Archive for the ‘Martial Arts’ Category

The Man With the Iron Fists 2

Tuesday, April 21st, 2015

tn_mwtif2My friends, I don’t know about you, but I count myself lucky to live in a world where one of my favorite hip hop producers, the RZA, not only got to write, direct and star in a legit kung fu movie, but got to do a DTV sequel directed by one of the leaders of the form (Roel Reiné, THE MARINE 2, DEATH RACE 2-3, SCORPION KING 3, 12 ROUNDS 2: RELOADED). If I somehow slipped and fell into an alternate dimension that’s okay. I’m not going back.

Filmed in Thailand with about a third of the first film’s budget, THE MAN WITH THE IRON FISTS 2 is much more normal and low key than the first one, I want to warn you of that up front. There are fewer colorful gimmicks, no crazy Russell Crowe performance, comparably grounded (both literally and figuratively) martial arts, and no mention of the cliffhanger from the director’s cut where I think he had to team up with the X-Blade to save his wife that got snatched by the Falcon Clan and put in a big nest on top of a mountain or something like that. But for me it’s still a very enjoyable sequel because it maintains the most important ingredient: the complete sincerity of the RZA. (read the rest of this shit…)

Martial Law

Tuesday, April 14th, 2015

tn_martiallawI gotta admit, I didn’t know what Chad McQueen looked like, or that he starred in this, so I thought “Who the fuck is this?” when he showed up undercover as a pizza delivery man to defuse a hostage situation at Crown Diamonds. Those dumb fucks shoulda known the cops wouldn’t allow a real Domino’s dude to walk in there. Even in Seattle, where we’ll have a $15 minimum wage in a couple years, it wouldn’t be worth it, and this is Los Angeles circa 1990. (The 25th anniversary is on the 16th of next month, so get the balloons ready.) Also, fuck these guys for not insisting on giving him a huge tip when they believed he was a legit employee. Not cool at all, gunmen.

Anyway, he’s really a cop, so he karates them. He’s playing Detective Sean Thompson, nicknamed Martial Law. It took me a while to catch on that it’s because he’s a lawman who does martial arts. We learn that after his dad died in 1983 he took off to Hong Kong for a few years “to prove how tough I was.” He regrets it because he left his younger brother Michael (Andy McCutcheon) behind and now the kid wears a leather jacket, has two DUIs, crashed their mom’s car and steals sports cars. (read the rest of this shit…)

Goyokin

Tuesday, March 17th, 2015

tn_goyokinGOYOKIN is the seventh movie from Hideo Gosha, the director who started with THREE OUTLAW SAMURAI and SWORD OF THE BEAST. So he’d been around a bit by that point. It was 1969, the hippie era over here, but questioning authority was part of the samurai movie tradition anyway. The heroes follow a strict code and usually have to deal with some government asshole trying to pervert it. They struggle when there’s a discrepancy between following the rules and doing the right thing. And they always have differing interpretations of what those two things are. But this one seems particularly fitting for a couple summers after the summer of love, because it’s about one man who feels he must stand up against the power structure to stop an atrocity.

It starts with a mysterious incident. A girl returns home to her village to find that everyone has disappeared. Nobody there but her and the crows. They blame it on a curse called the Kamikakushi, but in fact it was a government sanctioned massacre. Some Waco shit. The Saido province feels they have to steal a shipment of gold in order to pay their taxes and survive, and they kill the local fishermen so there aren’t any witnesses. They feel it’s a necessary sacrifice for the greater good.

Three years later the ronin Magobei (Tatsuya Nakadai, YOJIMBO, THE SWORD OF DOOM, RAN) still regrets not trying to stop the slaughter. His brother-in-law Tatewaki (Tetsuro Tanba, THREE OUTLAW SAMURAI, RIKI-OH), the guy in charge, vowed to never do it again. But when assassins come to kill Magobei (they fail) he finds out it’s a precursor to another one. Clearly this stolen gold economics is not very sustainable in my opinion.

