"KEEP BUSTIN'."

Night of the Hunted (2023)

NIGHT OF THE HUNTED is a really tense, unsettling single-location thriller just released to Shudder. It’s directed by Franck Khalfoun (who did the Elijah-Wood-starring remake of MANIAC), and he co-wrote it with Glen Freyer, remade from the 2015 Spanish film LA NOCHE DEL RATON (NIGHT OF THE RAT). The premise is about as simple as they come: a woman on her way home late at night gets trapped in a gas station mini-mart by a sniper.

As usual in these sorts of set ups, the protagonist is already going through some drama. Alice (Camille Rowe, KNUCKLEDUST) was attending a convention for work with her co-worker John (Jeremy Scippio, UNDERBELLY BLUES). They’re driving in the middle of the night to get her home in time to see a fertility doctor with her husband Erik (Aleksander Popovic, KNOCK KNOCK 2). But we can see by the nonchalant way John gets into the shower in front of her that they’re having an affair. And we can see from Erik’s texts that they’re aware of problems in the marriage they’re trying to work out. She’s clearly wrestling with what to do with her life, and annoyed with John too, and then she goes in to get coffee, finds no one on duty to buy it from, and gets shot in the arm. (read the rest of this shit…)

October 20th, 2023 | 4 Comments »

John Logan horror double feature: Bats (1999) and They/Them (2022)

Are you familiar with the screenwriter John Logan? He’s been nominated for three Oscars – for GLADIATOR, THE AVIATOR, and HUGO. He also wrote THE LAST SAMURAI, SKYFALL and ALIEN: COVENANT, among others. But his first movie and his most recent one (which was his directorial debut) are both sorta lowbrow horror movies. So let’s take a look at those.

First up is BATS. (Note that I did not, and would not, write “first up to bat is BATS.” So give me some credit.) I remember this coming out in 1999 and I’m surprised I waited this long to ever see it. Not that it has aged well. Other than some KNB puppetry and a few other signs of production value, it’s hard to distinguish from hundreds of SyFy Channel movies* in the ensuing decades. But I will try.

*the 2007 sequel, BATS: HUMAN HARVEST, was in fact made for the Sci-Fi Channel

Director Louis Morneau (CARONSAUR 2, THE HITCHER II: I’VE BEEN WAITING, JOY RIDE 2: DEAD AHEAD) brings us the story of a swarm of genetically altered bats terrorizing the small town of Gallup, Texas. It opens with the funny idea of two teens getting batted to death in a car at a makeout spot, but to be honest the chaotic shots and editing left me totally unclear what was supposed to have happened. We don’t even get a funny skeleton. (read the rest of this shit…)

October 19th, 2023 | 11 Comments »

The Strangers: Prey At Night

THE STRANGERS: PREY AT NIGHT is an enjoyable, well-put-together modern slasher movie. I saw and liked the first chapter of the THE STRANGERS motion picture saga, but haven’t seen it since and don’t remember many specifics. This is a horror sequel in the old tradition where it’s a new set of characters and you don’t have to remember anything about the other one, or have seen it. There’s no continuity or information that needs to be understood, it’s more like a loose remake, a do-over, or just another time where a family is terrorized by a man and two women in creepy masks who knock on their door at night and fuck with them with no apparent motive other than that they enjoy it.

It’s very straight forward. It sets up a family in the midst of some family drama, it moves them to an interesting, isolated setting, it puts them through a series of well-directed scares, scraps, and chases, and it’s over in 80 minutes. (read the rest of this shit…)

October 18th, 2023 | 12 Comments »

Brahms: The Boy II

BRAHMS: THE BOY II is obviously a sequel worth doing just to apply something close to the RAMBO: FIRST BLOOD PART II titling format to the horror genre. It would be especially cool if Brahms, the creepy doll or (SPOILER for part 1) associated human were recruited by the government for a mission only he could pull off, but this is just an ordinary horror sequel. I figure that’s why everyone seemed to be disappointed at the time, and scared me off from seeing it in the theater: the first one did the creepy doll thing well, then got truly inspired with the twists, and instead of building form there they start over with a new variation on the doll thing, leading to a new twist. Not as good. But watching it now, on a whim, with diminished expectations, I appreciated it for what it is.

