"KEEP BUSTIN'."

Posts Tagged ‘Dino De Laurentiis’

Fighting Back

Thursday, February 1st, 2024

FIGHTING BACK (1982), a.k.a. DEATH VENGEANCE a.k.a. STREET WARS, is another vigilante drama produced by Dino De Laurentiis, obviously wanting to follow up on his success with DEATH WISH after selling that off to Cannon. DEATH WISH II came out about three months before this, but if Laurentiis was trying to take the wind out of its sails, he was not successful. Cannon kept all the wind and this one remains fairly obscure, despite a nice blu-ray release from Arrow.

But it has some good people behind it. It’s directed by Lewis Teague between ALLIGATOR and CUJO, written by Tom Hedley (FLASHDANCE) and David Zelag Goodman (STRAW DOGS, LOGAN’S RUN, THE EYES OF LAURA MARS, FREEDOM ROAD). Rather than a badass like Charles Bronson it stars the more everyman-ish Tom Skerritt (who would follow this with THE DEAD ZONE, TOP GUN and SPACECAMP) and it seems to be going for a less pulpy, more down to earth approach… except in the important matter of the inciting incident. For that they provide us with as hysterical of a “crime is out of control these days” exaggeration as we could ever ask for. (read the rest of this shit…)

Evil Dead II

Wednesday, January 12th, 2022

“Then let’s head down into that cellar and carve ourselves a witch.”


After the financial and (perceived) artistic failure of CRIMEWAVE, Raimi and company were itching for a win, and knew their best bet was to return to the one that had worked, THE EVIL DEAD. When they couldn’t find financing, their savior was the same guy who arguably made their careers by raving about THE EVIL DEAD: Stephen King. One of the crew members Raimi and friends had interviewed for the potential sequel was working on King’s directorial debut MAXIMUM OVERDRIVE, and happened to mention to King that Raimi was having trouble getting a greenlight. King was like Are you kidding me? There could be an EVIL DEAD part 2 but nobody will let them do it!?, called up his producer Dino De Laurentiis and convinced him to meet with Raimi. So give that man a medal.

De Laurentiis was skeptical of the project, especially after Raimi and friends rejected filming at his Wilmington, North Carolina studio. But he agreed, allowing a $3.6 million budget, small enough to rule out their plans to set it in medieval times, but giving them more to work with than either of their previous films. And the studio gambit worked exactly as intended – the three hour drive to the locations made it harder for higher ups to pull any CRIMEWAVE shit..

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Danger: Diabolik

Monday, December 6th, 2021

Mario Bava’s DANGER: DIABOLIK stars John Phillip Law, who to me will always be Pygar, the blind angel of love from BARBARELLA. This one came out earlier the same year, 1968, and kinda seems like BARBARELLA’s evil crime movie cousin. It is in fact another Dino De Laurentiis international co-production based on a comic book, and reportedly uses some of the same sets (though I’m not sure which ones). It feels very much like a super hero movie at the beginning: we hear police talking about Law’s character Diabolik as some kind of legendary figure, he first appears in a long black car (Jaguar, not Batmobile), he shows up in a mask, does his thing, makes an escape to a secret entrance to an amazing hidden base inside a cave. But this guy is no super hero, he’s just a thief with a whole lot of flair.

Police Inspector Ginko (Michel Piccoli, THE DISCREET CHARM OF THE BOURGEOISIE) is determined to not let Diabolik steal the $10 million that needs to be transported, going out of his way to deliver decoy money and send the real shipment in a Rolls-Royce with cops disguised as diplomats. But that car finds itself engulfed in plumes of multi-colored smoke and then lifted up by a crane operated by by Diabolik. The camera zooms in on him for a diabolical laugh when the title comes up. (read the rest of this shit…)

Year of the Dragon

Wednesday, August 19th, 2020

August 16, 1985

This may be surprising, but YEAR OF THE DRAGON is one of the Summer of 1985 movies that I hadn’t seen before. So today I have officially entered the post-having-seen-YEAR-OF-THE-DRAGON section of my life. For those of you who are still in the first section, let me explain: this is the Triads-in-New-York’s-Chinatown movie directed by Michael Cimino as his followup to the financial disaster of HEAVEN’S GATE, and he wrote it with Oliver Stone. So it’s quite a movie. Aggressively stylish, go-for-broke filmmaking, astonishing production design and camerawork, epic in scope and detail, clearly heavily researched, also completely macho and full of shit, easy to see as racist and misogynistic, or at least very sympathetic toward a protagonist who is, and who by the way is played by weird, handsome, hungry Mickey Rourke, with all that that entails. So it’s hard to quantify YEAR OF THE DRAGON in the standard “good” or “bad” type terms most people insist on. I’m pretty sure I would run from it if I saw it on the street, but also I think it’s pulsing with entertaining pulp and cinematic greatness. (read the rest of this shit…)

Chino

Friday, September 19th, 2014

tn_chinoor “What I Did With Charles Bronson On My Summer Vacation”

CHINO is the last western by John Sturges. Here’s the director of GUNFIGHT AT THE O.K. CORRAL practically making a spaghetti western – it’s a Dino De Laurentiis production, but filmed in Spain. I guess I don’t really know what kind of noodle that would be. But he reunites with his MAGNIFICENT SEVEN / THE GREAT ESCAPE star Charles Motherfuckin Bronson in his prime.

Bronson plays Chino Valdez, a loner who ran with the Cheyenne Indians in his youth and now lives all by himself on a ranch catching wild horses, training and breeding them. One day this blond kid named Jamie (Dick Van Patten’s youngest son Vincent) rides by looking for work and Chino – first seen in scary silhouette – lets him sleep in his barn. He keeps calling him “boy” and is the opposite of friendly, almost scares him away by chopping meat in front of him, but then shames him into staying so he doesn’t look like a sissy.

Of course they form a sweet friendship as Chino keeps getting a little nicer to him. He talks gruff but offers him things like letting him borrow a horse to ride into town and help him with different tasks. He makes him smile by threatening to cut his ears off. After a couple days he admits he likes having the boy around and hires him, even though he’s Chino, for fuck’s sake, why would he need anyone to help him with anything? Ridiculous. (read the rest of this shit…)