All purpose Star Wars post

tn_maxreboI noticed everybody’s writing about the latest Disney’s Star Wars news on an old post that has about ten billion comments on it and takes six hours to load. We don’t yet have the technology to create a forum, so out of the kindness of my heart I am giving you this fresh new post for any Star Wars related commenting.

I also have an ulterior motive. This is a good place for you to dump all of the bile, negativity and Ewokphobia associated with Star Wars fandom, if need be. I’m going to have a Star Wars related post pretty soon where whining and complaining in the comments are specifically prohibited. We’ll see how that goes I guess.

Anybody remember C3POs it was a cereal they had.

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Brick Mansions

tn_brickmansionsMan, say what you will about Luc Besson, he’s still got his exploitation producer thing going, and he’s squeezed more cinema out of Parkour than Cannon ever got out of breakdancing. Back in the late ’90s the LEON director saw dudes bouncing off the streets, walls and rooftops of France, and while other people might’ve thought “I hope that guy doesn’t fall [in French],” his reaction was “I gotta put this shit in an action movie!” So by ’98 Besson, as writer and producer, had Parkour in a foot chase through traffic in TAXI 2, and by ’01 he’d done a whole movie called YAMAKASI starring some of the pioneers of the artform.

Even then he knew he could do more with it so in ’04 he co-wrote and produced BANLIEUE 13, or DISTRICT B13 as we call it here. It was kind of an ESCAPE FROM NEW YORK riff but in a near future extrapolation of the Parisian suburbs, and done as a buddy movie. A supercop has to team with a criminal from the walled-off District 13.

For director, Besson used TRANSPORTER cinematographer Pierre Morel, who later did TAKEN and FROM PARIS WITH LOVE for him. There was also a not as good sequel in 2009, directed by the guy who did the making-of TV special for Besson’s THE BIG BLUE.
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trailer for White Tiger starring Matt Mullins, Don “The Dragon” Wilson and Cynthia Rothrock

This looks like it has more potential than I expected, and if not I think we can all at least enjoy the narrator on this trailer. He’s working overtime to explain the plot to us. Although I’ve heard of this for a while it does not seem to be listed on IMDb, and I can’t find any mention of who directed it. I did find an article that notes that Rothrock is playing one of the bad guys.

In unrelated news, my IMDb research did lead me to discover that Wilson is listed as being in an upcoming SCORPION KING (something)quel, also alleged to feature Royce Gracie, Michael Biehn, Lou Ferrigno and Rutger Hauer as “King Zakour.” The director did BLUE CRUSH 2 and was in SORORITY HOUSE MASSACRE II.

(hat tip to Felix [I am not actually wearing a hat, that is internet slang I believe])

Behind the Candelabra

tn_candelabraBEHIND THE CANDELABRA is Steve Soderbergh’s one last big score before retirement. In some countries it played in theaters, but here in his home country it went straight to cable. Why? The Man obviously didn’t get how contemporary this story is even though it takes place in the ’70s through early ’80s.

It’s about this young working class guy, animal trainer, orphan (Matt Damon, THE BOURNE IDENTITY), one day he and his buddy (Scott Bakula, COLOR OF NIGHT) hit Vegas together, turns out his buddy knows this super famous musician guy (Michael Douglas, Streets of San Francisco), they get to hang out backstage, next thing you know he gets a job with the guy, gets to be in the crew, his posse, his entourage, like in the show Entourage (I don’t know, I haven’t seen it, but I figure I got a good guess what a show called Entourage would be about). (read the rest of this shit…)

The Return of Superfly

tn_returnofsuperfly“Me and Priest go back to the golden age of hustlin.”

Alot of people tend to forget that Superfly returned in 1990. And unlike, say, Batman in BATMAN RETURNS, he actually had a place to return from. He’s still living overseas, now in Paris, when he hears his old partner Eddie has been killed, so he finally comes back to New York.

