DEAD IN 3 DAYS is Austrian young people horror from 2006. The box art for the American release of it from Dimension Extreme makes a big deal about how a group of teens all get the same text message saying they’ll be dead in 3 days, so I thought maybe it was gonna be influenced by the Japanese phone related pictures such as THE RING and ONE MISSED CALL. Instead it’s a very solid whodunit slasher with alot of subtle distinctness in the ways it handles material that seems generic on the surface.
I don’t know if this is on purpose, but the basic themes are set up in a meta kind of way in the opening, because of the way it resembles the opening of A NIGHTMARE ON ELM STREET. The hands of an unseen man are building something sinister in a dark basement… but no, it turns out he’s not making a bladed glove or anything. He’s hanging himself.
(read the rest of this shit…)
Here’s another one that doesn’t really fit the slasher definition I was looking for, but it’s such a better version of kind of the same premise as HIDE AND GO SHRIEK that I welcome it. This one is Australian, the directical debut of Stephen Hopkins, whose second and third films were A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD and PREDATOR 2.
THE LOVED ONES is a 2009 Australian horror picture about five teenagers on the night of the End of School Dance. Brent (Xavier Samuel) is a broody long-haired dude haunted by a recent personal tragedy. He goes for a walk before the dance and disappears, his mom and girlfriend figure something bad happened to him and try to find him. Only we know that a local psycho (John Brumpton) hit him over the head and brought him home for his daughter Lola (Robin McLeavy), who had asked Brent to the dance and been turned down.
released April 20th, 2001
“Alice, have you seen my gun? I thought I packed it with the photos.”
The cover for the upcoming American DVD of ANIMAL KINGDOM says “Australia’s answer to GOODFELLAS.” As if the U.S. released GOODFELLAS and said, “What say ye, Australia?” And Australia comes back, “Australia has no response to GOODFELLAS at this time.”
Watching the remake of LONG WEEKEND today something seemed awfully familiar. I mean not just the movie itself. It was the opening credits. Flying over Australian trees and bodies of water, gently pulsing electronic tones, for a second I thought I forgot to change the DVD because it seems like the exact same credits as the last movie I watched, STORM WARNING. I knew it was the same writer, Everett De Roche, but it turns out it’s the same director too, Jamie Blanks (also editor and composer). So he must’ve been on a De Roche kick just like I am.
In my review of LONG WEEKEND I mentioned that the same Australian, Everett De Roche, had written that one, RAZORBACK, ROAD GAMES and LINK, and because a track record like that is rare for a non-director screenwriter I would definitely have to watch some of his other works. Since I am a man of honor and what not I’ve already done that with the much more recent STORM WARNING (2007). I’ve found references to the script being 25 years old, but I think De Roche worked with them to make the movie, they didn’t just find it in a closet somewhere and shoot it without telling him.
Peter (John Hargreaves from DEATHCHEATERS) and Marcia (Briony Behets) are a couple who are really pissed off at each other when they decide to go camping on a beach out in Middle of Nowhere, Australia. There have been some serious betrayals and traumas that they’re still dealing with and spending the 3-day weekend together is supposed to maybe help, but only seems to be exacerbating things. You know these two aren’t the best for each other when Peter is introduced watching Marcia through a rifle scope. He also likes to fake at hitting her when she has her back turned to him. This guy might be kind of an asshole, I’m thinking.
LINK is a really unusual horror picture that starts out like a normal monster movie (POV of unknown beast crawls into a little girl’s room at night) but succeeds by avoiding any of the obvious formulas. Terence THE LIMEY Stamp plays Dr. Phillip, an eccentric professor at London College known for his books and lectures about primates. Academy Award nominee Elizabeth Shue (PIRANHA 3D, THE HOLLOW MAN) plays Jane, an American student who wants to learn from him and manages to become his assistant, staying at his remote property where he does IQ experiments with his apes Imp, Voodoo and Link. 