Like the first one it benefits from a strong female lead, plucked from television. Katie Holmes (also great in DON’T BE AFRAID OF THE DARK) plays Liza, mother of Jude (Christopher Convery, THE GIRL IN THE SPIDER’S WEB), wife of Sean (Owain Yeoman, who’s in the also-RAMBO-titled CHROMESKULL: LAID TO REST 2). In the well-staged opening we see how Jude likes to sneak up on his mom and scare her, she thinks that’s what he’s up to when she notices he’s not in bed at night – in fact he’s hiding from home invaders. Mom puts up a good fight, but loses. (read the rest of this shit…)

October 17th, 2023 | 2 Comments »

Dark Harvest (2023)

DARK HARVEST is a crazy new Halloween movie I rented for six bucks on VOD. I think they kinda fumbled in marketing it because they made me think it was about a corny looking killer in a skeleton mask, when in fact it’s about a cool monster and that’s just a guy in a Halloween costume. But I’m glad I knew nothing, because it was interesting to see the movie’s weird premise unfold and realize yeah, this is obviously based on a book (same title, written by Norman Partridge, published in 2006). Hard to make a movie with a world and concept this odd these days unless it’s based on a book.

The most succinct way I can describe it is THE OUTSIDERS meets THE PURGE + HUNGER GAMES but also PUMPKINHEAD. A gory monster movie wrapped in a novel gimmick. It takes place in an I-believe-unnamed small town surrounded by cornfields, and it opens on Halloween night, 1962. Mobs of teenage boys comb through the fields, strutting like droogs with various blunt weapons slung over their shoulders, many wearing letterman jackets, all wearing plastic masks of monsters, The Lone Ranger, etc. They’re looking for something called Sawtooth Jack (Dustin Ceithamer, THE NEW MUTANTS), and they find him, but only after he spews fire from his head and burns a kid in a JFK mask into a fuckin skeleton. (read the rest of this shit…)

October 16th, 2023 | 11 Comments »

The Guardian (1990)

William Friedkin often said that he didn’t think of THE EXORCIST as a horror movie. It was a drama “based on a real case.” If that claim grew out of any kind of anti-genre snobbery it must’ve melted away by 1990 when the director gave us THE GUARDIAN. It also has magic and monsters, but it’s definitely not based on a real case. It’s just a straight up horror movie in the ‘90s mold – a story about grown ups trying to be grown ups but running into some gore, some weirdness, some wild trashiness.

Friedkin’s way of talking it up was calling it “a contemporary Grimm’s fairy tale,” and that’s pretty accurate. It’s the ‘90s but there’s a druid wood nymph that carries babies off into the forest. And there’s wolves and shit. (read the rest of this shit…)

October 13th, 2023 | 5 Comments »

The Pope’s Exorcist

Okay, I successfully reviewed all of the THE EXORCIST movies, I’m ready to move past the topic of exorcising. But first I wanted to check out this year’s release THE POPE’S EXORCIST. I know what you’re thinking – The Pope gets to do his own version of THE EXORCIST? But in this case the title does not represent authorship, instead it refers to the title character being the official go-to exorcist for The Pope. Father Gabriele Amorth (1925-2016) was a real Catholic priest who was appointed an exorcist of the Diocese of Rome in 1986. In 2017 William Friedkin did a documentary about him called THE DEVIL AND FATHER AMORTH. I’ll save my views on the real guy for the end and say for now that I find him very entertaining as a jolly pulp hero played by Russell Crowe (THE MAN WITH THE IRON FISTS).

Crowe basically depicts him as a lovable Italian grandpa – generous with his chuckles, good with kids, full of corny humor (I never quite figured out why he likes to make a cuckoo clock sound at people?). He greets humans, statues and at least one desiccated corpse as “my friend.” Also his girth comically dwarfs the Ferrari scooter that is his preferred mode of transportation. (read the rest of this shit…)

October 12th, 2023 | 13 Comments »

The Exorcist: Believer

THE EXORCIST: BELIEVER is the new Blumhouse-produced EXORCIST sequel directed by David Gordon Green (YOUR HIGHNESS), who also co-wrote it with Peter Sattler (CAMP X-RAY). It tells the story of two 13-year old girls in Percy, Georgia who mysteriously disappear and return in a state we watchers of these movies will recognize as “demonically-possessed.” I’ve seen people making fun of that premise – “Oh wow, there’s not one, but TWO of them!?” – but I think they’re missing the point. It’s not about one-upping, it’s about creating a scenario where two families with different beliefs and backgrounds have to deal with this at the same time.

