Archive for the ‘Science Fiction and Space Shit’ Category

The World, the Flesh and the Devil

Friday, March 21st, 2014

tn_worldthefleshTHE WORLD, THE FLESH AND THE DEVIL, which I never heard of until I picked up the Warner Archive dvd box abandoned sideways on top of the Post-Apocalypse section at Scarecrow Video, is an early take on the LAST MAN ON EARTH type of concept. It’s from 1959, making it the earliest one I know of, and it’s based on a book other than I Am Legend. Actually it’s apparently based on two things, The Purple Cloud, a 1901 novel by M.P. Shiel (H.G. Wells was apparently a fan!) that sounds like it has very little in common with the movie other than a last-man type concept, and a story called “End of the World” by Ferdinand Reyher (which I can’t find much information on).

Harry Belafonte plays Ralph Burton, an inspector who gets trapped alone in a collapsed mine. He’s down there a long time and goes stir crazy talking and singing to a radio that never talks back (he assumes it’s broken). Eventually he gives up on anyone rescuing him but is luckily able to dig his own way out of the rubble. (Shoulda tried that before, I guess.) (read the rest of this shit…)

Battle of the Damned

Tuesday, February 18th, 2014

tn_battleofthedamnedIn BATTLE OF THE DAMNED, Dolph Lundgren fights zombies, and I’ll give it this: it’s way better than AGAINST THE DARK, the one where Steven Seagal fights vampires. There are two main reasons for this:

1) AGAINST THE DARK is Seagal’s worst movie ever
2) BATTLE OF THE DAMNED also has robots

It’s almost the same story: group of mercenaries led by beloved action icon of the ’80s and ’90s (in this case Dolph) patrols through a quarantine zone where a plague turns everybody into violent monsters (in this case running zombies instead of vampires) while a group of bland survivors walks slowly and talks about boring shit in a large building. They kill a bunch of the monsters, splattering that CGI blood that dissolves in the air, and there is some running around and stuff. Seagal used a sword, Dolph doesn’t, but he does meet a guy named Elvis (Jen Kuo Sung of NO RETREAT, NO SURRENDER 3 and BLOODMOON) who does. And he knows the military plan to bomb the whole area to stop the virus so he bands together with the survivors he meets and they try to get out of there before it’s too late. The end. (read the rest of this shit…)

RoboCop (2014 remake)

Sunday, February 16th, 2014

tn_robocop14Many remakes, even good ones, remove or weaken the meaning or subtext of the originals. The classic example is Zack Snyder’s DAWN OF THE DEAD (by this same production company, Strike Entertainment), which is a fun action movie version of Romero’s masterpiece, but doesn’t have much time for the questions about our voluntary enslavement to consumerism and materialism. How do we keep our humanity in the face of this apocalypse? Did we have it in the first place? Who gives a shit. Zombies!

Another one is LAST HOUSE ON THE LEFT. A surprisingly good remake, in many ways more artful than the original, but with its last act tweaks and audience-pleasing ending it completely ditches the thing that makes Wes Craven’s version worth stomaching: its angry illustration of the dehumanizing effect that revenge has on those who commit it. According to the last scene of the remake fuck all that, sadistic revenge is funny and cool.

ROBOCOP 2014′s goals and tone are very different from Mr. Verhoeven’s 1987 classic, but it’s the rare remake that’s arguably even more directly political than the movie it’s based on. Most would say, and I agree, that Verhoeven’s (or really Neumeier and Miner’s) message about privatization and corporate greed is more powerful because of its hilarious bluntness. It was the sarcastic cop movie that Lee Iacoca and Ronald Reagan’s America was asking for, a movie where amoral corporate assholes run the police force for profit, turn a dead body into a cyborg cop, then unleash him to do high caliber battle with savage DEATH WISH style supercreeps and get mixed up in a feud within the company, reconnect with his old self and turn on them. (read the rest of this shit…)

RoboCop History Week: RoboCop: Prime Directives: Dark Justice

Thursday, February 13th, 2014

tn_robocoppdrobocophistoryweekIn 2001, three years after the previous ROBOCOP tv show (the cartoon ROBOCOP: ALPHA COMMANDO) and 14 years after the original movie, the Canadian company that made the LA FEMME NIKITA tv series and MUTANT X owned the tv rights to ROBOCOP and wanted to squirt something out before they expired. Instead of a traditional tv series they decided on a mini-series of four feature length, but not feature quality movies. Or prime directives, if you will.

