May 31, 1996
DRAGONHEART is directed by Rob Cohen. I have enjoyed several of Cohen’s movies, especially the one before this (DRAGON: THE BRUCE LEE STORY), and I’ve had fun joking about his specific brand of weirdo hackiness over the years, but since he has been accused of sexual assault by at least three people including his daughter I won’t joke about him or talk about him anymore. But I will talk about DRAGONHEART.
Sir Bowen (Dennis Quaid, JAWS 3-D, WYATT EARP) is a knight who mentors the Saxon Prince Einon (Lee Oakes), the little shit son of King Freyne (stuntman Peter Hric), who also has another right hand man called Brok (Brian Thompson, ALIEN NATION, MIRACLE MILE, LIFE STINKS). Brok calls Bowen “nursemaid” when he commands him to bring the prince to witness his father’s “noble victory” over rebelling peasants. Bowen tries to teach the kid “the Old Code” so he won’t be a massacring bastard like his no good father, but it really doesn’t take.
During the massacre the dumbass king wanders away from his army to personally set fire to a village he assumes is empty, then the peasants mob him and start to beat the shit out of him but for no reason their leader (Terry O’Neill, CONAN THE DESTROYER) says, “Stop! The battle is out there!” and then everybody leaves? What the fuck. So the prince may have a window to heroically save his father, but instead he pries the giant crown off of his head and slinks away just in time to be clumsily bumped by the peasant leader’s daughter Kara (Sandra Kovacicova), causing a wound that will slowly kill him.
Queen Aislinn (Julie Christie, NASHVILLE) comes up with a plan: carry the little twit to a dragon. They go to a cave to find a dragon who will later be called Draco (voice of Sean Connery between FIRST KNIGHT and THE ROCK). Einon has to swear to “live and rule with mercy” and come to the dragon to “learn the Once-ways.” Then Draco does some kind of magic to give half of his heart to the prince, healing him. (read the rest of this shit…)
David Cronenberg’s THE FLY is about a best case scenario for a remake. It takes the premise of a fun but very dated old sci-fi joint and gives it context, tone and emotional substance more fit for its time of 1986. At the same time it’s a great stealth-Cronenberg movie that was normal enough to be a big hit at the time but artful and weird enough to be different from anything we’d seen before. This was his brief Hollywood period with 
KULL THE CONQUEROR is the story of Kull (Kevin Sorbo) but in my opinion it is kind of unfair to call him a conqueror. Honestly it’s more of a right-place-at-the-right-time kind of deal, like the end of CHRONICLES OF RIDDICK or like winning on Cash Cab. Let me explain how it all goes down.
