Boyhood

tn_boyhoodNote: I sincerely considered whether or not it was feasible to write this review one paragraph per year for 12 years. I decided maybe somebody else should do it.

When we first met Richard Linklater in the ’90s, his specialty was the one-day movie. SLACKER and DAZED AND CONFUSED captured a moment in time by following a group of characters (or a random selection of Austin weirdos) at a particular time. But all these years later he’s fascinated with the opposite: showing the same actors over a long period of time, seeing how things change. He started by following up the characters from the one-day BEFORE SUNRISE seven years later, and then fourteen years later. And with BOYHOOD, as you’ve probly heard, he somehow managed to make a movie with a star who is 7 years old at the beginning and he filmed a little bit each year until the year he starts college. About the only thing that would be more ambitious would be if he made a movie about trying to get me to sit through WAKING LIFE again.

The result is a movie as impressive as it sounds and much more involving. It still has that day-in-the-life feel, it’s just that it’s a whole bunch of days spread out across years. You know what, maybe alot of you other directors are just rushing things. Where’s the fire, man? Take the time to let your actors grow up on camera. Don’t be lazy. (read the rest of this shit…)

Willow Creek

tn_willowcreekWILLOW CREEK is the latest Bobcat Goldthwait directorial work, but mostly it’s just the latest found footage movie. This one is about a couple visiting the area in Northern California where the famous (admitted hoax I thought, but I guess not) Sasquatch footage was filmed in 1967, retracing the journey of the filmers and making their own video about it. Boyfriend Jim (Bryce Johnson, also star of Goldthwait’s SLEEPING DOGS LIE) is a believer, but has enough of a sense of humor about it that a stranger angrily tells him “It’s not a joke!” after seeing him film in front of a wooden Bigfoot statue. Girlfriend Kelly (Alexie Gilmore, SURFER, DUDE) has to confess complete Bigfoot atheism, which leads to some tension and arguments. She’s just going along to have fun with her boyfriend, but it upsets him that they’re not on the same page.
(read the rest of this shit…)

Falcon Rising

tn_falconrisingI don’t think FALCON RISING is a new b-action classic like BLOOD AND BONE or UNDISPUTED II. It’s not as imaginative or expertly executed as those. But it is something I love that the world doesn’t get enough of these days: a solid meat and potatoes action movie molded entirely around the badassness of a martial artist, the great Michael Jai White.

Career-wise, MJW has diversified more than his golden age predecessors like Jean-Claude Van Damme and Steven Seagal (who he fought in UNIVERSAL SOLDIER: THE RETURN and EXIT WOUNDS, respectively). He’s supplemented his many action credits with Tyler Perry movies and sitcoms (WHY DID I GET MARRIED 1-TOO, For Better or Worse) and with creating and writing BLACK DYNAMITE (both the movie and the animated series, soon in its second season). But one look at his cartoonishly inflated muscles or at one of his flying kicks and it’s clear that he was meant for an endless series of action vehicles, even if that’s not what Hollywood (or Sofia, or whoever) thinks they’re supposed to be making in this era. (read the rest of this shit…)

Seagal related song of the week

Yes, it’s true, there has been a new Steven Seagal film out for 2 weeks and I haven’t seen it yet. I hope to view and write about A GOOD MAN (and also Michael Jai White’s FALCON RISING) soon, thanks for asking about it. To hold you over, I want to share this song that a rapper named Gutta sent to me.

Seagal has been referenced in many rap lyrics, most notably when Inspectah Deck says “Bust this, I’m kickin’ like Seagal, Out For Justice” on Wu-Tang Clan’s “Bring Da Ruckus.” Here Gutta, who told me he read Seagalogy in the middle of working on this, blows away whatever was the previous record for most Seagal movies mentioned in one song. He goes deep. He mentions CLEMENTINE, for crying out loud (the Korean tearjerker where at the end the hero has to fight Seagal in a competition).

Enjoy, and have a good weekend.

 

15 Minutes

tn_15minutesex3-grammer15 MINUTES is a transitional Robert De Niro thriller bridging the Everybody Respects Robert De Niro era with the Robert De Niro Is a Guy Who Stars In DTV Movies With 50 Cent one. Here De Niro plays Detective Eddie Flemming, famous NYC supercop who steps on the toes of younger hot shot Fire Marshal Jordy Warsaw (Ed Burns in a practice run of his sidekick character in ALEX CROSS) when both report to the scene of a deadly apartment fire.

Eddie is famous for being on the tabloid show Top Story, where he lets the host, Robert Hawkins (Kelsey Grammer, Cheetos*), follow him on busts, so everybody treats him like a rock star and it pisses Warsaw off. But he really has been around the block and has alot of wisdom to share, so it’s a buddy movie where they butt heads but then he unexpectedly goes out on a limb for the kid and sort of mentors him and what not. All that type of stuff.

But also this is a satire about this crime celebrity culture, that’s what that title’s about. Back in the late ’80s, early 2000s we were very concerned about tabloid news shows and their morbid obsession with O.J. Simpson, the Menendez Brothers and etc., so here is a movie coming years after after MAN BITES DOG, SERIAL MOM, NATURAL BORN KILLERS, SCREAM, etc., and hitting at kind of an embarrassingly obvious target in my opinion. But it does get a little bit of novelty by framing it as the American dream, showing a crime spree committed by two European immigrants (introducing Karel Roden and Oleg Taktarov) who have come to America seeking opportunity. Well, actually to collect their share of the money from a bank robbery, which it turns out their buddy already spent while they were in prison. Whoops. Sorry fellas.

