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Posts Tagged ‘assassins’

Section 8

Monday, November 21st, 2022

SECTION 8 came to VOD a couple months ago and now is on disc and I guess AMC+. It’s a solid and enjoyable movie of its type, with a good cast, some good fights, and liberal use of familiar action conventions that tend to be enjoyable. However I’m gonna show it a little tough love in this review because, as we agreed when I went on I Must Break This Podcast to discuss it last month, it’s pretty representative of where VOD/DTV action is at right now, for both good and bad. So there might be some value in going deep.

It has not one, not two, but three significant action stars in the cast – not as the lead, but in those we-can-afford-them-for-this-many-days-and-if-we-put-them-on-the-cover-we-get-financing type roles that are the bread and butter of this industry right now. One of the three is I think not used very well, one I did enjoy, another I think we will all agree is clearly the best part of the movie. All of them are added value along with Ryan Kwanten (RED HILL, THE HURRICANE HEIST), who stars, and Dermot Mulroney (SUNSET, THE GREY), who plays the villain with a grey beard that makes him look kinda like present-day-Mel-Gibson on the cover.

The story begins in “Mosul, Afghanistan” (uh… whoops) where Jake Atherton (Kwanten) is, we’re told, a really great marine, but his platoon is ambushed by the Taliban and only he and his mentor Captain Mason (Dolph Lundgren, HAIL CAESAR!) survive. I’m kind of unclear what happens, but later we’re told that Mason saved Jake’s life and also received a career-ending leg injury. (read the rest of this shit…)

The Gray Man

Wednesday, July 27th, 2022

THE GRAY MAN is the new Netflix movie that they put so much into they’re actually doing promotion for it. Showed it to critics a week early, had the directors do interviews and stuff, as if they want people to know it’s there and maybe watch it. Almost like they’re in the movie business. Crazy.

It stars Ryan Gosling (ONLY GOD FORGIVES) as “Six,” a guy who was doing time for murder until a spook named Fitzroy (Billy Bob Thornton, ON DEADLY GROUND) got him released in exchange for dedicating his life to being a secret government assassin, or “Sierra.” One day on a mission in Bangkok he takes out a target (Callan Mulvey, BEYOND SKYLINE) who, before dying, gives him an encrypted drive he says has the dirt on Carmichael (Regé-Jean Page, MORTAL ENGINES), his new boss at the CIA who pushed Fitzroy out. When Carmichael acts suspicious about it on the phone Six decides to mail the drive to a retired handler he trusts (Alfre Woodard, CROOKLYN) and go on the run. (read the rest of this shit…)

Anna

Tuesday, November 5th, 2019

LEON (THE PROFESSIONAL) sums up Luc Besson pretty good, doesn’t it? He’s creepy about young women. Also, he’s really good at putting them in cool, stylish action roles. His latest in that vein, ANNA, came out this summer with little fanfare (or box office), at least partly because Besson had recently been accused of rape. Maybe it deserved to fail. But for whatever it’s worth it’s a solid movie full of what he does well.

It actually has alot in common with ATOMIC BLONDE. A beautiful bisexual spy (well, assassin in this case) double and triple crosses her way through end-of-the-Cold-War European intrigue with a twisty plot and a couple of long, impressive fight sequences. Charlize and her action and David Leitch’s intoxicating colors and music are more my speed, but ANNA has the advantage of being real complicated without being hard to follow. It’s a satisfying tale. (read the rest of this shit…)

The Villainess

Wednesday, February 14th, 2018

THE VILLAINESS is LA FEMME NIKITA with a little KILL BILL by way of South Korean cinema. A young woman with a troubled past has her identity erased, is trained to kill for the government, put undercover, given a mission, trying to earn her freedom. But she was already pretty damn good at killing before the feds got involved. They capture and recruit her after an incredible opening massacre, done in her POV – it’s first person shooter/slasher/stabber/kicker-through-window – until she sees herself in a mirror, then gets her head smashed into it and the perspective separates from her body, rotating around her as she continues to fight, mostly using gym equipment (the jump rope is my favorite) as weapons.

As her captivity, training and missions are depicted in somewhat elliptical fashion, the events leading up to that rampage also come out piece-by-puzzle-piece in flashbacks, not even in chronological order within themselves, and with some characters played by different actors in different periods. I find the story at times confusing and overcomplicated, but still compelling. Even if I didn’t, I’d still call THE VILLAINESS a must-see for the most audacious, envelope-pushing action filmatism I’ve seen in quite a while. (read the rest of this shit…)

Golgo 13 (1977)

Wednesday, January 28th, 2015

tn_golgo13GOLGO 13 from 1977 – sometimes subtitled ASSIGNMENT KOWLOON, but not to be confused with ASSIGNMENT MIAMI BEACH – is the second adaptation of a popular Japanese comic book. Sonny Chiba plays an infamous assassin known as Golgo 13. But fuck the code name, his real name, or at least the alias he’s living under, is “Duke Togo.” I mean why would you even want people to call you Golgo 13 if you’re normally called Duke Togo? Just stick with the one awesome name, in my opinion. Don’t hog ’em.

