Archive for the ‘Horror’ Category

Nightmare

Tuesday, October 21st, 2014

tn_nightmareslashersearch14I guess I should’ve known about this one, but I didn’t. 1981’s generically titled NIGHTMARE (sometimes called NIGHTMARES IN A DAMAGED BRAIN) is apparently pretty notorious due to getting banned in the UK as a “Video Nasty.” That’s not the same as being good. But it has a sleazy, unhinged feeling to it that makes it stand out. It feels like it is definitely not made by slick professionals, but possibly by actual crazy people.

It begins, appropriately, with a guy dreaming he wakes up in his underwear with a woman’s severed head in a pile of guts at the foot of his bed. This will be our killer, George Tatum (Baird Stafford), an often sweaty, always confused mess of a man constantly in agony because of his extremely messed up sexuality. He’s haunted by childhood memories of walking in on his mom (or a mistress or hooker, it seems like, but the credits say mother) in a corset on top of his tied-up dad, slapping him. And then he remembers Mom getting decapitated.

Not surprisingly this is a problem in George’s daily life. For one thing, he likes to go to the Times Square peep shows to jerk off, but he keeps seeing head stump flashes and falling to his knees in anguish. Ruins the whole night, I’m sure.

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The Initiation

Monday, October 20th, 2014

slashersearch14tn_initiationTHE INITIATION is yet another sorority-themed slasher movie (see also HOUSE ON SORORITY ROW, SORORITY ROW, SORORITY HOUSE MASSACRE I and II, KILLER PARTY, BLACK CHRISTMAS, BLACK XMAS), but it’s toward the high end of that list as far as quality. “Introducing Daphne Zuniga” as Kelly (although she had already been in THE DORM THAT DRIPPED BLOOD), one of a group of new pledges beginning their Hell Week at a college in Dallas or Fort Worth while somebody possibly connected to her is going around stabbing people, mostly with a 3-pronged gardening tool.

It’s got a little bit of HALLOWEEN and a little bit of A NIGHTMARE ON ELM STREET. The HALLOWEEN is in the section that takes place in an insane asylum where the inmates all get loose at night and mob a nurse’s car. She gets stabbed, but we don’t see who did it, and none of these witnesses are gonna be able to explain it. They just giggle uncontrollably, suck their thumbs or flick their tongues like lizards. (read the rest of this shit…)

The Burning

Thursday, October 16th, 2014

tn_burningTHE BURNING is a slasher movie I like, and I can acknowledge that it’s not great but it just fits into my wheelhouse (you know, the house where I store all my wheels as well as some of the movies I like). Something about those FRIDAY THE 13THs and SLEEPAWAY CAMPs just engrained the summer camp of the ’80s into my mind as a perfect place for a slasher. By day it’s canoes and pushing people off of docks and wearing those gym socks with the stripes at the top. Then at night you realize you’re out in the middle of the fuckin woods! What the fuck are you gonna do if (let’s be honest – when) something happens? Where are you gonna go? Deeper into the dark, quiet woods?

But actually Jason and these guys are scarier when they strike in the sunlight. The sanctity of the summer paradise invaded by machetes and improperly used spear guns. Lens flares and dripping blood. (read the rest of this shit…)

Cutting Class

Thursday, October 9th, 2014

tn_cuttingclassslashersearch14“Shouldn’t you be bouncing a ball somewhere?”

CUTTING CLASS is the slasher movie starring Brad Pitt. It’s one of his first couple movies, so I figured he would just be a supporting character, like, smaller than Johnny Depp in A NIGHTMARE ON ELM STREET. But he’s actually one of the three leads. There’s Final Girl Paula (Jill Schoelen) and two serious suspects for a series of murders that are going on around her school: her jock boyfriend Dwight (Pitt) or Dwight’s childhood best friend Brian (Donovan Leitch, THE BLOB), who was just released from a mental hospital after being blamed for the murder of his father. The movie does a good job of leading you back and forth about which one of these guys is the killer. Or if you want you can go ahead and believe the parts where the creepy janitor (Robert Glaudini, writer of the one movie Philip Seymour Hoffman directed, JACK GOES BOATING) acts suspicious. (read the rest of this shit…)

Offerings

Wednesday, October 8th, 2014

tn_offeringsslashersearch14“Hello, girls. Now what’s all this about a ear?”

Who the fuck needs Michael Meyers when we got John  Hadley (Richard A. Buswell)? Well, everybody. This is not a very good movie. But if all the discs rot and HALLOWEEN gets erased from The Cloud and we as a society need to remember what it was like, I guess we could watch this knockoff and hope it would jog our memories.