Magobei’s not gonna make the same mistake he made last time. He’s gotta stop this massacre or die trying. So he puts on his cool hat and starts walking. (read the rest of this shit…)

Desert Kickboxer

Thursday, March 12th, 2015

tn_desertkickboxerrookiesIsaac Florentine’s first feature DESERT KICKBOXER is not a remake of KICKBOXER that takes place in a more arid climate. It’s also not DESSERT KICKBOXER. That would be weird, and I’m not sure what it would be about. No, this one is just a story about a kickboxer who lives in the desert. Actually I doubt he even considers himself a kickboxer anymore. In a hazy, dreamlike prologue he kills a man in the ring. If this was KICKBOXER he’d be the bad guy, and his dead opponent’s brother would come after him for revenge. Since it’s not, he feels bad about it and is a loner living in his deceased father’s trailer in the middle of nowhere.

His name is Hawk, and I bet you can guess what that means. Yep, he’s that archetype “The Half Breed,” like Billy Jack, or Elvis in FLAMING STAR, or Bronson in CHINO, or the Daywalker. He has all of the white man’s strengths, none of his weaknesses. But he never quite fits in either world. He’s never fully accepted on the reservation, probly called racist slurs by some white people, impressive to others because of his exotic wisdom. And as far as I know the actor playing him is a white guy. He’s John Haymes Newton, best known for playing Superboy in the late ’80s TV series of the same name.

When we first meet Hawk he’s some sort of deputized border guard badass beating up drug smugglers, but he’s pissed when he finds out it’s just pot they’re smuggling, and tells the sheriff – an old colleague of his dad, of course – that he’s not doing this shit anymore. Pretty progressive. (read the rest of this shit…)

Sanshiro Sugata

Tuesday, March 10th, 2015

tn_sanshirosugatarookiesAkira Kurosawa’s directorial debut SANSHIRO SUGATA, a.k.a. JUDO SAGA, is the judo saga of Sanshiro Sugata (Susumu Fujita, MOTHRA VS. GODZILLA). When we first meet Sanshiro he’s a stranger wandering into town, but he’s not a badass like our friend in YOJIMBO. He’s wide-eyed and naive and looking for a jujitsu teacher. Some locals point him to the nearby school of the instructor Momma (Yoshio Kosugi, 47 SAMURAI) where they’re sitting around complaining about their rival “Yano of the Shudokan” (Denjiro Okochi), who’s been calling jujitsu “judo” and getting alot of attention for it. I imagine they feel about this kind of like I felt when I first heard the word “blog,” or like we as a society feel when some ad tries to convince us that pizza can just be called “‘za.”

They’re worried this word-coiner Yano is gonna get the gig they want instructing the police force, so they’re gonna ambush him tonight to “teach him a lesson,” and they let the new kid Sanshiro come along to see how fucking awesome these guys are that he’s about to learn from.

They surprise Yano on the dock and one by one they run at him and get tossed into the water. This being a night scene in black and white it’s really striking and sometimes looks like he’s tossing them into a black void. Once he’s gotten Momma into an armlock and made him beg to be killed to hide his shame of being defeated by a scoundrel, Sanshiro is like “You know what, maybe this Yano would have a better curriculum” and next thing you know he’s pulling the guy’s rickshaw back to his school.
(read the rest of this shit…)

Lady Snowblood

Wednesday, March 4th, 2015

tn_ladysnowbloodTalk about a revenge story! Yuki, a.k.a. Lady Snowblood (Meiko Kaji from the FEMALE CONVICT SCORPION series), has been raised from birth specifically for vengeance. Nothing else. No coloring, no jump rope, just “let’s get you ready to track down some people and chop them the fuck up.” It all started when four scumbags (three men, one woman) attacked a couple, killing the man and raping the woman. When the woman later killed one of the attackers she was put in jail, where she died giving birth to Yuki.

As an adult, Snowblood actually remembers being born in jail. Then a teacher trained her in swordsmanship and fighting and a lady named Auntie taught her to be a pickpocket. She’s like Batman, travelling around to different teachers, mastering different skills, but she will avenge her parents’ death not by fighting crime (DEATH WISH) but by killing the actual perpetrators (DEATH WISH II).

When we first meet her she’s tracked one down, approaches with an umbrella, attacks the guy’s caravan and slices them up. Then she goes to a tribal leader guy who likes her because she once did some killing for them. He agrees to use his people to track all the names on her wish list so she can cross them off. (read the rest of this shit…)

Lady Dragon

Tuesday, March 3rd, 2015

tn_ladydragonIn the opening of LADY DRAGON, Kathy Galagher (Cynthia Rothrock) arrives late to her underground fight. The crowd goes silent from cheering on her opponent when she enters in silhouette, a mysterious figure of intimidation in a pointy druid hood, carrying a gym bag, her footsteps echoing like Walker in POINT BLANK. She stands with her back to the camera as she pulls off the hood, then spins around to reveal her face.

