Posts Tagged ‘Bridget Fonda’
Thursday, December 1st, 2022
Here’s a story I may or may not have told before. It takes place on February 28, 2001. A few minutes before 11 am there was a 6.8 earthquake epicentered in the southern Puget Sound. I was at work and I saw some shelves wobble and a few things fall down, but nothing serious. Downtown there was some damage – some vehicles got crushed by falling bricks, and I remember a couple clubs where bands used to play in Pioneer Square (OK Hotel and Fenix Underground) were wrecked enough they went out of business. I called my roommate at home to make sure none of my stuff broke, and he made fun of me.
After work I went to Pacific Place to see this movie MONKEYBONE. All the advertising looked cheesy, but I was hoping it might be interesting because it was from Henry Selick, the director of THE NIGHTMARE BEFORE CHRISTMAS. Unfortunately the advertising was pretty accurate. I remember a couple times during the movie something playing on a bordering screen made a loud rumble that vibrated the whole row I was sitting in. I thought about the three escalators I took up through the mall to get to the theater, and the fourth escalator inside the theater that goes up to the floor where this one was showing, and I thought, “That’s an aftershock, and the building is gonna collapse, and I’m gonna die watching fucking MONKEYBONE.” (read the rest of this shit…)
Tags: Bob Odenkirk, Brendan Fraser, Bridget Fonda, Chris Columbus, Chris Kattan, Dave Foley, Doug Jones, Giancarlo Esposito, Harper Roisman, Henry Selick, John Turturro, Lisa Zane, Mark Ryden, Megan Mullally, Sam Hamm, Sandra Thigpen, stop motion animation, Thomas Haden Church, Whoopi Goldberg
Posted in Reviews, Comedy/Laffs, Fantasy/Swords | 21 Comments »
Friday, September 23rd, 2022
Like POISON IVY earlier in the summer, SINGLE WHITE FEMALE (released August 14, 1992) is a quintessential, much-imitated suspense thriller of the specific type that reigned in the ‘90s. I rented it on VHS back in the day and I believe I liked it, but I have to admit to thinking of this type of thriller as pretty interchangeable and disposable. Watching it now I can see that this is one of the best of its type.
There are many factors to that. Director Barbet Schroeder (BARFLY) creates a tense and atmospheric slow burn of a character piece. The script by first-timer Don Roos (adapted from a book by John Lutz) nicely establishes layered characters in an uncomfortable scenario, plus numerous details to the apartment building setting that you just know will become relevant late in the movie when violence is afoot. And it looks great – credit to cinematographer Luciano Tovoli (SUSPIRIA, TITUS) and production designer Milena Canonero (also the costume designer, as she was for BARRY LYNDON, TUCKER: THE MAN AND HIS DREAM, DICK TRACY, THE LIFE AQUATIC WITH STEVE ZISSOU, OCEAN’S TWELVE, MARIE ANTOINETTE – man, that’s a resume!). The score by Cronenberg’s guy Howard Shore is certainly a big part of setting the eerie mood. And I don’t really know how to measure it but I gotta assume the editing is crucial to the suspense, so I want to mention that editor Lee Percy comes out of the world of exploitation – he was the scamp who bastardized LONE WOLF AND CUB into SHOGUN ASSASSIN, and he did THE KILLING OF AMERICA, THEY CALL ME BRUCE, RE-ANIMATOR, TROLL, FROM BEYOND and DOLLS. Also BLUE STEEL. (read the rest of this shit…)
Tags: Barbet Schroeder, Bridget Fonda, Enigma, Howard Shore, Jennifer Jason Leigh, Lee Percy, Luciano Tovoli, Milena Canonero, Peter Friedman, Stephen Tobolowsky, Steven Weber
Posted in Reviews, Thriller | 33 Comments »
Thursday, January 20th, 2022
“You work for the American dream. You don’t steal it.”
“This is even better.”
A SIMPLE PLAN is the first Sam Raimi movie not to be easily recognizable as a Sam Raimi movie. It even has a Danny Elfman score that’s not recognizable as a Danny Elfman score. It’s a grim, uncomfortable neo-noir, stylistically subdued, what little humor it has dry enough that it likely doesn’t register with everybody. If anything, it seems most akin to BLOOD SIMPLE by Raimi’s former roommates/CRIMEWAVE co-writers/DARKMAN cameo-ers the Coen Brothers, transplanted to a snowy Minnesota environment more like FARGO.
Like THE QUICK AND THE DEAD it was a for-hire project, but this time he didn’t want it to feel like any of his other movies. He and cinematographer Alar Kivilo (THE LOOKOUT) agreed that the camerawork should be simple, “invisible,” basically the opposite of what everyone loves about his earlier films. I don’t advocate doing that all the time, or even often, or honestly ever again, but here it definitely works for him. (read the rest of this shit…)
Tags: Becky Ann Baker, Bill Paxton, Brent Briscoe, Bridget Fonda, Chelcie Ross, Danny Elfman, Gary Cole, Sam Raimi, Scott B. Smith, Tom Carey
Posted in Crime, Reviews, Thriller | 14 Comments »
Tuesday, January 18th, 2022
Man, here we are on Sam Raimi’s fifth movie, and I feel like it’s his fourth major breakthrough. THE EVIL DEAD was the smashing debut that put him on the map, CRIMEWAVE didn’t do much for him but EVIL DEAD 2 was the cult masterpiece that moved him from the map to the pantheon, then DARKMAN was his first studio movie and first actual big moneymaker.
