"KEEP BUSTIN'."

Posts Tagged ‘Collin Chou’

The Matrix Revolutions

Thursday, December 16th, 2021

When the second half of the 2-part MATRIX sequel begins, our hero Neo and antagonist Agent Smith are both displaced from their regular realities. Smith has somehow transferred his computer-program-consciousness into the organic human body of Bane, only survivor of the destroyed Nebuchadnezzar, now in the sick bay of the Hammer next to comatose Neo, whose mind is trapped in a purgatorial subway station in a virtual world separate from The Matrix.

Yeah, the sequels get complicated. We learn that programs inside The Matrix are regularly deleted, but some try to escape that fate. The subway is a black market means of smuggling exile programs in and out of the Matrix or the Machine City (01?) mainframe. This is all overseen by the Merovingian, with the subway itself operated by his employee The Trainman, a scary dude played by Bruce Spence, a.k.a. the Gyro Captain in THE ROAD WARRIOR and Jedediah in MAD MAX BEYOND THUNDERDOME. (read the rest of this shit…)

Dr. Wai in “The Scripture With No Words”

Monday, December 14th, 2020

I’m going to be on a podcast soon where the topic of the week is Jet Li movies. There are still many I haven’t seen, so I wanted to fill in a couple of blanks before recording. DR. WAI IN “THE SCRIPTURE WITH NO WORDS” from 1996 seemed like an important one to get to because it’s directed and choreographed by the great Ching Siu-Tung (his directorial followup to WONDER SEVEN, although he choreographed A CHINESE ODYSSEY: PART ONE – PANDORA’S BOX in between). He’s perhaps best known for directing A CHINESE GHOST STORY and action-directing A BETTER TOMORROW II, SHAOLIN SOCCER and HERO, but I also love his outlandish, heightened style in movies like NAKED WEAPON and one of Seagal’s weirdest, BELLY OF THE BEAST.

In the epic opening scene I was ready to get seriously Ching Siu-Tunged… there’s like a hundred guys pulling a giant mechanical ox that looks like a He-Man vehicle, and the guy driving it goes rogue and makes it fart a fire ball. But I quickly found that Ching’s usual fantasy historical period setting of The Martial World is a story-within-a-story, intercut with the marriage troubles of its supposed author, filling his martial arts adventure fiction with childishly autobiographical symbolism where he’s the hero and his wife is the villain. (read the rest of this shit…)

DOA: Dead or Alive

Tuesday, November 20th, 2012

DOA: DEAD OR ALIVE is the name of a tournament where the best fighters from around the world are invited to come stay on a remote island where they are pitted against each other in un-refereed fights with few rules. It’s like Mortal Kombat except not interdimensional, no monsters, during daylight, and not to the death. So they probly could’ve picked a better name. Maybe just “A.”

They’re wedded to this DOA title, though. They got the logo on parachutes, computers, signs, even a volleyball. That’s the kind of island we’re dealing with here, it has custom made non-tournament related sporting gear. These are professionals. (read the rest of this shit…)