It seems like we’re supposed to spit out our Pepsi when we see that it’s a girl. What, did they not know we knew we were renting a Cynthia Rothrock vehicle?

Director/story-provider David Worth (this was his followup to KICKBOXER) gives her lots of cool entrances like that and different outfits, sometimes masculine (a black leisure suit), sometimes the opposite (lots of glittery dresses). She’s trying to track the white arms dealer in Indonesia who killed her CIA agent husband. We learn all this only after special guest star Robert Ginty (THE EXTERMINATOR), who was watching her fight from behind shades and a cigarette, finds her at a bar and tries to bring her back into “the Company.” She says no and tells him to “have a nice day.” He says “Yeah, you too.” (read the rest of this shit…)

Azumi

Thursday, February 26th, 2015

tn_azumiBTISLPoor Azumi (Aya Ueto) is one of the best young swordswomen you ever did see, but it’s because she’s lived such a fucked up life. In the opening scene we see how she ended up like she did. When she was a little girl the Master (Yoshio Harada, THE HUNTED) was leading some young boys on a trail and came across her kneeling over her dead mother. He took the orphan girl with them to their isolated mountain area where he raised them to be elite sword fighters on a covert mission from Lord Tokugawa’s priest.

I mean really he saved her life, and their whole clan of nine boys and her are like a family, brothers and sisters who have fun fighting and training and joking around with each other. And they love their master and trust in him enough to believe that this thing he’s been preparing them for their whole lives is a righteous thing. They are tasked with assassinating the ambitious warlords who want to take over the country, whose selfish actions would otherwise keep the country in civil war forever. They will take life to prevent endless war. (read the rest of this shit…)

The Boxer’s Omen

Wednesday, November 5th, 2014

tn_boxersomenTHE BOXER’S OMEN is one of these movies I’ve had recommended to me for years but for some reason never listened. I guess everybody just talked about how FUCKIN CRAZY it was, and I like FUCKIN CRAZY but sometimes a man needs more. For example (HERESY ALERT this paragraph) I couldn’t get into that beloved Japanese freakout available from Criterion, HOUSE or HAUSU. It is indeed unique and goofy and graphically fun, but feature length? I think that’s the ultimate example of a movie that if I stumbled across it on TV at 2 am and had never heard of it it would seem like the greatest achievement in the history of cinema, but when I intentionally sit down to watch it as a real movie I have a hard time getting through it.

Maybe that’s what I was worried BOXER’S OMEN would be. Then I was looking at the box and it said Bolo Yeung was in it so of course I rented it. Why didn’t you say so?
(read the rest of this shit…)

John Wick

Monday, October 27th, 2014

tn_johnwickI never figured Keanu Reeves would become an action hall-of-famer, but here we are. Of course he stars in the great POINT BREAK, but we can’t lie, we all kinda chuckle at his FBI surfer dude Johnny Utah in that. And then he was good in SPEED, but would that be enough? If that was enough Matt Damon would be an action legend. Of course, playing Neo in THE MATRIX trilogy sealed the deal, Reeves learned to do all that kung fu and that hadn’t really been done by a normal actor like that before and those movies and those fights hold up today. Still, it seemed like an anomaly in his career. He would always be Neo to the world but that would be it for Action Keanu, right?

Nope. Because he directed last year’s martial arts gem MAN OF TAI CHI and played the villain, creating and performing some more classic fight scenes. When I saw that I realized it was time to acknowledge his greatness. 47 RONIN put a little bit of a damper on that though because it was so boring I never even wrote a review. If I had it would’ve said “Some of the monsters are cool” and that’s about it.

But after JOHN WICK, Reeves’s strong connection to Badass Cinema cannot be denied. This is a fun, violent, straight-ahead revenge action movie. Reeves did not direct it, but his stunt double from the MATRIX movies, Chad Stahelski, did*. So it’s probly a style of directing too dangerous for Reeves to perform. (read the rest of this shit…)