THE DENTIST is a unique little horror movie about a couple of days where a guy’s life totally unravels. Dr. Alan Feinstone (Corbin Bernsen, TALES FROM THE HOOD) is an asshole from the word go – we see him berating his wife Brooke (Linda Hoffman, FACE/OFF) over a stain not coming out of one of his shirts, then forgiving her because she bought him expensive cuff links. When he catches her blowing the pool cleaner (Michael Stadvec, SOMETIMES THEY COME BACK… AGAIN, SOMETIMES THEY COME BACK… FOR MORE, SOMETIMES THEY COME BACK… TO APOLOGIZE BECAUSE THEY’VE REALLY CHANGED) he fantasizes about screaming at her and forcing her at gunpoint to bite down with her “perfect teeth.” Instead he doesn’t confront her and then completely loses his shit.
I like the messy, accidental piling up of events. There’s almost a true crime feel to it. He tries to sneak up on the homewrecker and shoot him, ends up instead shooting a neighbor’s dog that attacks him for trespassing. Ken Foree (FROM BEYOND) and Tony Noakes (BREAKAWAY) play the police detectives who circle around with the potential to catch him, but they’re investigating the killing of a pet, not a person. They’re investigating a weird, creepy thing, not knowing it’s more serious than that. (read the rest of this shit…)
This one isn’t exactly a slasher movie, but I didn’t know.
Wow, DEATH SPA was not what I expected from a movie about a spa of death. This is a much more professional and imaginative movie than its Fitness Horror forefather KILLER WORKOUT. Sure, it’s completely ridiculous, because it’s about a whole bunch of spectacular deaths at a health club run by a supercomputer. But it’s a little more credible than that sounds, in my opinion. A little.
It opens with a long, show-offy tracking shot in which some of the letters on the STARBODY HEALTH SPA neon light go out so it spells “D EA TH SPA”. And then the first woman we see practicing alone in the dance studio (Brenda Bakke, UNDER SIEGE 2: DARK TERRITORY) seems to have a screen presence and beauty of a caliber much higher than required. I actually thought damn, she should be the lead, but she’s about to get it.
Actually she survives, but is hospitalized for a while and then wears bandages over her eyes. (And remember, Eric Bogosian threatens to burn her eyeball in US2. Coincidence? Yes.) The lead-lead is William Bumiller (LAST RESORT), who has not gone on to canonization in a Seagal film, but who also seems better than the material needs. As spa owner Michael Evans (not based on the actor from Good Times as far as I can tell) he projects rugged, capable, but not dumb. He gets a call about what happened and rushes there in his Porsche between quick flashbacks of somebody on fire. So right away we know he’s got a fairly noteworthy past. (read the rest of this shit…)
How do you write a review of DAWN OF THE DEAD at this point? I’ve discussed it to death with a million people over the years, and I figure we’ve all gone over it all before, right? It’s kind of presumptuous to think you’ve got something semi-new to say about a movie that’s been discussed this much. In a way I’ve already reviewed it in bits and pieces over the years, talking about it in my review of the remake and probly other places. But this year I sat down and watched it again and I thought it was a shame it’s not in my reviews archive, because it’s one of my very favorite movies. Look – I can prove it by going on about it for a while! Let’s discuss how great this movie is. (read the rest of this shit…)
Damn, talk about a movie that surpasses my memory of it being pretty good. Stuart Gordon’s FROM BEYOND is a minor horror classic with the elegant simplicity and tone of RE-ANIMATOR and the body transmogrifying ambition of John Carpenter’s THE THING. It’s all about an incident when another dimension bonks heads with ours, and you can guess which one of us gets a bloody nose.
Jeffrey Combs stars in this one too, this time as Crawford, the more reasonable assistant to his groundbreaking professor at Miskatonic, Dr. Edward Pretorius (Ted Sorel, NETWORK, BASKET CASE 2), whose invention “The Resonator” uses a bunch of analog computers and Tesla-tech hooked to a row of tuning forks to create a vibration that stimulates our pineal glands, causing us to see beings that have been around us, unseen, all along. (read the rest of this shit…)
I didn’t even realize THE LORDS OF SALEM was coming out this week until somebody told me. I never saw an ad or saw the trailer play before another movie. When I saw the Anchor Bay logo at the beginning I thought, “That’s weird, why is the new Rob Zombie movie being distributed by the company that only does barely-released-or-advertised horror like HATCHET or BEHIND THE MASK?” After the movie was over it kinda made more sense.