The childhood prologue is different from original HALLOWEEN, it’s a little more like remake HALLOWEEN because John is a victim of bullying and abusive parents, though he does not wear a Kiss t-shirt. He doesn’t talk, and he’s good at checkers. But the neighborhood shitstains ride up on their bikes to taunt him, shame him into walking on the edge of a well, frighten him into falling in and then run away like bitches. 10 years later he’s a disfigured zombie in an asylum who they say literally chewed his mom to death. (read the rest of this shit…)

Willow Creek

Wednesday, September 10th, 2014

tn_willowcreekWILLOW CREEK is the latest Bobcat Goldthwait directorial work, but mostly it’s just the latest found footage movie. This one is about a couple visiting the area in Northern California where the famous (admitted hoax I thought, but I guess not) Sasquatch footage was filmed in 1967, retracing the journey of the filmers and making their own video about it. Boyfriend Jim (Bryce Johnson, also star of Goldthwait’s SLEEPING DOGS LIE) is a believer, but has enough of a sense of humor about it that a stranger angrily tells him “It’s not a joke!” after seeing him film in front of a wooden Bigfoot statue. Girlfriend Kelly (Alexie Gilmore, SURFER, DUDE) has to confess complete Bigfoot atheism, which leads to some tension and arguments. She’s just going along to have fun with her boyfriend, but it upsets him that they’re not on the same page.
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Stage Fright (2014)

Thursday, July 10th, 2014

tn_stagefrightI honestly thought this new-to-disc movie STAGE FRIGHT was gonna be a loose remake of the Italian STAGE FRIGHT directed by Michel Soavi, but after seeing it I don’t think they’re suppoosed to be connected. It’s just the logical title for a stage-performance-themed masked killer whodunit (or whoslashedit I guess). This one’s got completely different characters and backstory, it’s set at a camp for kids learning musical theater, and instead of a silent killer in a creepy as hell owl mask it’s a guy who sings rock songs in a kabuki mask that looks like that puppet from SAW.

See, that’s the thing about this, it’s a musical. And by “thing” I mean both “unique part” and “problem for me.” You know I don’t have a completely closed mind, I have appreciated a musical now and again. I loved the critically trashed THE MISERABLES, for godsake, I thought it was amazing. And you know how I feel about MARY POPPINS. But by my way of thinking “slasher movie with musical numbers” is kinda like BRICK‘s “hardboiled detective story, but in a high school.” I can admire the cleverness of how it’s put together, but that extra element is a drawback to me, not a bonus. I’d be more excited for the regular thing. I guess I still see room for great straightahead slasher movies in the world. The slots haven’t been filled yet, no need to start getting all fancy. (read the rest of this shit…)

Wolf Creek 2

Tuesday, July 1st, 2014

tn_wolfcreek2Man, I waited so long for WOLF CREEK 2 that I gave up on it happening like three different times. Back in 2005 director Greg Mclean said “You call that a debut? This is a debut!” with his deeply Australian outback slasher. It was kinda controversial at the time. I remember a Seattle Times critic walked out. Ebert was really offended by it. All my buddies except the two I saw it with said it sucked. It was labelled a new low in “torture porn” by non-horror fans who still review every new horror movie or worse, “nu-horror” by horror fans who hate most new horror movies. But I thought it was really well done, masterful tension and outstanding (sometimes darkly humorous) villain performance by John Jarrat (DARK AGE), very effective use of wide open nature as a source of terror, plus a little bit of precious George Miller blood pumping through the veins of the chase scenes. One over-explanatory scene and an abrupt ending couldn’t kill it for me.

Mclean’s followup was ROGUE, a really good giant croc movie somewhat buried in the U.S. when it came straight to video from Dimension Extreme. But then financing problems, the death of a close collaborator and who knows what else kept slowing down the return to the giant crater where a guy stalks people. So I’m happy to report that even with all that anticipation this is a very good sequel. It’s a smart escalation, more action packed, faster paced, cleverly structured. The only big repeated error is another “That’s it, huh?” ending. (read the rest of this shit…)

Soul Vengeance

Thursday, February 27th, 2014

tn_soulvengeanceAlot of people have recommended the PENITENTIARY trilogy to me over the years. Apparently it’s a pretty crazy movie property franchise of the VHS era, so it made sort of a minor cult legend out of writer-director Jamaa Fanaka. He came out of the UCLA film school and a group of young black filmmakers known as “the L.A. Rebellion.” Other members include Charles Burnett, Julie Dash and Haile Gerima, so he might’ve been the black sheep of the group, being more interested in exploitation type subject matter than his colleagues.

Although the PENITENTIARYs are what he’s known for, Fanaka (who was born Walter Gordon, by the way – he changed it to a Swahili name in college) actually started in the blaxploitation era. His first feature was 1974’s EMMA MAE, better known now as BLACK SISTER’S REVENGE. In 1975 he did WELCOME HOME, BROTHER CHARLES, which we will discuss here under its current video title of SOUL VENGEANCE. (read the rest of this shit…)

Whiskey Mountain

Wednesday, December 11th, 2013

tn_whiskeymountainWHISKEY MOUNTAIN is an obscure movie I came across through my usual Slasher Search method of scanning for VHS boxes in the horror section. It’s from 1977 and I’m pretty sure it was made after the filmatists saw 1974’s THE TEXAS CHAIN SAW MASSACRE, but you could probly stick it in the DELIVERANCE redneck attack type of genre more than in horror.

This is the story of two couples who take their dirtbikes up into some mountains in search of treasure. Like in TEXAS CHAIN SAW they’re looking for family property they vaguely know about, and a local business proprietor warns them they don’t want to be nosing around on other people’s property. Also like in CHAIN SAW that local shows up later on as one of the attackers. (read the rest of this shit…)