I watched the first one, DARK JUSTICE, which has RoboCop (Page Fletcher, who I guess played the title character in the early ’90s tv series The Hitchhiker) returning to action on his tenth birthday.

(read the rest of this shit…)

Robocop History Week: Robocop Alpha Commando: “Justice Reborn Parts 1-3″

Wednesday, February 12th, 2014

tn_robocopalpharobocophistoryweek“I’m not a weapons system. I’m a man.”

In 1998, 11 years after the first ROBOCOP movie, five years after the last ROBOCOP movie, ten years after the first ROBOCOP cartoon and four years after the first live action TV series came the second ROBOCOP cartoon, ROBOCOP: ALPHA COMMANDO. This was cartoon RoboCop reimagined for a very different age of TV animation. After the success of prime time cartoons like The Simpsons and the influence of Batman: The Animated Series, most cartoons were still aimed at children, but the standards for storytelling were a little higher, and many seemed like they were no longer made with utter contempt for the little shitbags they expected to be babysat by the fuckin thing.
(read the rest of this shit…)

RoboCop History Week: RoboCop: The Series (pilot)

Tuesday, February 11th, 2014

still_robocoptv7robocophistoryweek“The Future of Law Enforcement” is the two-part pilot to the 1994 ROBOCOP live action tv series, sometimes known as ROBOCOP: THE SERIES or ROBOCOP: THE BEGINNING. Orion Pictures licensed the TV rights to a Canadian company called Skyvision (no relation to Skynet) who made one season that started airing about 4 months after ROBOCOP 3 took flight. (get it, because he can fly in part 3.) Despite that proximity it seems to ignore the events of the sequels, for example Murphy’s family doesn’t know he’s RoboCop. Sorry, ROBOCOP 3 – you just left theaters like five minutes ago, and we’ve already disavowed your sorry ass. On Canadian television, even. You blew it, ROBOCOP 3. Admit it.

The script is credited to original ROBOCOP writers Edward Neumeier and Michael Miner, and it definitely has some of their sense of humor in it. I keep reading that it’s adapted from their rejected part 2 script CORPORATE WARS. But as a movie sequel you figure they’d try to make it somehow bigger than the modestly budgeted part 1. And now they have to scale it down for a Canadian syndicated television budget. It definitely would’ve had to have a whole hell of a lot more plot, excitement and things happening to seem like a theatrical movie. (read the rest of this shit…)

The Hunger Games: Catching Fire

Monday, November 25th, 2013

tn_catchingfire(I’m trying to mark the biggest spoilers as usual, but be careful with this one if you don’t want anything given away)

You remember back when THE HUNGER GAMES came out I avoided it. I know this makes me a weirdo, but it wasn’t until Francis Lawrence signed on to direct the sequels that I got interested. The conventional wisdom was that part 1′s Gary Ross (PLEASANTVILLE, SEABISCUIT) was a classy director and this was a step down to replace him with the guy who did CONSTANTINE and I AM LEGEND. But I’m a fan of Mr. Lawrence, I see some genius behind the admittedly large flaws of those movies. As pretty good as THE HUNGER GAMES is I’m way more impressed by Lawrence’s depiction of post-human-New-York-City and Will Smith’s performance as the lonely omega-scientist. Yeah, we all know that there are some problems when the vampires turn out to be leaping computer animated beasts, but shit, they’re better than the animated dogs in HUNGER GAMES. Scarier and with more personality and meaning. Let’s not pretend either of these is flawless, but I know which one I like better.

