"KEEP BUSTIN'."

Posts Tagged ‘Hume Cronyn’

Cocoon

Wednesday, June 24th, 2020

June 21, 1985

COCOON is directed by Ron Howard (his followup to SPLASH) and produced by Richard D. Zanuck (SUGARLAND EXPRESS, JAWS), but I bet some people assumed Spielberg had something to do with it. It opens with an Elliott-like little boy (D.A.R.Y.L. himself, Barrett Oliver) who’s up past his bedtime sneaking a look at the moon through his telescope. And then there’s a spaceship (designed by Ralph McQuarrie, like the one in  E.T.) flying down over some dolphins in a scene lit much like the opening attack in JAWS. The story involves a close encounter of the third kind with friendly e.t. the extra-terrestrials, so lots of people stare up in awe at glowing alien and spaceship effects by Industrial Light and Magic. And hey, the main characters are the elderly residents of a retirement community who find a magical way to recapture their youth, much like Spielberg’s “Kick the Can” segment of TWILIGHT ZONE: THE MOVIE!

Best pal retirees Ben (Wilford Brimley, whose other 1984 releases were MURDER IN SPACE, REMO WILLIAMS and EWOKS: THE BATTLE FOR ENDOR) and Art (Don Ameche, who starred in THE THREE MUSKETEERS and THE STORY OF ALEXANDER GRAHAM BELL when Brimley was five years old) are residents of the Sunny Shores Villa in St. Petersberg, Florida. They’re kind of the cool rebels of the place, because while many of their peers are sitting around playing cards and shuffleboard they’re strutting out in their beach clothes that look like pajamas, squeezing through a broken gate to trespass in somebody else’s indoor swimming pool. Sneaking around like a bunch of goonies. (read the rest of this shit…)

Brewster’s Millions

Tuesday, May 26th, 2020

May 22, 1985

On the same Wednesday that RAMBO: FIRST BLOOD PART II was released, Walter Hill followed up HARD TIMES, THE DRIVER, THE WARRIORS, THE LONG RIDERS, SOUTHERN COMFORT, 48 HRS. and STREETS OF FIRE with a new movie produced by Lawrence Gordon (ROLLING THUNDER, PREDATOR, DIE HARD) and Joel Silver (COMMANDO, LETHAL WEAPON, ROAD HOUSE) and starring the great Richard Pryor (THE MACK, HIT!). But it was a pretty dumb PG-rated comedy that doesn’t really take full advantage of either of their skills, other than Pryor’s general likability.

Pryor plays Monty Brewster, pitcher for the minor league baseball team the Hackensack Bulls. He and his best friend/catcher Spike Nolan (John Candy, THE SILENT PARTNER) try to be big fish in a small pond, hitting on baseball groupies at a bar after the game, but even there they’re medium-sized, overshadowed by a manlier player from the away team (Grand L. Bush, DIE HARD, LICENCE TO KILL, STREET FIGHTER). Which leads to a bar brawl, the most Walter Hill part of the movie. (read the rest of this shit…)