You guys know I’ve always rooted for the movies carrying the prestigious WWE Films banner. I gave the rare rave review of their dumb slasher movie SEE NO EVIL (9% on Rotten Tomatoes), even got quoted by the producer on a commentary track. I wrote that the Triple-H/Parker Posey team in INSIDE OUT might be “this generation’s William Powell and Myrna Loy”. I loved THE MARINE 2 and labelled it one of the few DTV sequels superior to a theatrical original. They were starting to have a really good track record there.
Now I’m a little concerned because it seems like WWE Films is trying to get out of the making-WWE-films business. First they started picking up non-wrestling, independent features to distribute (THE DAY), then they put out two wide theatrical releases, DEAD MAN DOWN and THE CALL, that star Oscar nominees/winners instead of wrestlers. I mean I want to see both movies – they’re from pretty interesting directors, the first looks good and the other looks funny-bad – but I don’t like it. Yeah, so what if Cartoon Network has live action shows and MTV doesn’t play M anymore? Other people will make movies starring Halle Berry, I promise you. WWE should only have her in a buddy cop movie with The Undertaker.
For those keeping score, THE SCORPION KING 3: BATTLE FOR REDEMPTION is the sequel to the 
I don’t know how much faith I’d normally have in a DTV sequel to HOSTEL that Eli Roth didn’t have anything to do with, but this one has a good pedigree: it’s directed by Scott Spiegel. He’s no visionary, but he’s not a nobody either. He was one of the producers of HOSTEL, he was the co-writer of EVIL DEAD 2, he directed that grocery store siege movie INTRUDER, he co-wrote 
Two years ago give or take a couple days I wrote about 
In the tradition of SNIPER and THE MATRIX RELOADED comes a movie that has the words SNIPER and RELOADED in the title. Actually this is the fourth entry in the SNIPER series and yet another example of the 21st century’s trend of surprised-they-made-this, not-bad, not-great DTV sequels.
I know what you’re thinking: if I had remembered that there was a 
S.W.A.T.: FIREFIGHT is the straight to video sequel to the movie everybody kinda forgot about, based on the TV show that people only know of if they know the fucking awesome theme song. So before we get into this particular movie, ladies and gentlemen, I present to you the one and only reason for the continued existence of the S.W.A.T. franchise of trademarked intellectual properties and likenesses and what not: 
Lately alot of us have been noticing the decrease in high quality action movies on the big screen and the increase of them in the direct-to-DVD world. Some of us are starting to suspect that there’s been a switcheroo, that the DTV format – once designated as a 100% crap zone – has become the more reliable place to find good action movies. At least for English language movies it seems like most of the best ones (the UNDISPUTEDs, UNIVERSAL SOLDIER REGENERATION, BLOOD AND BONE) go straight to video, and anything on the big screen, even the ones I end up enjoying (THE EXPENDABLES, THE MECHANIC, NINJA ASSASSIN) you can pretty much 100% assume is gonna be compromised by some blurry, muddy, sloppy, close-up, confusing, de-thrillified action scenes.
EPILOGUE: 
