"You know what I think I'm gonna do then? Just for the hell of it? I'm gonna take this right foot, and I'm gonna whop you on that side of your face. And you wanna know something? There's not a damn thing you're gonna be able to do about it."
REDEMPTION, huh? ‘Bout time somebody made a movie about redemption.
Okay, this might tie WAR for “most generic Jason Statham title” (except in the UK, where it has the more-distinctive-for-a-Jason-Statham-movie title HUMMINGBIRD), but the movie itself is something else. Written and directed by Steven Knight (the guy that wrote EASTERN PROMISES), it’s in the BLITZ category of serious-minded British crime dramas where Statham gets to beat the shit out of a couple people without it really being an action movie. They hired him more for acting than action on this one.
Stath plays Joey, a.k.a. Crazy Joe, a homeless crackhead who was an elite commando in Afghanistan until he lost it, committed war crimes and went AWOL. You think that’s different from most Statham characters, wait ’til you see his long hair! (read the rest of this shit…)
November 6th, 2013 | 27 Comments »
I’m a lightweight when it comes to reading Cormac McCarthy books. I read No Country For Old Men, loved it, then loved the movie version. I was deeply moved by The Road, the movie was decent. Before those I tried to read All the Pretty Horses, but I think it was too dense for my brain at the time, I didn’t get very far. I haven’t tried Blood Meridian yet, I know that’s the one everybody recommends.
But from my limited experience THE COUNSELOR, the Ridley Scott movie made from McCarthy’s first original screenplay, is sure recognizable as his work. It’s a crime story full of colorful characters and the occasional brutal violence, but it’s not interested in a straightforward approach to storytelling. I mean, it’s never as aggressively untraditional as that one really abrupt thing that happens toward the end of No Country (I had to flip back a few pages after that one ’cause I thought I missed something), but it takes it’s sweet ass time getting to a point where you even know what it’s about on the surface. (read the rest of this shit…)
November 5th, 2013 | 34 Comments »
MAN OF TAI CHI is a finely tuned new take on my beloved underground fighting subgenre. It’s the directational debut of POINT BREAK’s Keanu Reeves, who gets extra cool-points for starting his directing career just to make a vehicle for a stuntman he met on the MATRIX sequels, Tiger Hu Chen. Reeves brings along MATRIX fight choreographer Yuen Wo Ping and, even better, plays the villain. It’s a Chinese production, set and filmed in Beijing, only partly in English. I guess that’s why I’ve never seen an ad for it and almost missed the fact that it was playing in theaters (it’s been available on VOD and iTunes for about a month).
(read the rest of this shit…)
November 4th, 2013 | 43 Comments »
Damn, talk about a movie that surpasses my memory of it being pretty good. Stuart Gordon’s FROM BEYOND is a minor horror classic with the elegant simplicity and tone of RE-ANIMATOR and the body transmogrifying ambition of John Carpenter’s THE THING. It’s all about an incident when another dimension bonks heads with ours, and you can guess which one of us gets a bloody nose.
Jeffrey Combs stars in this one too, this time as Crawford, the more reasonable assistant to his groundbreaking professor at Miskatonic, Dr. Edward Pretorius (Ted Sorel, NETWORK, BASKET CASE 2), whose invention “The Resonator” uses a bunch of analog computers and Tesla-tech hooked to a row of tuning forks to create a vibration that stimulates our pineal glands, causing us to see beings that have been around us, unseen, all along. (read the rest of this shit…)
October 31st, 2013 | 24 Comments »
SHALLOW GRAVE – not the Danny Boyle one – is another mysteriously odd ’80s slasher movie to add to the list. This is about four Catholic school girls headed to Fort Lauderdale for Spring Break who get a flat tire in South Carolina and get stalked by a psychotic sheriff (Tony March) after they witness him murdering his mistress. Basically it all comes down to this girl Sue Ellen (Lisa Stahl)’s “weak kidneys.” If she didn’t have to piss they just woulda had ordinary car troubles to deal with and maybe would’ve missed out on the beach parties.
