"KEEP BUSTIN'."

Posts Tagged ‘Steven Knight’

Serenity (2019)

Thursday, May 2nd, 2019

I have great respect for Steven Knight. He wrote EASTERN PROMISES, ALLIED and THE GIRL IN THE SPIDER’S WEB, he wrote and directed the under-recognized Jason Statham movie REDEMPTION (a.k.a. HUMMINGBIRD) and the Tom-Hardy-on-the-phone movie LOCKE. Most of his shit is good. So when his new steamy sleazy noir thriller thing SERENITY was universally panned and made fun of for a purportedly insane plot twist I didn’t entirely buy it. I thought maybe people were being unappreciative of its apparent audacity, maybe I would enjoy it more.

But jesus, they weren’t lying. This is the most potent feeling of how did all these people agree that this was a movie worth making I’ve had in a long time. It’s not just that the twist is outlandish – it’s that it’s just not a good premise. Being crazy, being unpredictable, being bizarre, unfortunately does not always equal being cool. I just can’t picture the person who would get to the part where you find out what’s going on and think Ah ha, now we’re talking! This is absolutely an idea that is not dumb and was worth writing down and printing out on paper and getting talented people to convey in a storytelling medium! Your mileage may vary.

I will of course tell you what the twist is. I have to. But it starts as a story about Baker Dill (Matthew McConaughey (AMISTAD), Iraq vet turned charter boat captain and fisherman on a quest to catch a mythical beast of a fish he has named “Justice.” He’s kind of a mess, but well-liked on the tiny island of Plymouth. Also he’s hard up for money and taking it out on his faithful first mate Duke (Djimon Hounsou, also AMISTAD), who he fires and accuses of being bad luck. (read the rest of this shit…)

The Girl in the Spider’s Web

Thursday, February 14th, 2019

It’s fair to say that earlier in the century The Girl With the Dragon Tattoo was a pop culture phenomenon. Stieg Larsson’s three novels, posthumously published starting in 2005, were worldwide hits. I enjoyed the stories through their 2009 Swedish movie adaptations (THE GIRL WITH THE DRAGON TATTOO, THE GIRL WHO PLAYED WITH FIRE, THE GIRL WHO KICKED THE HORNET’S NEST) which launched their star Noomi Rapace (PROMETHEUS, PASSION, DEAD MAN DOWN, THE DROP, CLOSE) into international movie stardom, and their leading man Michael Nyqvist into spending his last years playing bad guys in Hollywood movies including ABDUCTION, MISSION: IMPOSSIBLE – GHOST PROTOCOL and JOHN WICK (where he delivers the best syllable: “Oh.”). David Fincher’s 2011 English language take on the first book was pretty great and even got Rooney Mara an unlikely but well-deserved Oscar nomination.

But it wasn’t a big enough hit to justify a sequel budgeted for Fincher, Mara and Daniel Craig, so after years of haggling they went with plan B: a lower budget sequel with new director and cast, based not on the next in the trilogy but a continuation written by new author David Lagercrantz. And nobody really seemed to be waiting for that.

Except me! Selling point #1: director Fede Alvarez, who really impressed me with EVIL DEAD and DON’T BREATHE. Selling point #2: less grim and rapey, more fun and actiony. You still got the trademark fucked up and fetishy shit of the snow-bitten Larssonverse, but in this one our heroine is never sexually assaulted, but does have high speed chases on multiple vehicle types. Hot move: ditching police cars by jumping your motorcycle onto a frozen lake. (read the rest of this shit…)

Allied

Wednesday, February 21st, 2018

ALLIED is an unassuming, quick-paced WWII spy thriller/tragic romance combining the slick directivational chops of Robert Zemeckis (BEOWULF) with the smart guy writing of Steven Knight (EASTERN PROMISES, REDEMPTION, LOCKE). Brad Pitt (CUTTING CLASS) plays Canadian-born spy Max Vatan, who parachutes into French Morocco and pretends to be the Parisian husband of secret resistance leader Marianne Beausejour (Marion Cotillard, RUST AND BONE, TAXI, FURIA). He’s dropped right into the fire, instantly feigning intimacy with this woman as he meets her for the first time sitting with a table of Germans (I think?) at a restaurant. It’s kind of like that story about James Brown calling young Bootsy and his band The Houseguests and flying them in to walk right out on stage and play a show with him. Except way more dangerous. And less funky.

I feel like I’ve gotten off track here.

In private Marianne hammers Max on his terrible Parisian accent, and they very professionally put into place a plan we’re not let in on. It’s not until shortly before the shit goes down that they give in to the elephant in the room, or in this case the car, as they make love inside one while the windows are covered by a brutal sandstorm. (read the rest of this shit…)

Locke

Wednesday, November 19th, 2014

tn_lockeYou guys want to see a Tom Hardy acting showcase that doesn’t involve muscle gain? Then LOCKE is the KEYE! This is the movie where the entire thing is Hardy driving in his car and making phone calls. I honestly thought that meant a Larry Cohen type high concept thriller, but it’s not that at all. Just a drama, a character study. But that’s cool.

Hardy’s character Ivan Locke has a 90 minute drive to a hospital. While he’s driving he’s also trying to:

1. Convince the brass at his construction company that it’s okay that he decided to ditch work on the big day they’ve been working toward forever when he is supposed to oversee the largest concrete pour in English history.

(read the rest of this shit…)

Redemption (aka Hummingbird)

Wednesday, November 6th, 2013

tn_redemptionREDEMPTION, huh? ‘Bout time somebody made a movie about redemption.

Okay, this might tie WAR for “most generic Jason Statham title” (except in the UK, where it has the more-distinctive-for-a-Jason-Statham-movie title HUMMINGBIRD), but the movie itself is something else. Written and directed by Steven Knight (the guy that wrote EASTERN PROMISES), it’s in the BLITZ category of serious-minded British crime dramas where Statham gets to beat the shit out of a couple people without it really being an action movie. They hired him more for acting than action on this one.

Stath plays Joey, a.k.a. Crazy Joe, a homeless crackhead who was an elite commando in Afghanistan until he lost it, committed war crimes and went AWOL. You think that’s different from most Statham characters, wait ’til you see his long hair! (read the rest of this shit…)