"KEEP BUSTIN'."

Posts Tagged ‘Greg Nicotero’

Jennifer’s Body (revisited)

Thursday, February 22nd, 2024

Seeing LISA FRANKENSTEIN pushed me to do something I’ve been meaning to do for years – rewatch JENNIFER’S BODY (2009). Uncharacteristically, I came right home from the theater and put it on. It made a good double feature.

In a way it doesn’t seem like that long ago, but in other ways it seems like ancient history. It was Diablo Cody’s second movie, coming two years after JUNO, which won her the best original screenplay Oscar. Director Karyn Kusama was on her third movie, trying to make a comeback after AEON FLUX (2005), her one studio project after the indie smash GIRLFIGHT (2000). Since then she’s done THE INVITATION (2015) and DESTROYER (2018) and lots of acclaimed television. (read the rest of this shit…)

Evil Dead II

Wednesday, January 12th, 2022

“Then let’s head down into that cellar and carve ourselves a witch.”


After the financial and (perceived) artistic failure of CRIMEWAVE, Raimi and company were itching for a win, and knew their best bet was to return to the one that had worked, THE EVIL DEAD. When they couldn’t find financing, their savior was the same guy who arguably made their careers by raving about THE EVIL DEAD: Stephen King. One of the crew members Raimi and friends had interviewed for the potential sequel was working on King’s directorial debut MAXIMUM OVERDRIVE, and happened to mention to King that Raimi was having trouble getting a greenlight. King was like Are you kidding me? There could be an EVIL DEAD part 2 but nobody will let them do it!?, called up his producer Dino De Laurentiis and convinced him to meet with Raimi. So give that man a medal.

De Laurentiis was skeptical of the project, especially after Raimi and friends rejected filming at his Wilmington, North Carolina studio. But he agreed, allowing a $3.6 million budget, small enough to rule out their plans to set it in medieval times, but giving them more to work with than either of their previous films. And the studio gambit worked exactly as intended – the three hour drive to the locations made it harder for higher ups to pull any CRIMEWAVE shit..

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Day of the Dead (35th anniversary revisit)

Friday, July 17th, 2020

July 19, 1985

DAY OF THE DEAD – like MAD MAX BEYOND THUNDERDOME – is a favorite movie of mine that I’ve already written about thoroughly (click here for my review from 2013), but that still felt important to revisit in my analysis of the Summer of 1985. I could watch it every year regardless, but even more than OMEGA MAN this is a movie that I’ve thought of repeatedly since the pandemic lockdown started four months ago. And sure enough, the movie rings true in new ways in 2020. George Romero knew what he was doing.

Before we get to that, let’s talk about it in the context of ’85. Obviously DAY is a little niche  – another one of the many interesting movies coming out on the sidelines, not necessarily trying to capture the culture like BACK TO THE FUTURE or something. In a way it goes hand in hand with THUNDERDOME. Both are by visionary genre directors with the first name George, the less-well-received part 3s in the series each director is best known for, which has new chapters spread across decades, drastically reinventing its world each time. But THUNDERDOME was pitched for a wider (and younger) audience than THE ROAD WARRIOR, while DAY continued on the low budget/super-gory path of DAWN OF THE DEAD. And while THUNDERDOME has a larger scale and far more meticulous world-building than its predecessor, DAY mostly just has advances (huge ones) in its special effects makeup. (read the rest of this shit…)

Day of the Dead

Saturday, November 23rd, 2013

tn_dayofthedeadI think DAWN OF THE DEAD will always be my favorite zombie movie, but DAY OF THE DEAD is the one that’s grown with me the most. When I first saw it I liked it, but my enthusiasm was held back by the obnoxious performances of the guys playing the soldiers. They’re written as total assholes, taunting everybody, dropping weird racial slurs, and the actors (including makeup artist Greg Nicotero, who is now effects head/producer/director/writer/zombie on The Walking Dead) play them as giggling, yelling wackos, more like Rapist #3 in a cheap vigilante movie than like army professionals. The best performance among them is Joe Pilato as their leader, Colonel Rhodes, but he’s so convincing as a detestable prick that I was always convinced he was just being himself.

But I’ve watched the movie many times over the years and it just gets better and better. What once seemed like major flaws have faded away while its successes seem more and more impressive. These days I love to hate Rhodes, who’s such a dick that I can’t even root for him when he pulls off the award worthy badass move of grunting “Choke on ’em!!” at the zombies who’ve torn him in half and are eating his intestines. And the rest of those guys don’t bother me that much anymore. Their undeniable obnoxiousness has been far eclipsed by the aspects of the movie I love: everything else. (read the rest of this shit…)

Anybody else watching The Walking Dead?

Tuesday, March 20th, 2012

"You know, sometimes I wonder... who are the *real* walking dead. Is it them? Or is it in fact-- hey, is that Sophia? No, that's a tree. What was I talking about? I don't know. I lost my train of thought. Oh well."
Sometimes I think about it, and I wonder... who *are* the walking dead, anyway? Is it them? Are *they* the walking dead? Or could it be that in fact, the walking dead are-- Wait, is that Sophia over there?

I guess about 9 million people watched the second season finale of The Walking Dead, so I was thinking maybe one or two of you saw it. And then I saw some of you talking about the show in the comments, so that supports the theory.

For those of you who are watching and all caught up to the end of the second season I need to ask you guys about the last couple episodes, get a couple things off my chest. So this will involve the ol’ spoilers, including deaths of characters, if you care.

* * *

It’s safe to say NIGHT OF THE LIVING DEAD is one of the most famous movies ever, right? It’s been remade and badly remade in 3D and colorized and sequelized and homaged and recut and it’s in the public domain and pretty much everybody’s seen it and even if they haven’t they probly have some kind of familiarity with the guy saying “They’re coming to get you, Barbara” in the cemetery as a zombie stumbles toward them.

(read the rest of this shit…)