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Posts Tagged ‘Art Evans’

School Daze

Monday, June 29th, 2015

tn_schooldazeSCHOOL DAZE is Spike Lee’s sophomore jointational work, and was never one of my favorites from him. But man, looking back at it now I love its youthful exuberance. Here’s 30 year old Spike having access to the studio’s resources for the first time – he goes from a few actors in apartments in black and white to a huge cast on a college campus. He even has a full-on song and dance number. It’s the first example of what I think is one of his weaknesses: his overreach in tackling too many things at once, creating an unfocused and overstuffed narrative. But in this context that’s kinda charming. He’s really goin for it.

Since DO THE RIGHT THING and MALCOLM X were Lee’s most culturally recognized movies, certain white people pigeonholed him as a guy who only makes movies about white people being racist. Of course that’s not even a complete description of the content of those two movies, let alone applicable to most of his filmography. And joint #2, just like joint #1, I’m pretty sure doesn’t show a single white person in it. (read the rest of this shit…)

The Mighty Quinn

Thursday, February 21st, 2013

tn_mightyquinnTHE MIGHTY QUINN is a 1989 Denzel joint where he does a Jamaican accent. Or maybe it’s a Jamaican-ish accent, because it takes place on a fictional Caribbean island, where Denzel’s character Xavier Quinn is the chief of police.

One day a white guy at the rich white people resort gets his head chopped off, and the white guy in charge blames it on Quinn’s irresponsible childhood best friend Maubee (Robert Townsend). All the authorities are convinced except Quinn, who’s a little unsure at first and alot unsure the more he investigates and uncovers a conspiracy.

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Murder Was the Case: The Movie

Friday, September 28th, 2012

When I did my NATURAL BORN KILLERS retrospective a little while back there was one last piece I meant to write, which was about this short film directed by Dr. Dre. I could swear I read a long time ago that Oliver Stone wanted to play the short before NBK but the studio wouldn’t let him. I don’t know, I might’ve imagined it, because it’s not mentioned in the Killer Instinct book and all I can find on Google is references to Stone giving the short “props.”

MURDER WAS THE CASE comes form a song on Snoop’s first album Doggystyle, but it also spawned a hit soundtrack, and it’s on a DVD padded with other videos and various interview and performance clips, all poorly non-anamorphically transferred, but that seems to fit the material.
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