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Posts Tagged ‘Jerry Trimble’

Heat (1995)

Thursday, December 14th, 2023

HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.

It’s possibly Mann’s best movie, and certainly ranks high among crime movies of the ‘90s (which is saying something), in my view a masterpiece of the genre. It has that rare quality of feeling like a sprawling epic and a simple, intimate story at the same time. Like a Sergio Leone movie in that one specific sense.

It is pretty simple, in the same way that MANHUNTER is. You’ve got these two men who are on opposite sides of the law, which makes their lives pretty similar. They respect each other’s professionalism but, unlike John Woo characters, would sooner shoot each other than be on the same side. Pretty early in the movie, famously – legendarily, really – they suddenly parley, have coffee together and talk about it, kind of warn each other but both seem to enjoy talking to somebody else who gets what it’s like to live that life. At the time the hype was about Robert De Niro and Al Pacino doing a scene together – two titans had not come together like this since Mickey Mouse and Bugs Bunny in WHO FRAMED ROGER RABBIT – but now that novelty has long since faded and the scene still feels monumental. (read the rest of this shit…)

Breathing Fire

Friday, April 1st, 2022

“Listen, Annie’s parents were killed for a piece of plastic pizza. I want you guys to just stay home and not get hurt.”


If you’re like me, you’re very excited for Michelle Yeoh’s new movie EVERYTHING EVERYWHERE ALL AT ONCE, which is in a platform release right now in the U.S. (I’m gonna see it tomorrow, some cities are getting it next Friday). And if you know about that movie you may also know it co-stars Ke Huy Quan, formerly known as Jonathan Ke Quan. He’s a superstar to anyone who was a kid in the ’80s, because he played Short Round in INDIANA JONES AND THE TEMPLE OF DOOM and Data in THE GOONIES. But after that he worked more sporadically than he wanted. He’s American, born in Vietnam, but he did a few movies in Taiwan, Japan and Hong Kong, while his most prominent Hollywood roles were a season of Head of the Class and a small part in ENCINO MAN.

He left the business in the early 2000s, but the success of CRAZY RICH ASIANS inspired him to try again, and right away he got to play Michelle Yeoh’s husband! Good for him. His return inspired me to finally check out a movie I’d been curious about for years, BREATHING FIRE (1991), because it’s his only previous English language martial arts movie, and very much the kind of chintzy low budget b-movie I enjoy. Atrocious dialogue and acting, convoluted-to-nonsensical story, but lots of laughs, training montages and pretty cool Hong Kong style fights. A fun time. To give you an idea, the DVD I rented was a double feature with a dubbed Bruce Li vehicle called EDGE OF FURY, and the cover pretends like Bolo Yeung (who plays one of the bad guys and is credited as “Bolo Young”) is the star. (read the rest of this shit…)

Full Contact (1993)

Monday, March 7th, 2022

This is not a review of the 1992 Hong Kong FULL CONTACT starring Chow Yun Fat and directed by Ringo Lam. It’s a review of the 1993 American FULL CONTACT starring Jerry Trimble (THE MASTER, TERMINATOR WOMAN) and directed by Rick Jacobson (BLACKBELT, BLACK THUNDER, DRAGON FIRE, Ash vs Evil Dead). There’s no specific reason why FULL CONTACT has to be the title for this one, so they should’ve gone with something else, but they did not. And we need not stress about that which we cannot control.

It’s a movie I bought on VHS years ago – I think it must’ve been when I was doing “The Super-Kumite,” my tournament of tournament fighting movies. But the team I assigned it to must’ve been out of contention, so I never watched it.

But it happens to be one of the early movies of Michael Jai White, back when he was still Michael White. After THE TOXIC AVENGER PARTs II and III he had tiny parts in TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE (uncredited), TRUE IDENTITY, UNIVERSAL SOLDIER, and then this. So I chose this to be another tangent in my TOXIC AVENGER review series. (read the rest of this shit…)

The Master

Monday, March 16th, 2020

“Man in other country, it’s a long story” —translation of lyric from beach montage song

THE MASTER – not the Philip Seymour Hoffman one, the original – is a Tsui Hark movie made in 1989. Its claim to fame is that it was released in 1992 after ONCE UPON A TIME IN CHINA made Jet Li a superstar, but what makes it interesting is that it’s an ‘80s Hong Kong movie filmed in L.A. It has a theme of Chinese immigration, the idea that the people of China travel all over the world and bring their culture with them.

