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Posts Tagged ‘Brigitte Lin’

The Bride With White Hair 2

Thursday, April 13th, 2023

THE BRIDE WITH WHITE HAIR 2 (1993) is directed by part 1 editor/co-writer David Wu, with Ronny Yu as producer and co-writer. I guess since he’s the editor Wu throws in a bunch of quick flashbacks (sometimes to new backstory, but mostly to the first movie, even though this came out around four months after the first one so anyone who’d seen it probly remembered). This story takes place at about the time of part 1’s flash-forward prologue, when Master Cho (Leslie Cheung, ONCE A THIEF) has been freezing his ass off sitting on a mountain for ten god damn years waiting for a flower to blossom and/or for his ex turned evil witch Li Ni-Chang (Brigitte Lin, DEADLY MELODY) to come talk to him.

She doesn’t, so he sits out almost the entire movie while a new generation of Wu Tang students deal with “the witch,” who now leads a cult made up entirely of women who have been wronged by men. Our new main character Kit (Sunny Chan) gets in trouble with the Wu Tang elders not for getting in fights and stuff but just for mentioning the name of “that coward” Master Cho. Kit is about to marry his girlfriend Lyre (Joey Maan, CENTURY OF THE DRAGON) when Ni-Chang flies in, kills some people with her hair, and abducts the bride to teach her to “never be so blindly loyal to these heartless men.” She brings her to her cult, where everybody hates men and bangs their swords together rhythmically, which seems pretty fun. Also they dress kinda like Queen Amidala.

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The Bride With White Hair

Wednesday, April 12th, 2023

This is the one. THE BRIDE WITH WHITE HAIR is the movie that put Ronny Yu on the map. Or at least mine. This was 1993, back when people like me were first discovering Hong Kong cinema, and martial artists flying around on wires seemed like the greatest discovery since their primary antagonist, gravity. I remember waiting weeks for a widescreen, subtitled VHS I special ordered from Suncoast Motion Picture company in a mall somewhere. I must’ve watched it several times in the ’90s, but when I revisited it for this series it had been so long that I could only recall the look and feel of it, and basically nothing about the story.

The way I remember it, we all agreed back then that this movie was a masterpiece. But here I am 30 years later, and I don’t think the generation of film fans after mine would necessarily know who Ronny Yu was if I asked, or have heard of this movie. It has recently finally come to remastered blu-ray overseas, so a good transfer was on a streaming service for a while, and now can be bought digitally, but when I started writing this series there was only the old Tai Seng DVD – a pretty rough, non-anamorphic transfer. It made me wish I’d saved that tape. Watching it now, of course, it lacks the freshness and novelty it had in 1993, the thrill of a new world opening up to us. We’ve seen this kind of fantastic martial arts world imagined many more times and in much more detail over the last quarter century.

But I think THE BRIDE WITH WHITE HAIR still packs a punch. It’s a short, sweet, and stylish little tragic love story that speaks about good and evil but refuses to paint even its operatic fantasy world in such easily definable categories. And by looking at it as part of this Uncle Sam Wants Yu series I’m able to see it as a culmination of everything the director had been working on up to that point. (read the rest of this shit…)

Zu: Warriors From the Magic Mountain

Monday, February 27th, 2023

Tsui Hark’s groundbreaking 1983 wuxia epic ZU: WARRIORS FROM THE MAGIC MOUNTAIN recently got a fancy new blu-ray release, inspiring me to finally get around to seeing it. In fact I watched it right before I watched IRON MONKEY for the first time, so that was a hell of a night of filling in (some of) my Hong Kong cinema blind spots.

I can’t say I liked ZU as much as IRON MONKEY, because I can’t say I followed it as well. Like much of Tsui’s work it has a haphazard, is-he-making-this-up-as-he-goes-along? feel to the storytelling, which here I think is a combination of his sensibilities and the difficulty of someone from another culture (me) processing a DUNE-like cinematic condensation of a famous 1932 Chinese fantasy novel steeped in mythology I don’t necessarily have a context for. But I can say that it’s an enjoyable fun house ride, an absolute visual delight, and a key missing link in my understanding of Tsui’s filmography. Everything else he’s made makes more sense after seeing this. I guess it’s kinda like if I’d seen all the modern Spielberg movies and then saw E.T. and JAWS for the first time. (read the rest of this shit…)

Police Story

Tuesday, May 17th, 2011

tn_policestoryPOLICE STORY, directed by and starring circa-1985 Jackie Chan, starts out seeming more serious than most of his movies. Jackie and a bunch of other cops have to raid a huge shantytown looking for drug dealers, and it leads to a chaotic shootout through narrow paths and rickety structures. One of the cops is so scared he actually pisses his pants, and it’s played for humiliation, not for laughs. These guys know that alot of people are about to be killed, including some of them.
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