"KEEP BUSTIN'."

Posts Tagged ‘Brad Hawkins’

Shredder

Monday, October 28th, 2019

SHREDDER is a snowboarding-themed slasher movie that I never heard of until now, but apparently somebody had, because RoninFlix put it out on blu-ray with a nice painted cover by Devon Whitehead (designer of many fine t-shirts from Fright Rags and Cavity Colors). It’s from 2001 (shelved until 2003 in the U.S.), but seems late-‘80s in its “we know this is dumb, but we’ll take it seriously because that’s more fun” spirit. It’s clearly not made by a studio, and shows very little of the SCREAM-inspired postmodern attitude of its actual era.

It’s about a mysterious skier (disguised only by normal ski gear) who murders snowboarders who trespass in a closed pass where a fatal accident once happened. Like my other recent 2003 Slasher Search entry, SIMON SAYS, it has a vanload of young people on a trip, slathering the screen with unadulterated obnoxiousness. The stuck up/aggressive girl is trip-arranger Kimberly Van Arx (Lindsey McKeon, Saved by the Bell: The New Class), whose rich dad is buying the resort, and has a quick trigger finger when it comes to asserting “do you know who I am!?” privileges. Her boyfriend Cole (Scott Weinger) seems kind of square and has a has kind of a Steve-on-90210 older-out-of-place-guy vibe. I was excited to learn that he’s the guy who did the voice of Disney’s Aladdin! (read the rest of this shit…)

Boyhood

Wednesday, September 10th, 2014

tn_boyhoodNote: I sincerely considered whether or not it was feasible to write this review one paragraph per year for 12 years. I decided maybe somebody else should do it.

When we first met Richard Linklater in the ’90s, his specialty was the one-day movie. SLACKER and DAZED AND CONFUSED captured a moment in time by following a group of characters (or a random selection of Austin weirdos) at a particular time. But all these years later he’s fascinated with the opposite: showing the same actors over a long period of time, seeing how things change. He started by following up the characters from the one-day BEFORE SUNRISE seven years later, and then fourteen years later. And with BOYHOOD, as you’ve probly heard, he somehow managed to make a movie with a star who is 7 years old at the beginning and he filmed a little bit each year until the year he starts college. About the only thing that would be more ambitious would be if he made a movie about trying to get me to sit through WAKING LIFE again.

The result is a movie as impressive as it sounds and much more involving. It still has that day-in-the-life feel, it’s just that it’s a whole bunch of days spread out across years. You know what, maybe alot of you other directors are just rushing things. Where’s the fire, man? Take the time to let your actors grow up on camera. Don’t be lazy. (read the rest of this shit…)