It immediately feels more like a true EXORCIST followup than the trailer had me worrying it would, because it does open in an exotic locale. Photographer Victor Fielding (Leslie Odom Jr., RED TAILS, ONE NIGHT IN MIAMI…) and his pregnant wife (I thought girlfriend but I read wife) Sorenne (Tracey Graves, THE WEDDING RINGER) are vacationing in Port-au-Prince, Haiti (filmed in the Dominican Republic), and it’s shot very naturalistically, full of vivid color, texture and people. They talk to nice locals, some give Sorrene a traditional Haitian blessing to protect her baby, they visit the inside of a beautiful church. The differences between Victor and Sorrene are illustrated by Sorrene’s exclamations about “Jesus is in this place!” while Victor is more excited to get a photo of the city from the bell tower. (read the rest of this shit…)

October 11th, 2023 | 26 Comments »

Exorcist: The Beginning

At the turn of the century, as we discussed yesterday, Morgan Creek set out to make a prequel to THE EXORCIST, and wound up making two of them instead. We already took a look at Paul Schrader’s DOMINION: PREQUEL TO THE EXORCIST, the first one made, but initially shelved by the studio. When they test screened it they were so unhappy they decided rather than trying to salvage it with reshoots and recuts they would build a church on top of it and bury the church, by which I mean hire Renny Harlin (A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER) to start over.

The script was heavily rewritten by Alexi Hawley (a first timer who has since written for TV shows such as The Following, Castle and The Recruit), but it’s still about Father Merrin uncovering an early Christian church found mysteriously buried in the Turkana district of Kenya. Stellan Skarsgård continued, as he put it in an intro for the premiere of Schrader’s version, “carrying the cross for Merrin for another year.” And Julian Wadham and Ralph Brown will later show up as Major Granville and Sergeant Major. But Father Francis is now played by James D’Arcy (HITCHCOCK, OPPENHEIMER), and Clara Bellar’s Dr. Rachel Lesno has been replaced by Izabella Scorupco (GOLDENEYE) as Dr. Sarah Novak, so even when Skarsgård’s dialogue is the same he had to refilm. (read the rest of this shit…)

October 10th, 2023 | 12 Comments »

Dominion: Prequel to The Exorcist

This is the first first-time-watch for me in this EXORCIST series viewing. There are so many horror franchises that I’m a completist about, but I never really thought of myself as an EXORCIST guy. But after revisiting I, II and III in quick succession, and knowing I’d be seeing the new one too, I figured… when in Rome (home of the Vatican), right? Look, if you had one shot, one opportunity to seize the entire THE EXORCIST series in one moment…

I actually always meant to see the EXORCIST prequel, but it was intimidating, because there were two of them. Morgan Creek founder James G. Robinson started trying to develop the prequel in the late ‘90s, probly without very lofty ambitions, since the first director attached was Tom McLoughlin (FRIDAY THE 13TH PART VI: JASON LIVES). But after McLoughlin didn’t like the script by William Wisher Jr. (TERMINATOR 2: JUDGMENT DAY) and left the project, they picked up the great John Frankenheimer, who had most recently done REINDEER GAMES and the made-for-cable PATH TO WAR. He brought in novelist Caleb Carr for a page 1 rewrite, and Liam Neeson signed on to star as the younger version of Max von Sydow’s archaeologist/exorcist character, Father Lankester Merrin. But Frankenheimer had to leave due to illness (and died a month later), and his friend Paul Schrader (fresh off of AUTO FOCUS) agreed to take over if he could rework the script. (Only Wisher and Carr received credit, but Carr said it didn’t resemble what he wrote.) Neeson had to drop out to do LOVE ACTUALLY, but miraculously the studio let Schrader hire Stellan Skarsgård (IN ORDER OF DISAPPEARANCE) to star. (read the rest of this shit…)

October 9th, 2023 | 19 Comments »

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