL is the film that introduced the GLAVE and THE GLAVE is the fucking weapon of choice in my D&D household! And the Spider sequence… the sand in the hand… Ancient bitter love… FIRESTEEDS! Oh absolutely it’s got levels of funk 4 feet deep all about, but I love all sorts of crazy shit in that movie, and would love to see it in 70mm. ENVY! Ok, here’s Vern, who I still like, even if he’s too backwoods to get KRULL!
Alot of you know that I am a big fan of the surrealist movement. Well actually I do not know a whole lot about the history of the movement but among respected film Writers I’m pretty damn sure I am the biggest supporter of Jean Claude Van Damme’s surrealist period, which is best represented by his collaboration with Tsui Hark and Dennis Rodman, Double Team. Well someone pointed me towards Louie Bunuel the famous surrealist and I was able to catch one of his later works, the discreet charm blah blah blah, on the Bravo network.