There are many things I liked about this one. Oddly enough I like that it stars Zombie’s wife, Sheri Moon Zombie. She was a major character in all his other movies, but in this one she’s the center of the whole story and often alone on screen. I like that because it’s unusual to see an adult, tattooed, dreadlocked white lady as a lead. You see ’em around but they don’t usually make movies about them. Nice to have something different sometimes. (read the rest of this shit…)
This websight called Daily Grindhouse invited me to write for them recently, and I figured why not? I like days, I like grinding, I like houses. My new not-sure-how-regular-it-will-be-yet column, which goes under the working title of VERN’S PUNCH-QUEST, will be kind of like Slasher Search except I’ll be watching obscure b-action type stuff, mostly ones from the ’80s and ’90s that nobody’s recommended to me or anything, just ones that look cool or goofy. And hopefully some of them will turn out to be good.
For the first column I chose NIGHT OF THE WARRIOR starring Lorenzo Lamas. Click on the title to read it.
I thought BLACK SANTA’S REVENGE was gonna be a real (but super low budget I’m sure) movie. Turns out it’s a 20 minute short (“mini epic” the credits say) shot by some dudes in Portland, Oregon. The writer/director David Walker is the guy that started the zine-turned-websight BadAzz MoFo, which I’m sure some of you are familiar with because of their coverage of blaxploitation and spaghetti westerns. (read the rest of this shit…)
As I’ve chronicled over the last few years, I have mixed feelings about Hollywood filmatist R. Zombie. On one hand I really like some things in all his movies (especially DEVIL’S REJECTS), on the other I hate things in most of them too (especially HALLOWEEN). On one hand I think he has a unique eye and a distinct vision, on the other hand he’s too undisciplined to know when his Kiss t-shirts and kitschy cartoon white trash aesthetic is fucking up the other things he’s trying to do. One minute he’ll win me back on the team (HALLOWEEN II) and the next he’ll get in my face and dare me to change my mind (HALLOWEEN II unrated director’s cut).
So I decided fine, you want to test my loyalty? Then I’ll watch your cartoon. We’ll se where that gets us. And I rented his DTV cartoon presentation ROB ZOMBIE PRESENTS THE HAUNTED WORLD OF EL SUPERBEASTO, allegedly directed by Rob Zombie (although the cartoonists might disagree, I’m not sure). (read the rest of this shit…)
Recently I was discussing the upcoming James Bond movie with some buddies. I was joking that the trailer should say “from the director of FINDING NEVERLAND.” That dude’s movies are all over the map, but nothing ever hinted that he would end up directing a 007 movie. One of my buddies said that it didn’t really matter that he didn’t do action because usually the action in Bond movies is shot by a second unit guy named Vic Armstrong.
(I looked it up, and Armstrong actually hasn’t worked on the Daniel Craig ones, but he was stunt coordinator and/or 2nd unit director for DIE ANOTHER DAY, THE WORLD IS NOT ENOUGH, TOMORROW NEVER DIES and NEVER SAY NEVER AGAIN and stunt double for 3 other Bond movies.) (read the rest of this shit…)
As you’ve probaly figured out by now, I love THE TEXAS CHAIN SAW MASSACRE. Hell, I’d go so far as to call it the DIE HARD of horror. The Mohammed Ali of horror. The Bruce Lee of horror. I also love part 2, not as fond of part three, hated part 4, fucking DESPISED the remake.
