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Posts Tagged ‘Tom Kenny’

Pinocchio (2022) (the Guillermo del Toro one)

Wednesday, December 28th, 2022

Well, would you look at that? Guillermo del Toro (BLADE II) finally finished his stop motion version of Pinocchio! Looks like it was first announced 15 years ago. Like with his Frankenstein and his In the Mountains of Madness I’d kind of given up on it ever happening. Then when it clearly really was happening it was stop motion so it took some years.

After all that it’s kind of a bummer that it’s a Netflix production with too limited a theatrical release for me to see it on the big screen. But they do seem to be promoting it more than most of their movies, and maybe more people will watch it at home than would’ve if a real movie company put it out. I don’t know. The point is he finally got to make it (co-directing with Mark Gustafson, a Will Vinton claymation veteran and animation director for THE FANTASTIC MR. FOX). And even better, I think it’s really good.

I wasn’t sure I would love it. I was a little put off in the opening, because this Geppetto has a young son named Carlo who is… dare I say, pretty annoying? Something bothered me about this boy (Alfie Tempest) who seems to have no friends, life or interests outside of spending the day with his strangely-old-to-have-a-young-son father. Mrs. Vern said I hated Carlo because he was an obedient little boy, which made me realize why he had to be that way: he’s what Pinocchio will think he has to live up to. But I don’t know, man. Of course it’s incredibly sad for this elderly man to lose his young son and only friend, but it would move me even more if the kid wasn’t so damn cloying. (read the rest of this shit…)

Shakes the Clown

Tuesday, June 26th, 2012

After his unorthodox standup comedy led to his screechy POLICE ACADEMY 2-4 character leading to other movies that aren’t remembered too well other than SCROOGED, Bobcat Goldthwait took the Clint Eastwood or Bruce Lee path: he went rogue to write and direct a vehicle that was more in tune with his voice and talents than what he was being offered. At the time it didn’t get him much more respect than the talking horse one, but this movie holds up and earns him a pass for those other ones in my opinion.
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Lil’ Pimp

Monday, November 15th, 2004

Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

No, seriously. The one and only Vern has returned with a new review of the seemingly in-limbo animated film, LI’L PIMP. Dig in:

Howdy boys,

Dark days have descended upon the Vern compound here in the bright blue upper left corner of the American map, and they hit me like a basketball to the nose. Just sitting here naively preparing for one of them ewok celebrations they used to have. Fireworks shootin off everywhere, a bunch of little dudes dancing around playing drums on Homeland Security helmets. I was high off publishing my first book and was feeling real optimistic. I felt the world was gonna change for the better and I looked fondly forward to the future, to a day when my fellow countrymen and women could hold their heads high and swell their chests with pride. Also to BLADE 3 next month.

Then, not sure what happened, somewhere around November 2nd or 3rd I just plunged into a bottomless funk. Not the good Clyde Stubblefield kind. The bad kind, where you’re sad and crap. The kind where you stumble around aimlessly and start behaving strangely. Maybe you watch GARFIELD and write a bizarre, rambling essay about it, to name one example. Who knows what could happen while you are in this state of the blues. (read the rest of this shit…)