By the way I wonder if they ever met Yuri Boyka in prison? (read the rest of this shit…)

Cover-Up

tn_coverupex3-dolphYou know, if I find some funk record I never heard of I look at the year, if it came out between 1970 and 1976 then I get higher hopes. ’77 and later is risky. This is a similar concept. There’s still a few Dolph Lundgren pictures I haven’t seen, but I figured COVER-UP was the most promising one because of where it came in his filmography: 1991, that glorious time between the late ’80s and mid-’90s when American action movies were reaching their peak fitness levels, their maximum potential. Dolph did THE PUNISHER and I COME IN PEACE, then this, then SHOWDOWN IN LITTLE TOKYO and UNIVERSAL SOLDIER.

Well, turns out there’s a reason why you hear those ones mentioned occasionally and this one never. It’s not that memorable. But it has moments. I like moments.

It’s directed by Manny Coto (DR. GIGGLES, STAR KID) who is now mainly known as a writer and producer on 24. This was probly pretty good practice for that. Writer William Tannen is usually a director, he did HERO AND THE TERROR. (read the rest of this shit…)

Patriot Games

tn_patriotgamesex3-fordThe traditional action hero is a loner. He might have friends, but he lives and travels by himself. He drifts into town on a motorcycle or on foot, or he lives alone in a filthy apartment, loft, car, or trailer. Maybe he has a kid, usually a daughter, but if so she’s likely been kidnapped and he’s trying to get her back. He might’ve had a family before, might be seeking revenge for their deaths. More likely he just screwed it up. He was too obsessed with his job, or with a specific case or vendetta. She wanted him to quit. Couldn’t take all the worrying anymore. He meant well but he knows it was all his fault. Now he drinks.

There are exceptions to this, but how many? Off the top of my head I can only think of Billy Jack, who is married, Charli Baltimore, who already has a family when she remembers she’s an assassin, and Riggs, who goes and gets married after a couple of sequels. So it happens, but not that often.

That’s one reason why ex-CIA-analyst Jack Ryan (Harrison Ford) feels different from other action heroes, and why this type of movie could be considered Adult Contemporary Action. Not only is he a family man before he’s an asskicker, but the movie heavily deals with his family life. He’s got a very successful surgeon wife (Anne Archer), who is pregnant, and a young daughter (Thora Birch), who has pinups of Jason Priestley. They go on a trip to London. They live in a big town house out in the country near DC. He works as a history professor and lecturer (arguably not a badass juxtaposition, since he’s teaching about historical conflicts and strategies, things meant to be applicable to his CIA agentry). (read the rest of this shit…)

15 Years of Excellence

Today is the 15th anniversary of what as far as I can tell was my first ever post on the internet. It was brief and to the point but I was adding an insightful inquiry to someone else’s movie related thread:

outl…@my-deja.com

8/30/99

BOND GIRLS – NAKED!

Group: rec.arts.movies.current-films

In article <[email protected]>,

me…@aol.com (Menop) wrote:
> Including the girls of “The World Is Not Enough”
>
> http://www.comedyontap.com/bondgirls.html
>

couldn’t find the pictures – anybody have any luck?

sorry, frist timer here, i just got out

–vern
Sent via Deja.com http://www.deja.com/
Share what you know. Learn what you don’t.

 

You can see some of my other great early works here.

In honor of this historic milestone TODAY ONLY I am offering the ebook of Niketown for 99 cents. You just have to order it on Smashwords and enter the coupon code BZ98L

I probly shoulda arranged to have a deal on naked Bond Girl pictures but this will have to do.

Last Action Hero

tn_lastactionheroex3-arnoldDo you guys remember how LAST ACTION HERO was the big ticket for ’93?

Okay, probly not. That was the tagline on some of the posters though. See, they knew this was destined to be a huge event movie, the movie of the summer. Fuck JURASSIC PARK. But also the plot involved a magical ticket that transports people between the worlds of reality and fiction. It’s a double meaning. They put alot of thought into this thing, just not the right kind maybe.

This is at least the third time I’ve watched and attempted to truly like this movie. That’s a strike out, so it’s time to sit on the bench and accept it as a kinda interesting, kinda terrible movie. Not as good as HUDSON HAWK but a bit of that same clever/awkward cocktail. Unique enough to keep coming back to, not good enough to be 100% sure it was worth it. (read the rest of this shit…)

Tequila Sunrise

tn_tequilasunriseex3-gibsonIn the opening of TEQUILA SUNRISE, Mel Gibson as “Mac” McKussic comes to a motel with a guy and a briefcase full of coke for one of those business transactions that guys with briefcases full of coke have at hotels. One of the guys who comes to meet him is Nick Frescia (Kurt Russell), talking cocky, hair all slicked back. Mac immediately knows that Nick is a cop so he talks his way out of the room and makes a run for it, doing a parkour-like swing from a balconly, nimbly hopping fences, ducking under a freeway overpass, trudging through water, dodging police searchlights. (read the rest of this shit…)