"KEEP BUSTIN'."

Posts Tagged ‘white supremacists’

Three the Hard Way

Wednesday, July 22nd, 2020

THREE THE HARD WAY (1974) is directed by Gordon Parks Jr. (this is #3 of his four movies, after SUPER FLY and THOMASINE & BUSHROD, before AARON LOVES ANGELA). His famous Life Magazine photographer father directed SHAFT in 1971, its explosive popularity leading to the wave of genre films aimed at black audiences known as Blaxploitation*. Junior directed SUPER FLY in 1972, which was even more successful than SHAFT. Though both received some criticism for promoting negative stereotypes, in style and substance they were on the more serious, artful end of the Blaxploitation spectrum.

So it’s kind of funny that for his second movie Parks Jr. just leapt right into the silly caricature side of the pool. This one teams up three of the biggest stars of the genre to play some random freelance tough dudes in different cities who know each other from way back (no explanations offered), and sends them to fight straight up white supremacists planning a genocidal super villain plot. Other than the horrendous racism that has to be depicted to show what they’re up against, this is all froth, bluster and wish-fulfillment. Which I can get behind. (read the rest of this shit…)

Red Scorpion 2

Wednesday, August 14th, 2019

Having wrapped up my series on the action movies of summer ’89, I’ve been enjoying the freedom to dart around to different topics that catch my interest. But I realize there’s a little bit of unfinished business to get out of the way. There were two movies I reviewed in The Last Summer of ’80s Action that spawned not-even-on-DVD-in-the-U.S. sequels five years later. There’s nothing hugely special about either of these part 2s, but you know how I am. I had to see them. And the one that follows series-opener RED SCORPION seems like a good epilogue or postscript, because it really signals a change in world politics.

Remember how RED SCORPION part 1 was produced with the cooperation of the racist regime in South Africa? The sequel is having none of that. In fact it explicitly casts racists as the bad guys. GOP lobbyists Jack and Robert Abramoff are still credited as executive producers, but the movie strays far from their original mission of making conservative arguments in genre movies. The villains are even described in expository dialogue as “ultra right wing.” (read the rest of this shit…)

BlacKkKlansman

Wednesday, August 22nd, 2018

BLACKkKLANSMAN is the new Spike Lee joint, and it seems like it’s getting way more attention than at least the last decade of his jointography. I don’t remember half this much interest in CHI-RAQ, OLDBOY, RED HOOK SUMMER or MIRACLE AT ST. ANNA, and even I haven’t gotten around to DA SWEET BLOOD OF JESUS yet.

I believe there are a couple reasons for the commotion on this one:

1) It’s produced by GET OUT‘s Jordan Peele

2) and also Blumhouse, who know how to market a low budget movie

3) it’s based on the true story of a black cop who infiltrated the Ku Klux Klan, which is a good hook

and most importantly (read the rest of this shit…)

Supremacy

Tuesday, February 6th, 2018

I can’t believe this actually happened, but I found out about a movie from a trailer on a DVD that I rented, and then I rented that movie. And it didn’t turn out to be a great movie but it was a fairly interesting one that I don’t think got any attention at all, so I might use this technique again.

SUPREMACY is the story of swastika-and-Confederate-flag-tattooed Aryan Brotherhood fucko Garrett Tully (Joe Anderson, ACROSS THE UNIVERSE, THE CRAZIES, THE GREY, HERCULES, Mason Verger on Hannibal) who gets out on parole and on his first day out robs a convenience store, gets pulled over, and shoots a cop. So, with helicopters overhead and roadblocks all around he and Doreen, (Dawn Olivieri, THE LAST WITCH HUNTER), his white power associate assigned to pick him up from prison, break into a house and take a family hostage. As luck would have it the family are black, so there is quite a bit of tension and racial slurs here.