But during the couple years he spent trying to get DARKMAN going he’d also agreed to make an EVIL DEAD III with Dino De Laurentiis, this time with a bigger budget to accommodate the Medieval Dead concept he’d wanted for 2 but had to abandon because it was too expensive. Produced by De Laurentiis and released by Universal, ARMY OF DARKNESS not as expensive as DARKMAN, but is arguably larger in scope – it’s a period piece with a castle, lots of knights in armor, horses, catapults, an army of skeletons, plus various possessed ladies, a flying beastie, an Ash that grows a second head and then splits off into a monstrous Evil Ash, etc. (read the rest of this shit…)
Tags: Angela Featherstone, Bill Moseley, Bridget Fonda, Bruce Campbell, Embeth Davidtz, Ian Abercrombie, KNB EFX, Patricia Tallman, Richard Grove, Sam Raimi, Sneaky Pete Kleinow, Tony Gardner, William Lustig
Posted in Reviews, Comedy/Laffs, Fantasy/Swords, Horror | 30 Comments »
Wednesday, August 4th, 2021
August 2, 1991
Don’t get me wrong, I didn’t hate watching DOC HOLLYWOOD 30 years later. But jesus christ, this type of movie. Michael J. Fox (CLASS OF 1984) stars as Dr. Benjamin Stone, an arrogant Washington D.C. emergency room doctor who gives it all up to become a plastic surgeon on the other coast. “Okay, question: Beverly Hills, beautiful women and plastic surgery – what do these three things have in common? Me, in less than a week,” he says to another doctor, clearly convinced this is a fuckin cool thing to say. And then he puts on his LEON-style round glasses, gets a bunch of gum and toothpicks to chew on, and hops in his red ’56 Porsche Speedster to head for the 90210.
But on his cross country drive (during which he laughs at how fucking awesome he is when he drives on a shoulder to pass a bunch of traffic) he crashes literally into a white picket fence and is forced to to do community service at a small country hospital in “the Squash capital of the south” on “the buckle of the Bible Belt.” Seems like a pain in the ass at first, but then he Learns a Valuable Life Lesson and/or Discovers What He Really Wants Out of Life. (This story was later remade as Pixar’s CARS and Vanilla Ice’s COOL AS ICE.) (read the rest of this shit…)
Tags: Barnard Hughes, Bridget Fonda, Daniel Pyne, David Ogden Stiers, Eyde Byrde, Frances Sternhagen, Jeffrey Price, Julie Warner, Michael Caton-Jones, Michael Chapman, Michael J. Fox, Peter S. Seaman, Roberts Blossom, Summer of 1991, Woody Harrelson
Posted in Reviews, Comedy/Laffs | 23 Comments »
Tuesday, April 26th, 2011
As successful as they may be in their own countries, global superstars always seem to have their eye on the juicy, low-hanging grape of Hollywood. It doesn’t matter how many soldiers have fallen before them, stumbling on a new language, style and approach to filmmaking and bleeding away everything that made them great in the first place. It’s still hard to resist the temptation. They’re still gonna jump and try to bite it.
And so it was that in the late ’90s and early 2000s Jet Li left Hong Kong to make some Hollywood-produced, English language movies. Of course if you have a guy who’s a legendary martial arts champion and iconic star of many of his generation’s most popular movies (the SHAOLIN TEMPLE series, the ONCE UPON A TIME IN CHINA series, the FONG SAI YUK series, and FIST OF LEGEND) what you do in the U.S. is put him in a movie with DMX and Anthony Anderson that’s billed as “an urban Romeo and Juliet.” I mean, what else would you do with him? That’s just obvious.
(read the rest of this shit…)
Tags: Bridget Fonda, Cyril Raffaelli, Jet Li, Luc Besson, Tcheky Karyo
Posted in Action, Martial Arts, Reviews | 74 Comments »
Tuesday, September 24th, 2002
Yeah I know, this Iraq deal is getting even worse but let’s just take one fuckin column to talk about what I used to talk about, the movies.
This month has been hard on the wallet not just because of the economy but also because of numerous high quality dvd releases of important films of Badass Cinema. Today I will take some time to review a few of those dvds.
First of all we got my pick for the best movie of the year so far, BLADE II. I feel I have already written enough about the many fine qualities of this picture so I will focus this review only on the many fine dvd extras brought to you by one of our best directors, Mr. Guillermo del Toro. This is a part of the “New Line Platinum Series” which I have come to know and trust as a series of dvds with extra material above and beyond your “theatrical trailer” or your “chapter stops” or even your “weblinks.” (Does anybody really have a DVD-ROM drive? And if so, do they really need a dvd to figure out how to find the web site for BONES?) BLADE II is no exception, in fact it has even better extras than BLADE I. (read the rest of this shit…)
Tags: Bridget Fonda, Chris Penn, David S. Goyer, Don Gordon, Guillermo Del Toro, Harvey Keitel, Michael Campus, Michael Madsen, Pam Grier, Quentin Tarantino, Richard Pryor, Robert DeNiro, Samuel L. Jackson, Tim Roth, vampires
Posted in Crime, Drama, Mystery, Reviews, Thriller, Vern Tells It Like It Is | 2 Comments »