The primary practicioner of that philosophy, Uncle Tak (Yuen Wah, FIST OF FURY, ENTER THE DRAGON, CLEOPATRA JONES AND THE CASINO OF GOLD, GAME OF DEATH, HEROES SHED NO TEARS, SHE SHOOTS STRAIGHT, DRAGON FROM RUSSIA, THE BODYGUARD, MASTER Z, action director of EASTERN motherfuckin CONDORS), is one of three masters the title could be referring to. He owns an herb shop in L.A. within view of the Library Tower (and next to a video store, but we never see inside it). He’s a very good healer and does bone settings for pro-wrestler-looking-dudes who come in after getting injured in fights. (read the rest of this shit…)

Green Street Hooligans 2

Wednesday, December 4th, 2013

tn_greenstreet2GREEN STREET HOOLIGANS 2: STAND YOUR GROUND opens with another BRAVEHEART style two-crowds-running-at-each brawl set to an upbeat punk anthem. But the ground they have to stand in this one is fenced in – they’re in the joint. It’s about exactly what you dreamed the DTV sequel to GREEN STREET HOOLIGANS would be about: one of the supporting characters from part 1 is in prison for the big fight they  got into at the end and continues to feud with the guy that killed Petey, now played by a different actor.

Ross McCall (SUBMERGED) triumphantly returns to his role of Dave, he was the guy who was the airline pilot, he called them up and warned them there were a bunch of guys that were gonna beat them up at the game or whatever. I don’t remember him being that important of a figure but prison is one of those small ponds that makes his fish parts look bigger or whatever. It’s just him and two oafs we never saw before from the GSE (Green Street Enthusiastic Soccer Fans Club dot org) and all the sudden he’s the brains of the operation, he acts like the leader and they follow him around and stuff. McCall is good actually, I had to look him up to make sure he was in the first one because he has a much stronger presence here, he seems like a different guy. (read the rest of this shit…)

Stranglehold

Thursday, May 23rd, 2013

tn_strangleholdThis week in my Daily Grindhouse column I check out STRANGLEHOLD, another Cirio H. Santiago picture. This one is from 1994 and stars Jerry Trimble, who you may know as the guy who fights Dolph in front of the welders in THE PACKAGE. It’s an UNDER SIEGE type scenario where delighted-with-himself terrorist Vernon Wells has taken over a chemical plant while Trimble was doing security for a visiting congresswoman.

Take a look.

The Package (2013)

Wednesday, April 24th, 2013

tn_packageTHE PACKAGE continues two DTV trends that I enjoy:

1. Stone Cold Steve Austin, possible heir to the DTV throne, co-starring with all the other icons of the DTV Action Era. This is his Dolph Lundgren movie. Previously he did his Michael Jai White movie TACTICAL FORCE, his Danny Trejo movie RECOIL and his Steven Seagal movie MAXIMUM CONVICTION. He’s still got to do a Van Damme, an Adkins and a Cuba Gooding Jr.

2. Dolph doing colorful supporting roles where he gets to goof around more. He also stole the show in ONE IN THE CHAMBER and THE EXPENDABLESes and I haven’t seen STASH HOUSE or SMALL APARTMENTS but I bet it’s true of those too. Maybe all these roles where he gets to experiment more will bring something new to him next time he’s the leading man again. (read the rest of this shit…)

Terminator Woman

Wednesday, June 10th, 2009

tn_terminatorwomanAfter the disappointment of TERMINATOR SALVATION the last thing we need is another movie that fails to live up to James Cameron’s original creation. But here is TERMINATOR WOMAN, which not only lacks the punch of Cameron’s two sci-fi action classics, but also fails to communicate to the viewer (in this case me) why the hell it’s called TERMINATOR WOMAN. The cover says “It’s about time!” as if to suggest it’s exciting to have a woman Terminator (before TERMINATOR 3: RISE OF THE MACHINES), but the movie isn’t even remotely about robots or even terminating, and there’s also a man in the movie who fights on what is portrayed as an approximately equal skill level with the woman. So if she counts as a Terminator then he must too. I’m not sure why it’s not TERMINATOR MAN AND WOMAN.

TERMINATOR WOMAN is about two American karate cops in Africa fighting some crime lord who wants to get back some gold that was stolen from him. But the crime lord is not Warwick Davis, it’s Michel Qissi, also director, co-writer, fight choreographer and fight editor.

If you don’t know Qissi you at least know his friend: he grew up with and trained with Jean-Claude Van Damme. Onscreen he most memorably played Tong Po, the villain in KICKBOXER, although he was uncredited (it said Tong Po played himself). But here is his first try at directing (he did one other, 2001’s EXTREME FORCE). (read the rest of this shit…)