The head of the household is an ex-con himself, Mr. Walker (Danny Glover, PREDATOR 2), who lives with his girlfriend Odessa (Lela Rochon, KNOCK OFF), her son Anthony (Evan Ross, THE HUNGER GAMES: MOCKINGJAY 1-2), daughter Cassie (Robin Bobeau, “Excited Lady,” BAADASSSSS!) and grandson Jamar (Alex Henderson, Young Andre on Empire and Young Adonis in CREED) and a baby. Tully and Doreen point guns at them and hole them up in an upstairs bedroom and try to claim they’re being reasonable even as they threaten them and bring up dumb racist stereotypes and shit. So Mr. Walker has to find a way out of this. (read the rest of this shit…)

Pink Cadillac

Monday, January 2nd, 2017

In PINK CADILLAC, Clint Eastwood plays Tommy Nowak, a skip tracer who has to bring in a woman who jumped bail after getting blamed for her stupid husband’s stupid prison buddies’ counterfeiting scheme. Of course he catches her, but ends up protecting her and falling for her and what not. Do not get this confused with the one where he’s a cop who has to escort a mob trial witness from Vegas to Phoenix and falls for her. That’s THE GAUNTLET. That one has a bus, not a Cadillac.

I’d say this qualifies as an action comedy. It takes itself seriously, it’s not broad like the EVERY WHICH WAY BUT LOOSE movies, but Clint goes further than his usual wry one-liners, because Nowak loves to wear disguises and play characters. In the opening he catches a guy by making him think he won a date with Dolly Parton from a country radio station. Just for this he does a “Crazy Carl Cummings” DJ persona and a briefly-British-accented limo driver. Since he later quibbles with his boss over gas mileage I really wonder how he paid for the limo and costume. I guess he just thinks it’s worth the expense to fuck with people. During the drive back to Sacramento he asks the guy what kind of music he wants to listen to, and when he doesn’t make a choice, Tommy puts on some Dolly Parton. (read the rest of this shit…)

Dead Bang

Friday, September 3rd, 2010

tn_deadbangI didn’t have time to do a countdown for MACHETE like I did THE EXPENDABLES, but it is almost like a holiday today so I figure it deserves some kind of commemoration. Obviously Seagal is the supporting player I’m most excited to see on the big screen again, but in second place I think would have to be Don Johnson. So I marked the occasion by checking out a Don Johnson movie I always meant to see, John Frankenheimer’s DEAD BANG from 1989.
(read the rest of this shit…)

Best of the Best 3: No Turning Back

Thursday, July 29th, 2010

tn_bestofthebest3BEST OF THE BEST 2 was an unexpected classic. The only slight hesitation I had was that he SPOILER killed the bad guy MORE SPECIFICS OF SPOILER at the end. I mean it was an evil guy, but the typical “he forced me to kill him” conclusion seems like kind of a cop out after part 1’s unorthodox peace and brotherhood ending.

Well, it turns out Tommy Lee (Phillip Rhee) agrees. Killing Brakus “went against everything I believe,” so he quit teaching, left Eric Roberts behind and seems to be driving across the country visiting his sister to rediscover himself, just like Seagal did at the beginning of MARKED FOR DEATH. Actually it’s weird because Tommy gets sideswiped and his car gets fucked up, which is a classic way of stranding an action hero drifter in the middle of nowhere to have an adventure. But then it turns out he was headed there anyway because that’s where his sister lives. This might be because it was originally written as a standalone movie but director/star Rhee had it modified to somewhat fit his BEST OF THE BEST character. (read the rest of this shit…)

Avenging Force

Friday, May 23rd, 2008

A bunch of people have suggested this one to me over the years, so thank you all. It’s a Michael Dudikoff picture made one year after AMERICAN NINJA. Once again Steve James is the sidekick, this time playing a senator whose family is targeted by racists, so Dudikoff tries to help them and, when that fails, becomes an avenging force.

The best thing about the movie is the bad guys. They’re introduced at a big martial arts demonstration/awards dinner type ceremony. At first it just seems like some kind of weird overlap between a martial arts club and the Republican party. They’re these prominent businessmen and they keep talking about how bad gun control is. But then all the sudden they start tossing the N-word around. These guys are fuckin white supremacists! They also have a secret “hunting club” where they dress up in Halloween masks and S&M gear and shoot arrows at humans. (read the rest of this shit…)