To me the strangest part of the movie is the opening. You have a long pan around a house, spying on these college girls through the windows. On one hand it’s a well-executed John Carpenter type shot like I love. On the other hand a horror movie that has a bunch of girls hanging around in their underwear for no reason generally does not have respect for its characters or viewers. (read the rest of this shit…)
October 31st, 2013 | 5 Comments »
MOTHER OF TEARS was Dario Argento’s backburner project for years. I never really watched them close enough together to pick up on it, but SUSPIRIA and INFERNO were supposed to be about sister witches, and he always meant to make one about the third sister. Unfortunately he didn’t get it made until 2007, long after he stopped being a reliable filmatist, so most people were not impressed.
Argento’s daughter Asia (xXx) plays Sarah Mandy, an assistant at some museum who is there when her boss unseals and accidentally bleeds on (you know how it is) an ancient artifact, summoning witches who horribly murder the boss. This is a creepy scene because of the way Sarah just sort of glimpses a feeding frenzy from outside of the room, and because she gets pursued through the empty museum by an evil monkey that tries to keep up with her and keeps hissing to notify the others of her location. (read the rest of this shit…)
October 31st, 2013 | 10 Comments »
Jackie Coogan is an iconic child star from the silent film era. He made his film debut at the age of 3 in the 1917 film SKINNER’S BABY. He played the baby. More famously he played the title character in the 1921 Charlie Chaplin movie THE KID.
His last movie to come out was 63 years later, and it was THE PREY. (If IMDb trivia is to believed, though, it was filmed in ’78, so it wasn’t the last thing he shot.)
I gotta admit, I kinda fell behind on Slasher Search here. I got into rewatching various horror classics, and I feel good about that. But I realized it was almost Halloween and I had done very few obscure slasher movies, so I got desperate. I rented 5 still-only-on-VHS movies that I knew little or nothing about, and by the time I got to watching them I didn’t even remember what most of them were. This was just on the top of the pile. (read the rest of this shit…)
October 29th, 2013 | 8 Comments »
RE-ANIMATOR is one of those good old ’80s college buddy movies, you know? You got the tall, blandly handsome star student Dan (Bruce Abbott), he’s fucking the dean’s daughter Megan (Barbara Crampton), there’s an uptight professor, Dr. Hill (David Gale – the one from SAVAGE WEEKEND, who I still don’t think is the same one THE LIFE OF DAVID GALE is about), who disapproves of the relationship. Then a new student comes to Miskatonic U., the socially inept but brilliant Herbert West (Jeffrey Combs), who maybe got kicked out of his school in Switzerland, or maybe had to flee. A troublemaker! Double secret probation!
Dan seems like a jock, Herbert like a nerd. Dan is a normal person, Herbert a creepy weirdo. And they become roommates! It would be fun if it was about Dan trying to loosen him up, bringing him to parties and stuff, or to pledge at a fraternity, but maybe that’s in the sequels.
October 29th, 2013 | 35 Comments »
GIRLS NITE OUT would’ve been a decent title for KILLER PARTY. I’m not completely sure how it applies to this one. It’s another college movie, and it focuses at least as much on male basketball players angry about their girlfriends leaving them as it does on the group of sweater-wearing girls whose idea of a nite out is to follow along with a scavenger hunt contest put on by the campus radio station for part of the movie until it gets cancelled due to murders.
This is a lower-mid-level Slasher Search find. On one hand, it’s definitely not good, and doesn’t even have any heads chopped off or eyeballs poked out or anything. On the other hand it’s watchable. It has credible enough acting and production values, including some pretty good scoring at times (possibly from library music) and a couple decent oldies on the soundtrack because of the radio station. And of course there’s a little bit of the weird shit, which is absolutely required to get through one of these. (read the rest of this shit…)
October 28th, 2013 | 2 Comments »
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