Now Lawrence’s first HUNGER GAMES chapter has hit, and virtually ever review I’ve seen says what I predicted, that he made a better movie than the first one. See you guys, I know shit.

(read the rest of this shit…)

The Hunger Games

Monday, November 11th, 2013

tn_hungergamesOkay, I admit it. I kinda liked THE HUNGER GAMES. I was real turned off by all the pre-release hoopla, the reporting of every miniscule detail of casting and filming, for a movie from an only okay director (sorry, Pleasantvillamaniacs) based on a book written for kids and too recent for any of the reporters to have grown up on it and have a personal connection to it. It seemed pretty transparent to me that publicists had convinced everybody that this was gonna be the next TWILIGHT, and they were running scared trying to learn the lingo and the character names to show they knew all about this. Hey man I’ll suck your dick for a hit.

Okay that last sentence was harsh but I wrote it down in my notebook and it’s too late to back out now, it’s part of the historical record. I still feel that way but also I gotta admit I was wrong when I predicted nobody would like the movie that much and it would be quickly forgotten. Then they hired a director I kinda like (I AM LEGEND’s Francis Lawrence) for parts 2-3 so I figured it was time to shut up and listen to all the cool uncles of the internet and try this out. Also I was kind of into Jennifer Lawrence after SILVER LININGS PLAYBOOK. Sorry. But I watched it with an open-minded and I mostly enjoyed it. (read the rest of this shit…)

After Earth

Friday, October 18th, 2013

tn_afterearthor JUST THE TWO OF US: THE MOVIE

When I kept seeing the trailer last summer, AFTER EARTH didn’t look so hot to me. It’s hard to have hopes for an M. Night Shyamalan joint these days, and also it got absolutely terrible reviews. I mean, it has an 11% from critics on Rotten Tomatoes – that’s lower than ALEX CROSS, R.I.P.D., THE SMURFS 2 or the joyfully pre-hated Paul Schrader/Lindsay Lohan collaboration THE CANYONS. But you know me, I watched it anyway and I’m not unhappy to tell you that it’s not bad.

Jaden “KARATE” KID Smith stars as Kitai, a talented young cadet in some futuristic military outfit, trying to make ranger, but he fails because he’s Too Reckless In the Field. There’s alot of pressure on him because his dad (played by real life dad Will Smith) is the Big Willy of the future, the warrior who saved the human race from giant alien bugs called ursas. This happened after humans polluted earth so bad they had to colonize a place called Nova Prime, then some other aliens invaded using the ursas as attack dogs. Ursas are blind but they can smell pheremones, and dad can chop them up completely unsmelled because he has no fear. This technique, Kitai explains in narration, is called “ghosting.” The only thing we have to not ghost is not ghosting itself.

So his dad is awesome, but I’m not gonna say what his name is because then you’ll never believe me that this is a decent movie. Okay, his name is Cypher Raige. But seriously guys. (read the rest of this shit…)

Summer Movie Flashback the Final Chapter: Prometheus

Thursday, September 26th, 2013

tn_prometheus

2012

2012

This is the third time I’ve seen PROMETHEUS. I saw it twice in the theater. It’s one of the most divisive movies in the history of outlawvern.com comments, and I wanted to see how it played after sleeping on it for a while. I still like it and think that its great filmatism overcomes its underlying stupidity. But I’ve got a few new thoughts on it.

We’ve discussed alot of unscientific things these scientists on the Prometheus do, but one I don’t remember thinking about before is that they’re totally jumping to this conclusion that humans were engineered. All they’re going on is the “DNA match,” that “their genetic material predates ours,”  but doesn’t that seem more like we evolved from them than they purposely created us? I guess they’re going on the cave paintings, which they assume were made by the Engineers and did in fact lead them to this planet. But I don’t know, I don’t feel like this Engineer theory has been adequately proven. (read the rest of this shit…)