"KEEP BUSTIN'."

Posts Tagged ‘fight brothers’

Dragon Eyes

Thursday, April 19th, 2012

tn_dragoneyes2DRAGON EYES could’ve been my most anticipated DTV movie of the year, but After Dark Films had to go ruin it by releasing it theatrically. A little bit, anyway, as part of their After Dark Action thing next month. I hope it does well.

In the UK, though, it came out on DVD and blu-ray this month, so I ordered it. The cover says it’s “FROM THE PRODUCER OF THE MATRIX AND SHERLOCK HOLMES,” because it’s co-presented by Joel Silver (I didn’t notice his name in the actual credits), but to our people it’s FROM THE DIRECTOR OF UNIVERSAL SOLDIER: REGENERATION, the reigning champeen of DTV action. So it’s a big compliment to say that for most of its running time it lives up to my hopes for the next John Hyams movie. It has many seriously hard-hitting fight scenes, strong atmosphere and continues to show Hyams’ strength for finding the best ways to cinematically showcase non-actors. It turns out he’s also good with the real actors. Go figure.
(read the rest of this shit…)

Merantau

Friday, March 25th, 2011

tn_merantauMERANTAU is a simple, straight forward martial arts movie from Indonesia. Iko Uwais plays a young man named Yuda (I know, make a Yoda joke, or “Yuda man” or something) who goes on his merantau, his journey to find himself and become a man. He lives out in the boonies practicing his silat, he figures he’ll take a bus into Jakarta and try to get a job teaching it, see how that goes. But he gets sidetracked.
(read the rest of this shit…)

Any Which Way You Can

Thursday, February 19th, 2009

At first I was a little concerned about this sequel. Sondra Locke comes back, and that seems pretty fishy because she totally screwed Philo over in the first one. She was not a good person and nobody in their right mind would think “why didn’t those two crazy kids work it out?” So I was a little disappointed in Philo for forgiving her, and maybe in Clint for casting her. It smelled like girlfriend nepotism.

But by the end I realized that this letting-bygones-remain-in-their-original-state-of-being-bygones business is the central theme of the movie and the reason why it’s so enjoyable. It’s about friendship and bonding and forgiveness, about enemies becoming buddies. When mustache-sporting tough guy William Smith shows up in town and goes jogging with Philo you know right away that he’s gotta be the big mafia-sponsored underground fighting opponent Wilson coming to spy on Philo. That’s easy to predict. What’s not as expected is that they instantly like each other, and it stays that way. They help each other out and there’s alot of talk of owing one and being even, but it seems to me that’s all a front. There’s just no animosity between them, nothing but professional respect and a shared disgust for the people they’re working for. I didn’t pick up on that at first. I thought Philo would outsmart Wilson and show him up. Maybe he could if he wanted to, but he respects him too much. When they finally do have their fight you’re not rooting for one side like you traditionally do in a fight movie. They’re not fighting for any kind of grudge or to prove anything, but just out of love for their sport of bareknuckle boxing. (read the rest of this shit…)