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Posts Tagged ‘Harry Shum Jr.’

Everything Everywhere All At Once

Wednesday, April 6th, 2022

It’s hard not to think of EVERYTHING EVERYWHERE ALL AT ONCE as some kind of miracle movie. I had no idea it was something I needed, or something that anyone would think to make, until a couple months ago when the trailer came out. It stars Michelle Yeoh in her best ever English language role, a very layered character who gets to be funny and goofy and troubled and kind of an asshole but totally lovable and yes, she also does some kung fu. It co-stars Ke Huy Quan, who we knew as a child star in INDIANA JONES AND THE TEMPLE OF DOOM and THE GOONIES, but who hasn’t been in a movie in almost 20 years, making a triumphant return in surely his best part ever (and he also gets to fight).

It would be worth celebrating just for putting those two actors together, even if it didn’t entirely work. But this thing is much more advanced than that. Written and directed by “Daniels” (Dan Kwan and Daniel Scheinert, of SWISS ARMY MAN and various music videos), it’s a very original movie, but if I had to give it a short hand description based on other people’s work I’d go with “if Michel Gondry made THE MATRIX.” Or if that scares you, substitute Stephen Chow. It uses a convoluted sci-fi gimmick as a vehicle for some absurd humor, artfully hand-crafted imagery and outlandish action, which all weaves together to explore ideas about life and relationships and family and happiness. That title is no lie. (read the rest of this shit…)

Mortal Kombat: Legacy I & II

Thursday, March 11th, 2021

There’s a new MORTAL KOMBAT movie about to enter our realm, and it’s crazy to think they’ve been developing this thing for over a decade! It made me want to journey back to the beginning of that process and revisit what happened when director Kevin Tancharoen tried to reimagine the fighting tournament game turned movie series.

Tancharoen was on the mixing stage at Warner Brothers when he heard talk about hopes to restart the series. He thought there was a way to put a new, gritty spin on it, and wanted to try. One problem: the only movie he’d directed was a glossy musical, the 2009 version of FAME. He was much more established as a choreographer for Britney Spears than as a filmmaker. He knew they weren’t gonna fuckin believe he was the guy to bring back MORTAL KOMBAT unless he showed them. (read the rest of this shit…)

Escape Plan: The Extractors

Thursday, April 16th, 2020

I’m not sure why we’d ever be ranking the least likely trilogies of our cinematic era, but if the topic comes up, I’ll be sure to mention the ESCAPE PLAN saga. Here – let’s recap:

It all began with a legit theatrical release from the director of 1408. This was in 2013, after EXPENDABLES 1 and 2, in a period when Sylvester Stallone and Arnold Schwarzenegger were making solid old-man-action vehicles that just weren’t catching on (BULLET TO THE HEAD, SABOTAGE, THE LAST STAND). ESCAPE PLAN is only my third favorite of those, but it’s a solid sort-of throwback action movie, it was fun to see Sly and Arnold together in something less winky than an Expendables, and it was especially cool to see Schwarzenegger kind of being a character actor, being funny and a little crazy as a sidekick instead of the hero. Plus it had a weirdly overqualified cast of Jim Caviezel, Sam Neill, Vincent D’Onofrio and Amy Ryan (plus Vinnie Jones and 50 Cent). (read the rest of this shit…)

Crouching Tiger, Hidden Dragon: Sword of Destiny

Thursday, September 14th, 2017

Okay, so admittedly it’s weird that 17 years after the acclaimed, Academy Award winning CROUCHING TIGER, HIDDEN DRAGON, The Weinstein Company up and made a sequel without the original director. And filmed it in English. And sold it to Netflix so it was barely released in theaters and may never be available on disc in most countries. It’s not surprising that people seem to have been disappointed, or just confused, or completely unaware of it. But if we think of it in terms of unlikely DTV sequels, CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY is in the upper echelon.

No, the director is not Ang Lee, but it’s not nobody either – it’s Yuen Woo-Ping, whose choreography was the life’s blood of the first film. I wouldn’t say he tops it here, but he brings more graceful glides, spinning swords and nimble roof top skips and hops. It’s worth noting that today’s technology is used to create more elaborate magical realism, like when the two leads ride in on horses, block a barrage of spears, leap high into the air, land and begin a sword fight, all in one beautiful shot. (read the rest of this shit…)