The title URBAN LEGENDS: FINAL CUT sounds like an escalation, because the legend has suddenly become plural, but I seem to remember this sequel coming out with a whimper. I thought I remembered respecting it a little more than others at the time, but in my review back then I seem to have thought it was pretty bad.
It starts on an airplane during a storm, which seems crazy enough for the series that you can probly guess it’s the ol’ “actually we’re watching a movie-within-a-movie” cold open fake out. The reveal is kind of cool, though: suddenly the pilot sees a Tom-Cruise-looking asshole in sunglasses staring into the cockpit from the outside – he’s the director of this student film (filmed on a set from PUSHING TIN). In an even more aggressive “you kids liked SCREAM, right? Check this out!” move than the first URBAN LEGEND, the story has moved to Alpine University Film School, where aspiring directors are in a cutthroat competition to win “the prestigious Hitchcock Award,” which they all talk about it like it’s a guaranteed Hollywood career because it has been a “springboard” for successful filmmakers in the past. (read the rest of this shit…)
From the trailers, THE PLACE BEYOND THE PINES, from director Derek Cianfrance (BLUE VALENTINE), seemed weirdly similar to DRIVE. Instead of a movie stunt driver who’s also a getaway driver, Ryan Gosling plays a carnival motorcycle stunt driver who becomes a bank robber. Instead of having a weird relationship with a married woman and her son he has a weird relationship with an ex-fling (Eva Mendes) who he’s just found out has his son (but lives with a boyfriend who doesn’t want him coming around). I’d heard that it wasn’t really what it looks like, that it “turns into something different,” that it’s “epic.” All these things are true, and I’m glad I didn’t know the specifics of it. But I gotta talk about those specifics if I’m gonna review it, so be warned. 
Yes, as you’ve heard by now, THE SPIRIT is a terrible movie. But don’t fall into the trap I did. Just because almost everyone agrees that it’s terrible doesn’t mean it’s funny or interesting to watch. I thought it looked bad from the trailers and really had no interest until I started seeing some of these reviews comparing it to various landmarks in bad movie history. The more vicious the reviews got the more I started to think shit, I kind of want to see that. People acted like it was some bizarre Ed Wood type shit that they couldn’t believe they were seeing.
I recently saw and enjoyed THE FAST AND THE FURIOUS PRESENTS TOKYO DRIFT, part 3 in the FAST AND THE FURIOUS saga. And it reminded me that it was time I got around to seeing part 2. This one is closer to a straightup sequel. They couldn’t get Vin Diesel to return so instead they just follow Paul Walker’s character.