Oh shit, but I fell into the trap. “Superfly” was never his name, his name was Youngblood Priest and the title referred to the alleged quality of his illegal medicinal products. And it was two words anyway. Super Fly. Maybe “The Return of Superfly” means that Eddie’s dope was not up to snuff and now has been replaced by superior product by this guy Hector (Carlos Carrasco, CROCODILE DUNDEE II, SPEED, PARKER), who’s taking over. (read the rest of this shit…)

Super Fly T.N.T.

tn_superflytnt“I am retired. Can you dig where I’m coming from?”

How is it that I never watched the sequel to SUPER FLY, especially considering it was called SUPER FLY T.N.T.? You’d think I’d’ve gotten on that shit right away. But I’m not the only one who forgot about it. This 1973 sequel has never been released on DVD. It has no external reviews on IMDb. And its soundtrack has never been on CD, even though it’s good enough that I bought a vinyl copy on ebay right after I watched the movie.

I’m surprised it took me this long to get around to it, but admittedly I never thought it would be good. I figured why make a sequel to SUPER FLY, anyway? Didn’t he quit the game at the end of the first one? Is this gonna be like MAGNUM FORCE, where they totally ignored that Clint had thrown his badge off a bridge at the end of DIRTY HARRY?

Actually, no. Not at all.

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Super Fly

tn_superflyI’ve seen SUPER FLY a bunch of times, but I guess not since the VHS days. It’s a good looking movie on DVD, a nice document of extravagant ’70s clothing, small but fancy apartments, a white Rolls Royce rolling around dirty New York streets, its shiny hood ornaments leading the charge like a figurehead on a boat headed to the new world. It’s not a plot-heavy movie, it’s full of long scenes showing off the Curtis Mayfield soundtrack, for my money probly the greatest song soundtrack ever made for a movie (though the blaxploitation genre’s got several classics: SHAFT, BLACK CAESAR and COFFY come to mind. And you can’t front on TRUCK TURNER.)

Speaking of SHAFT, it’s weird that SHAFT and SUPER FLY are the two most famous blaxploitation movies, and they’re directed by father and son. Gordon Parks Sr. did SHAFT in ’71, Junior did SUPER FLY in ’72. I don’t know anything about the relationship between father and son, but I noticed Junior gets an opening credit for the still photo sequence. I wonder if that was to make sure nobody thought it was by his famous photographer father? (read the rest of this shit…)

Note to Los Angeles area readers

tn_seagalpaintedI wanted to point out this calendar item at your local Cinefamily theater in case anybody needs to get tickets and get the day (Saturday, June 14th) off. Must be open to viewing four of Steven Seagal’s greatest movies on 35 mm while being disappointed by the demystification of a previously enigmatic writer and Seagal expert.

More details/explanations later this week.

Kiss of Death (Shaw Brothers)

tn_kissofdeath

This came out the same year as ENTER THE DRAGON, so the face-slashes might not be an homage

KISS OF DEATH is a 1973 Shaw Brothers production, but not a period martial arts movie like what they’re mostly known for. The director, Meng Hua Ho also did CAVE OF THE SILKEN WEB and OILY MANIAC. This one is a contemporary urban story about a lady (Chen Ping) who, one night walking home from her job at the textile factory, gets gang-raped by five street thugs, and now she wants revenge.

Don’t worry, it doesn’t get I SPIT ON YOUR GRAVE graphic about it, but of course everything to do with the attack is very unpleasant. I was actually shocked by a scene where she is surprised by blood dripping down her legs. Most movies about sexual assault don’t bother depicting the ugly details of the physical aftermath.

But it turns out not to be what I thought it was. (read the rest of this shit…)

The Raid 2

tn_raid2THE RAID 2 has alot of what made THE RAID an instant classic:

1. Incredible fight performances and choreography by Iko Uwais (returning as silat-practicing rookie cop Rama, now undercover as “Yuda” [weirdly that was also his name in MERANTAU]), Yayan Ruhian (as a new character named Koso, since his great villain character Mad Dog eventually gave in and died) and a whole bunch of other great martial artists.

2. Action scenes crammed with fast, unrelenting brutality including many, many, many stabbings, headshots, bodyparts smashed through walls, slit throats, broken bones, etc.

But there’s one thing that’s really different:

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