"KEEP BUSTIN'."

Posts Tagged ‘Isao Kimura’

Lone Wolf and Cub: White Heaven in Hell

Wednesday, January 10th, 2024

LONE WOLF AND CUB: WHITE HEAVEN IN HELL is the final film in the LONE WOLF AND CUB series – six films released between 1972 and 1974. It has the same writer of the previous one, Tusutomu Nakamura, but a director who’s new to the series, Yoshiyuki Kuroda (THE GREAT YOKAI WAR).

This is a good one to watch in winter because, as poetically described in the title, a bunch of it takes place in the snow. It opens with our deadly assassin papa and child, Ogami Itto (Tomisaburo Wakayama) and Daigoro (Akihiro Tomikawa), skiing their weapon-filled babycart down a mountain. Must be a tall one because time passes, the sky turns dark, Ogami’s carrying a torch. Then the screen turns completely white and you see their silhouettes slowly become visible in the distance, like the opening of FARGO. And come to think of it I’m surprised this babycart doesn’t have a built in woodchipper. It has just about everything else you could need. Maybe it does and we just don’t see him use it. (read the rest of this shit…)

Stray Dog

Thursday, April 23rd, 2020

STRAY DOG is an Akira Kurosawa film from 1949 – only seven years into his directing career, but about a third of the way into his filmography. I believe it’s the first one I’ve seen by him that wasn’t a period piece. At the time he had gotten really into the Maigret books and decided to write a detective novel. It took him longer to adapt the book into a screenplay than to write the book itself. Apparently it started the genre of police procedurals and/or detective movies in Japan. Pretty impressive side-achievement to kick off an entire category of movies different from the ones he was known for.

The mystery: where the fuck is my gun? Toshiro Mifune – who I have to admit I didn’t even recognize – plays the rookie homicide detective Murakami, who’s feeling like a piece of shit because somebody swiped his Colt when he was on a crowded bus. He figures it out too late, chases a dude (assistant director Ishiro Honda, five years before directing GODZILLA) but doesn’t catch him. So he has to learn all about the local pickpocketing and gun dealing scenes, recognize someone from the bus in a mugshot, convince her to give him a hint about who she gave the gun to, then finding out that person rented the gun to somebody… (read the rest of this shit…)