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Posts Tagged ‘Billy Dee Williams’

The Final Comedown

Tuesday, February 14th, 2023

“My dad died fighting Nazis in Germany, but he died fightin the wrong ones, huh?”


THE FINAL COMEDOWN is a 1972 drama starring Billy Dee Williams as an angry young militant who leads some sort of small uprising. It has been categorized as blaxploitation, and that makes sense – it’s a low budget movie with a funky soundtrack, and a sex scene (maybe to please producer Roger Corman), and it co-stars that bad D’Urville Martin (director of DOLEMITE, played by Wesley Snipes in DOLEMITE IS MY NAME) and Raymond St. Jacques right after COOL BREEZE. But despite having many bullets fired and quite a few falling-off-a-building stunts, it’s not exactly an action movie or empowerment fantasy. It’s a very earnest issue movie, with the unvarnished rage and radicalism of THE SPOOK WHO SAT BY THE DOOR, plus an editing style and non-linear storytelling that seems more in the arty vein of stuff like SWEET SWEETBACK and TOP OF THE HEAP than all the ones that were trying to cash in on the success of SHAFT and SUPER FLY. (read the rest of this shit…)

Fear City

Tuesday, February 8th, 2022

FEAR CITY is a 1984 crime movie by Abel Ferrara, his followup to MS. 45 and prelude to the TV movie THE GLADIATOR. This one has that sleazy Ferrara New York City, but compared to MS. 45 it seems pretty normal and commercial, getting him ready for those TV gigs.

Tom Berenger (between EDDIE AND THE CRUISERS and RUSTLERS’ RHAPSODY) plays Matt Rossi, well known and liked for his days as a boxer (before he killed a guy in the ring), now running Starlite Talent Agency in Manhattan with his buddy Nicky Parzeno (Jack Scalia, right after AMAZONS). That means booking the strip clubs in the neighborhood, basically. They do the rounds at the clubs and everybody’s treating him like a V.I.P. or an old friend, smiling or saying “hi, baby” when he shows up. And he’s Tom Berenger so he’s fucking cool.

He’s troubled, though. One of those guys who likes to go out to some spot on the shore where there’s nobody else around and just look across. Day or night, doesn’t matter, the man likes to brood with good scenery. And he has flashbacks about the fateful boxing match. It really changed him. (read the rest of this shit…)

Nighthawks

Thursday, July 25th, 2019

PROGRAMMING NOTE: I’m still working on one more piece that will cap off the Last Summer of ’80s Action series next week. But last night, while celebrating the life of Rutger Hauer and linking to my reviews of his action movie roles (BLIND FURY!), I was confused as to why I couldn’t find a review of NIGHTHAWKS. It turned out I was working on one two years ago that I never posted, so I polished it up and have it for you today. R.I.P.

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NIGHTHAWKS. A couple of tough street cops who go out at night like, uh… a couple of hawks. Or probly more like that famous Edward Hopper painting of the mostly empty diner at night. Except no diner and not always at night.

You know what, you and I together are going to have to face that I actually have no idea why it’s call NIGHTHAWKS, but the point is it’s the story of NYPD (New York Police Department) undercover dudes Deke DaSilva (Sylvester Stallone, DEATH RACE 2000) and Matthew Fox (Billy Dee Williams, HIT!) who, just because they’re war veterans and also familiar with where all the low lifes go around here, are recruited by ATAC (Anti-Terrorist Action Command) to stop a terrorist (Rutger Hauer, WANTED DEAD OR ALIVE, in his first American film) who is in NYC (New York City) to attack the U.N. (United Nations) which in my opinion is B.S. (bullshit), you shouldn’t do something like that you jerk. (read the rest of this shit…)

Star Wars Episode 6: Return of the Jedi (No Baggage Review)

Tuesday, June 3rd, 2014

tn_rotjnobaggageMan, I don’t want them to make a chump out of me and do STAR WARS: A NEW BEGINNING or GEORGE LUCAS’S NEW STAR WARS, but let me just say that this part 6 really seems like the end to the whole saga. SPOILERS: Anakin is unmasked and apologetic, he finally gets the sense to throw fuckin Ted Palpatine into a bottomless pit, he dies, Yoda dies, Luke becomes a Jedi, the Empire is defeated, the people celebrate on multiple planets, they knock over a statue, they even blow up the Death Star again just to be sure. Or to pump up the crowd.

I feel like they’ve wrapped up pretty much all of the loose threads, other than the thing in part 5 where Yoda says “No. There is another hope.” I thought he meant Leia, but then it never became relevant. So either there could be some other potential Jedi out there for a part 7 or it would just be about Leia carrying Luke around in a backpack and doing flips. Either way it would be a terrible idea. Don’t do it, Mr. Lucas! (read the rest of this shit…)

Star Wars Episode 5: The Empire Strikes Back (No Baggage Review)

Thursday, May 22nd, 2014

tn_empirenobaggageSTAR WARS PART 5… okay, admittedly you’re stretching it by the time you get to a part 5 that doesn’t have a “FAST” in the title. Even a prestigious series like DEATH WISH is gonna be a little goofy in part 5, it’s gonna have a part with a remote controlled exploding soccer ball. FRIDAY THE 13TH had to be “A New Beginning” because they claimed they were gonna stop at 4. A NIGHTMARE ON ELM STREET had to get a baby involved, but STAR WARS sorta already did that in part 4. It had Luke “A New Hope” Skywalker using The Force and the lessons of Ben O.W. Kenobi to blow up the Death Star and defeat Darth Vader and the Empire, a great ending.

But oh, great, now the fucking Empire strikes back. How convenient. (read the rest of this shit…)

Hit!

Monday, June 8th, 2009

tn_hitSee, this is the type of gold I’m always digging for. This is why I keep browsing and renting weird old movies I don’t know much about. I’m trying to find a movie like HIT!. Last time I rented a Billy Dee Williams movie it was AGENT 00-SOUL, which I’d wanted to see for years only to discover it’s not a serious movie, it’s a “comedy” where he just keeps tripping on things and falling out of things. It makes the worst Leslie Nielsen movie look like the Coen Brothers.

But HIT! is not only a serious movie, it’s revenge-meets-arthouse, almost like POINT BLANK. It’s an ambiguous, slow-burn revenge movie with great performances and character moments and a creepy Lalo Schifrin score. There’s more care put into the buildup and the little moments than into the action movie parts, but they’re good enough for that to be a fair trade.

In the beginning a teenage girl dies from a heroin overdose. Billy Dee plays her father, some kind of CIA agent. He doesn’t talk until 15 minutes into the movie. Before that he just smolders. His boss tries to help him out, tries to send him on a vacation. But he wants to go after the source – not the street pushers, but the top of the pyramid, some guys in Marseille who run a heroin cartel. Of course the agency tells him not to, and of course he does it anyway. (read the rest of this shit…)

Vern Reviews SNOOP DOGG’S HOOD OF HORROR!!

Wednesday, January 17th, 2007

SPOILER ALERT !!

Hey, everyone. ”Moriarty” here.

Vern, you magnificent beast, only you would review this one for us.

No, no. Only you could review this one for us.

Heaps of fun as always, sir. Thanks.

First there was BRAM STOKER’S DRACULA. Then there was MARY SHELLY’S FRANKENSTEIN. Now, finally, we have SNOOP DOGG’S HOOD OF HORROR. In this case though the man in the title is not the author of the work, but the host, a duty he first mastered in that other great film with his name in the title, SNOOP DOGG’S DOGGYSTYLE. (read the rest of this shit…)