"KEEP BUSTIN'."

Posts Tagged ‘Christopher McDonald’

Thelma & Louise

Monday, May 24th, 2021

“Check the booty, yo it’s kinda soft an’ / If you touch it you’re livin in a coffin / I’m in the ‘90s, you’re still in the ‘80s, right / I rock the mic, they say I’m not ladylike”

—“You Can’t Play With My Yo-Yo” by Yo-Yo

On May 24, 1991 – exactly as the above-quoted song debuted on the Billboard charts at #87 – a parallel but more wide-reaching pop culture event arrived. Ridley Scott’s THELMA & LOUISE isn’t the type of movie we normally think of as a summer blockbuster, but it was a phenomenon arguably bigger than most of the t-shirt and Slurpee selling spectacles I love to document in these retrospectives. A surprise hit, an Oscar winner, a capturer of the zeitgeist, it inspired months of back-and-forth editorials and feature articles, and was soon declared a watershed moment for women in movies. A genuine cultural moment.

But I hadn’t re-watched it since that moment, and I really wasn’t sure how it would play now. It turns out when you remove it from any newness or perceived importance, it only emphasizes what an effective piece of entertainment it is. (read the rest of this shit…)

Breakin’

Wednesday, January 20th, 2021

I’ve written about a bunch of these corny 21st century dance movies, and I always seem to be comparing them to the BREAKIN’ movies, but I’ve never actually reviewed the BREAKIN’ movies. That ends now. I’m reviewing the BREAKIN’ movies. The world could use more focus on the BREAKIN’ movies right now.

In a certain way, BREAKIN’ changed the whole world for me. I’m pretty sure it was BREAKIN’ and/or the cultural conversation around BREAKIN’ that first opened my eyes to this movement of music, art and dancing that older, cooler kids in far away New York had been building for several years. If you weren’t alive then I’m not sure you can imagine what a phenomenon it was. I remember a music teacher giving us diagrams of moves, trying to teach us (what she said was) the moonwalk, talking about Michael Jackson being inspired by breakdancers and breakdancers being inspired by James Brown. It was the music part of hip hop culture that would become important to me, and (as I said in my review of the companion movie RAPPIN’), at that time I don’t think I even knew the word “rap.” I called it “breakdancing music.” (And, though I kind of like this soundtrack, I don’t associate it much with the type of rap I soon fell in love with.) (read the rest of this shit…)

Once Upon a Time in Venice

Thursday, December 19th, 2019

About 12 miles and 48 years from ONCE UPON A TIME …IN HOLLYWOOD lies ONCE UPON A TIME IN VENICE. In this 2017 DTV joint, Bruce Willis is the center of a sunny, quirky, comedic crime tale ensemble. Though the story is narrated by his dorky new assistant John (Thomas Middleditch, THE KINGS OF SUMMER), it revolves around Bruce’s low-life private eye Steve Ford. As you do in these movies, a pan through his office shows us some of his history through the medium of props. For example, some photos and a surfboard tell us he’s a surfer. There’s one touch that made me laugh, but maybe wasn’t supposed to: we learn he’s a disgraced ex-cop from an article that calls him “disgraced” in the headline. Why would he frame that and put it on his wall? It’s not even an important piece of exposition.

Anyway, Steve has two small time cases:

1. Find a missing woman named Nola (Jessica Gomes, “KSI Spokesmodel,” TRANSFORMERS: AGE OF EXTINCTION)

2. Find the graffiti artist painting obscene murals of real estate developer Lou the Jew (Adam Goldberg, SAVING PRIVATE RYAN, voice of Flealick in BABE: PIG IN THE CITY) on his buildings (read the rest of this shit…)

Terminal Velocity

Friday, November 15th, 2013

tn_terminalvelocityTERMINAL VELOCITY is a pretty funny action mystery full of smartass dialogue and clever action gimmicks. I think it’s an attempt to make up a pulp adventurer type character without the usual treasure hunting or old timey setting. But with the brown leather jacket, the slick hair and the bi-plane.

Charlie Sheen plays Ditch Brody, the womanizing wildman shit-stirrer of the Arizona parachutist community. He’s locally notorious for a string of outrageous skydiving mishaps (or skyhaps), most recently parachuting into a young girl’s birthday party wearing the fake muscles and ass from his standard (probly disappointing) bachelorette party routine. Then one day a beautiful woman (Nastassja Kinski) comes in wanting a lesson from him. She acts like a giggly first-timer but is clearly up to something. He’s too horny to pick up on it, and even touches her ass on the way into the plane. Not professional. (read the rest of this shit…)

The Collection

Wednesday, October 2nd, 2013

tn_collection slashersearch13Like its part 1, THE COLLECTOR (2009), I can’t say that the 2012 sequel THE COLLECTION is any great shakes. But man, it starts out with a bang.

If you haven’t heard of THE COLLECTOR it’s because it was a pretty low key release, opening on 1,325 screens. The first SAW movie was released on almost a thousand more screens. I make the comparison because this one’s definitely in the SAW vein – in fact it started with a rejected script for a SAW sequel. It has a genius inventor/torturer in an S&M mask who sets up preposterous contraptions, bear traps and hidden razor blades in the sizable home of a rich family. But the cool gimmick is that the protagonist Arkin (Josh Stewart, THE DARK KNIGHT RISES) is a traitor who installed the security system and then tried to rob the place while they were supposed to be on vacation, not tied up by a maniac. He stumbles on this nightmare and tries to do the right thing and help them. They’re like “I’m so happy to see you! Wait– why are you here?” (read the rest of this shit…)