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Posts Tagged ‘Benedict Cumberbatch’

Doctor Strange in the Multiverse of Madness

Monday, May 9th, 2022

So far I have watched all the Marvelous Cinematical Unabomber motion pictures and related Disney+ streaming television works, and I have enjoyed the majority of them. But fuck all that. What’s important here is that DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is the first movie Sam Raimi has directed since OZ THE GREAT AND POWERFUL nine years ago. I liked it quite a bit more than that last one, but my feeling about it is kind of similar: it’s just fun to see him working on a giant canvas, putting his spookablastian spin on this other thing, even though I’d much rather see him working with his own creations.

MCU movie #28 with Raimi’s fingerprints all over it is not as good as, say, an original western with Raimi’s fingerprints all over it, let alone an original comic-book-inspired character he made up, but it is, at times, thrilling. MULTIVERSE opens mid-battle as ex-surgeon-turned-ex-Sorcerer-Supreme Stephen Strange (Benedict Cumberbatch, the guy in the dragon costume in THE HOBBIT) and a teenage girl named America Chavez (Xochitl Gomez, SHADOW WOLVES) are super-leaping across chunks of debris floating in space while a tendril-covered demon blocks access to a pedestal holding a magic book called the Book of Vishanti. It’s the good counterpart to the evil Darkhold, which in this context suddenly I realize is the MCU equivalent of the Necronomicon. They’re leap-frogging and parkouring and the camera is deftly moving around them in impossible ways, a natural evolution of all the groundbreaking web-slinging sequences in Raimi’s SPIDER-MAN trilogy. (read the rest of this shit…)

1917

Monday, January 27th, 2020

I’ve never been a war movie guy. I’m not actively against them like when I was young and rebellious and thought they were propaganda, but I don’t seek them out. Of course there are some great ones, but I wasn’t in the market for Sam Mendes, director of AMERICAN BEAUTY and AMERICAN LONE WOLF AND CUB (and producer of Shrek: The Musical) doing his take on DUNKIRK. So when I saw the trailers for 1917 I wasn’t buying.

That is, not until they started playing little featurettes showing off that Roger Deakins (THE MAN WHO WASN’T THERE, JARHEAD, NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES BY THE ETC. ETC., PRISONERS, BLADE RUNNER 2049) is the cinematographer and he did it all in connected long takes. Okay, that I’ll watch. I’m into shit like that.

I thought it was funny that in the interview Mendes says that when they looked at the script they realized that was the way to tell the story – as if there was some way to have written the script not planning that. What are you, a pro-wrestler, you gotta tell obvious lies to make the story sound better? Be honest with me Mendes. (read the rest of this shit…)

Avengers: Infinity War

Monday, April 30th, 2018

(Honestly it would be hard to spoil everything major that happens in this movie, because it’s hard to keep track of it all. But this review is loose and reckless with SPOILERS)

I learned in 2012 when THE AVENGERS came out to never underestimate Marvel. So on the third AVENGERS movie, INFINITY WAR, I figured they could pull it off – they could combine most of the main characters developed over 17 previous movies (people from the IRON MAN movies, THE INCREDIBLE HULK, the CAPTAIN AMERICA movies, the THOR movies, the AVENGERS movies, the GUARDIANS OF THE GALAXY movies, DOCTOR STRANGE, SPIDER-MAN HOMECOMING and BLACK PANTHER) into one big super hero monster mash. But back when I had first learned that lesson, when they introduced the purple CGI space monster villain Thanos after the credits, I gotta admit I was still skeptical. I didn’t know how they were gonna make that guy cool.