This week they got the prequel to the remake coming out. I’m sure I’ll probaly hate it, but who knows. In some ways it doesn’t sound as bad as the remake, and since it’s not a remake you can hold it to the lower standards of a sequel. And lucky for it, there have been two not so hot sequels already to lower the bar. So I came up with a plan. First, I devised a method by which I will see the prequel without Michael Bay getting any of my money. Then I rented parts 3 and 4 so I can have them fresh on my mind while watching the prequel. That way I will have the maximum possible open-mindedness when I see the new one and might be able to appreciate it. The only problem is I watched Part 3 here and it’s not as bad as I remembered. (read the rest of this shit…)
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if that's your thing:
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EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
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Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
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Recent commentary and jibber-jabber
Dtroyt on Night on Earth: “Oh wow. I had sort of forgotten about that Rocky and Bullwinkle sculpture which was on Sunset Blvd. It was…” May 26, 07:48
Jam on Night on Earth: “This was the first time I heard Tom Waits! Always had a soft spot for NIGHT ON EARTH (especially the…” May 26, 05:04
Borg9 on Night on Earth: “Saw this with a Swede who seemed particularly affronted that the Finns have “corrupted” the Swedish Hej, meaning Hello, to,…” May 26, 03:07
jojo on Get Carter: “^^^^^^^^ *sigh* But I hate podcasts… Eddie Muller (the “noir” guy on TCM) keeps talking about these extensive interviews he…” May 26, 02:44
pegsman on Night on Earth: “Thanks to a really good film club in Oslo, and a surprisingly good weekly retrospective on Swedish TV, I had…” May 26, 02:33
Andy C on Eaten Alive: “I could probably take the word Almost away from my previous comment.” May 26, 00:44
Andy C on Eaten Alive: “The Tobe Hooper introduction on the Blu-ray is very short. He basically says, “You’re about to watch this. Hope you…” May 26, 00:25
Pacman2.0 on Get Carter: “The Projection Booth episode on GET CARTER is worth listening to, not least as you get to hear Hodges actually…” May 26, 00:13
CJ Holden on Night on Earth: “I think I say this here every time Jarmusch comes up, but I always keep pushing his movies back on…” May 25, 20:19
Borg9 on Get Carter: “Re-release time again! At least here in the UK. This time the BFI has given it a 4k restoration. [visual-parse…” May 25, 14:42
Borg9 on Leaving Normal: “Well, I’m pretty sure Seagal would’ve been completely defenceless against his wry Scottish whimsy.” May 25, 11:00
Mr. Majestyk on Leaving Normal: “For a second there, I was like, “Wait, when did Richie Madano become a whimsical British film director?” I mean,…” May 25, 09:01
Borg9 on Leaving Normal: “OK, I never even heard of this, but I have to mention that Christine Lahti is the star of one…” May 25, 07:48
CJ Holden on Mission: Impossible – Fallout: “However the point is: Yay for standalone sequels! That’s for me the equivalent of a gaming company announcing that their…” May 25, 06:15
KayKay on Everything Everywhere All At Once: “So, just saw this and let me get the biggest gripe off my chest first: Too.Fucking.Long! I’ll agree with some…” May 25, 05:57
VERN’S “I RECOMMEND THE SHIT OUT OF THIS PRODUCT” CORNER:
THE DENTIST is a unique little horror movie about a couple of days where a guy’s life totally unravels. Dr. Alan Feinstone (Corbin Bernsen, TALES FROM THE HOOD) is an asshole from the word go – we see him berating his wife Brooke (Linda Hoffman, FACE/OFF) over a stain not coming out of one of his shirts, then forgiving her because she bought him expensive cuff links. When he catches her blowing the pool cleaner (Michael Stadvec, SOMETIMES THEY COME BACK… AGAIN, SOMETIMES THEY COME BACK… FOR MORE, SOMETIMES THEY COME BACK… TO APOLOGIZE BECAUSE THEY’VE REALLY CHANGED) he fantasizes about screaming at her and forcing her at gunpoint to bite down with her “perfect teeth.” Instead he doesn’t confront her and then completely loses his shit.
Wow, DEATH SPA was not what I expected from a movie about a spa of death. This is a much more professional and imaginative movie than its Fitness Horror forefather 
“WE WHIPPED ‘EM AND WE GOT IT ALL!”
Damn, talk about a movie that surpasses my memory of it being pretty good. Stuart Gordon’s FROM BEYOND is a minor horror classic with the elegant simplicity and tone of RE-ANIMATOR and the body transmogrifying ambition of John Carpenter’s THE THING. It’s all about an incident when another dimension bonks heads with ours, and you can guess which one of us gets a bloody nose.
This websight called 
I thought BLACK SANTA’S REVENGE was gonna be a real (but super low budget I’m sure) movie. Turns out it’s a 20 minute short (“mini epic” the credits say) shot by some dudes in Portland, Oregon. The writer/director David Walker is the guy that started the zine-turned-websight 
As I’ve chronicled over the last few years, I have mixed feelings about Hollywood filmatist R. Zombie. On one hand I really like some things in all his movies (especially DEVIL’S REJECTS), on the other I hate things in most of them too (especially HALLOWEEN). On one hand I think he has a unique eye and a distinct vision, on the other hand he’s too undisciplined to know when his Kiss t-shirts and kitschy cartoon white trash aesthetic is fucking up the other things he’s trying to do. One minute he’ll win me back on the team (HALLOWEEN II) and the next he’ll get in my face and dare me to change my mind (HALLOWEEN II unrated director’s cut).
Recently I was discussing the upcoming James Bond movie with some buddies. I was joking that the trailer should say “from the director of 
As you’ve probaly figured out by now, I love THE TEXAS CHAIN SAW MASSACRE. Hell, I’d go so far as to call it the DIE HARD of horror. The Mohammed Ali of horror. The Bruce Lee of horror. I also love part 2, not as fond of part three, hated part 4, fucking DESPISED the remake.