This is a great role for Chiba because he’s just full of larger than life swagger. He wears flashy suits and sunglasses, he has boxes of weapons delivered to him at his hotel, he satisfies women, he’s the very best at killing people and outsmarting everybody. He’s Shaft times James Bond but sort of the bad guy, which makes him kind of cooler than either one. And director Yukio Noda (BRONSON LEE, CHAMPION) shamelessly drapes it in the stylistic cliches of the time. A good thing.

An opening about Hong Kong police responding to a murder moves to a small boat off Miami where a white man named Rocky Brown is expecting to meet the legendary assassin Golgo 13. He’s worried because he doesn’t see any boats around, when suddenly Golgo climbs right out of the water onto the boat with scuba gear. Two other white men watch on a telescope from a hotel balcony, discussing who he is, explaining him to us. Suddenly Golgo pulls out a rifle – is he gonna betray this guy that wants to hire him? No, he fires at the hotel, taking out both of the exposition guys. (read the rest of this shit…)

John Wick

Monday, October 27th, 2014

tn_johnwickI never figured Keanu Reeves would become an action hall-of-famer, but here we are. Of course he stars in the great POINT BREAK, but we can’t lie, we all kinda chuckle at his FBI surfer dude Johnny Utah in that. And then he was good in SPEED, but would that be enough? If that was enough Matt Damon would be an action legend. Of course, playing Neo in THE MATRIX trilogy sealed the deal, Reeves learned to do all that kung fu and that hadn’t really been done by a normal actor like that before and those movies and those fights hold up today. Still, it seemed like an anomaly in his career. He would always be Neo to the world but that would be it for Action Keanu, right?

Nope. Because he directed last year’s martial arts gem MAN OF TAI CHI and played the villain, creating and performing some more classic fight scenes. When I saw that I realized it was time to acknowledge his greatness. 47 RONIN put a little bit of a damper on that though because it was so boring I never even wrote a review. If I had it would’ve said “Some of the monsters are cool” and that’s about it.

But after JOHN WICK, Reeves’s strong connection to Badass Cinema cannot be denied. This is a fun, violent, straight-ahead revenge action movie. Reeves did not direct it, but his stunt double from the MATRIX movies, Chad Stahelski, did*. So it’s probly a style of directing too dangerous for Reeves to perform. (read the rest of this shit…)

The Dragon From Russia

Tuesday, August 28th, 2012

Researching my review for CRYING FREEMAN I found out there was this five-years-older adaptation of the same comic. This one’s actually a Hong Kong action movie for real, but it’s not the moody John Woo type that influenced the 1995 version. This is the frenetic wire-fu style that was also big at that time.
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Crying Freeman

Monday, August 27th, 2012

CRYING FREEMAN (1995) is a pretty cool movie that I went back to hoping it would be better than I realized before. I did a brief write-up of it in a column years ago, but I’m not gonna link to it right now because most of the column is angry rants about what was going on in the news at the time and it makes me cringe. Based on a Japanese comic book (or “Japomic Book”) by Kazuo Koike, the same writer as Lone Wolf and Cub, CRYING FREEMAN is a moody, serious assassin movie with Yakuza, mind control, a witch, romance and tragedy. It takes place in 4 different countries (U.S., Canada, China, Japan) with the most convincing, of course, being the part that takes place in Vancouver, B.C.
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Silent Trigger

Monday, August 13th, 2012

I hoped this would be one of the better Dolph Lundgren vehicles, because it’s directed by Russell Mulcahy, who used to be so good. This was ’96, his next movie after ’94’s THE SHADOW. I guess this is his punishment, but THE SHADOW is more fun. SILENT TRIGGER is at least watchable, but so are other things that are actually good.
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Killer Elite

Tuesday, January 10th, 2012

tn_killerelite(KILLER ELITE is enjoyable if unspectacular. Luckily it’s more in the vein of the sort-of-classy studio action thrillers like THE BANK JOB than the gloomy Millennium Pictures joints I halfway expected it to be like. So it co-stars Robert DeNiro, the legendary actor, and not Robert DeNiro, that old man from the 50 Cent movies. But the star is definitely Jason Statham, looking exactly the same in 1980-81 as he does in any other time period (minus the track suit). (read the rest of this shit…)