They did it. To me he’s their best villain outside of Killmonger. It’s a cliche to say that comic book characters are the Greek gods of the modern age, but Thanos (Josh Brolin, JONAH HEX) is the villain that most lives up to that description. In fact, one minor problem I had with the movie is that he seems so convincingly powerful I wondered what the hell the Avengers and the Guardians thought they were doing repeatedly going after him. Like, come on Star Lord (Chris Pratt, ZERO DARK THIRTY), why are you pointing a laser gun at this guy and acting like that’s gonna do anything? Are you stupid? (read the rest of this shit…)

Doctor Strange (2016)

Tuesday, November 29th, 2016

tn_doctorstrangeIn his latest vehicle, the King of DTV Action Scott Adkins plays “Lucian / Strong Zealot,” the right (or possibly left) hand man to a dark master of mystical world-bending sorcery magic spell power beams named Kaecilius (Mads Mikkelsen, VALHALLA RISING). Kaecilius was once a student of The Ancient One (international martial arts superstar Tilda Swinton, CONSTANTINE) but now suspects she is siphoning dark magic to extend her life and therefore steals a magic ritual from a special book of ancient something something, etc. So Lucian / Strong Zealot and another person are sent after The Ancient One’s new student Dr. Stephen Strange (Benedict Cumberbatch, WAR HORSE) to try to destroy his magic apartment in New York and they have a fight in a hospital where they’re both ghosts but it’s kind of weird because (SPOILER IN FIRST PARAGRAPH OF REVIEW) Benedict Cumberbatch defeats Scott Adkins.

screen-shot-2016-11-27-at-8-35-50-pm
And Scott Adkins as “the ghost of one of the minions.”

Okay, the truth is this is not a Scott Adkins movie. His character is small enough that when his big scene is described in an Entertainment Weekly article they don’t bother to credit him. It’s weird that as Marvel Studios continue to build this vast universe of re-usable characters they chose to use

1) Idris fucking Elba as “magic bridge operator”

2) Ray god damn Stevenson as “one of Thor’s friends that he has back home”

and now

3) Scott mother fuckin Adkins as “henchman who gets beat up by magic cape” (read the rest of this shit…)

The Hobbit 2: The Hobbit Goes To Some Places Where Sometimes More Shit Happens

Tuesday, January 14th, 2014

tn_hobbit2Well, I guess waiting a month to see DESOLATION OF SMAUG shows you how excited I was for it. To be honest I still didn’t have any urgency but figured that since I did intend to see it eventually I wanted to see it while 3D was still available. It seems to me like the movie ended its brief flirtation with the public consciousness at least 2 weeks ago, but I heard a group of grey-haired gentleman in the theater questioning why it was mostly empty and there were no “young people wearing costumes.”

I learned my lesson from part 1 and skipped the High Frame Rate version playing at the Cinerama, usually my preferred theater. On Imax 3D there was some ghosting but it looked like an actual professional movie, an immediate advantage over my experience with part 1. For that reason it’s hard to really compare fairly, but I think I enjoyed this a little more than the first one, despite having the same flaws. (read the rest of this shit…)

12 Years a Slave

Thursday, November 14th, 2013

tn_12yearsaslaveWe all know the grand American tradition of the movie about the black man but in the POV of the white man. It’s the story of the civil rights struggle and the brave white FBI agent or country lawyer who stood up and made a difference, or the spunky white lady who gave the mistreated black maids of Jackson a voice, but with her name on the cover. These are well-meaning, sometimes good movies, but they’re suspect in assuming the audience can only follow if they have a white surrogate on screen. They don’t trust us to put ourselves in the shoes of black characters. If Spike Lee hadn’t made MALCOLM X I bet it would’ve been about a white dude trying to understand Malcolm X, or giving him his ideas.
(read the rest of this shit…)

Star Trek Into Darkness

Tuesday, May 21st, 2013

tn_startrek2The genius of J.J. Abrams’ STAR TREK: NOT THE MOTION PICTURE BUT STAR TREK (2009) was not just that it had a good gimmick for recasting the original cast of characters and restarting their adventures without denying the existence of their old ones. It was also the way it worked for both Trekkos and regulars. I was able to see it with a girl that grew up watching Star Trek and she loved it, but I enjoyed it too even though, come on. We, as citizens of the world, were all able to share it and enjoy it together equally as brothers and sisters.

Party’s over, though. Trekkos want their shit back. (read the rest of this shit…)