"KEEP BUSTIN'."

Posts Tagged ‘Kevin Jarre’

The Mummy (1999)

Thursday, June 16th, 2022

I have a well-earned reputation for being easy on movies. My friends will see some highly anticipated movie at a critic’s screening and be grumbling about how much they hated it, and then they’ll turn to me and say, “You’ll probly like it though.” My list of movies everybody says sucks that I enjoy is way longer than most people’s. My wife seems to think I’m some kind of bad movie Jesus being kind to the cinematic lepers. Especially with new releases people often accuse me of having low or no standards.

But there are a handful of popular blockbusters from the ‘90s that I hated at the time and have not turned around on. Most of them were big hits, then fell out of favor for years so I could breathe a sigh of relief, but then when the people who were kids when they came out grew nostalgic suddenly they were claimed as classics again. Of those, Stephen Sommers’ THE MUMMY is the one I get the most shit about any time I mention it. It comes up on Twitter every once in a while and I get a wave of people not believing their eyes. It doesn’t compute for them that someone doesn’t think that movie is one of the greats. More than once I’ve made the mistake of trying to go a little Rowdy Roddy Piper and lean into shit talking about it. People start to seem genuinely mad, so sometimes I back down and admit that I haven’t seen it since opening day and even though I think Sommers has continued to be a director of lunkheaded, formless movies with terrible visual design and seemingly unfinished digital effects despite enormous budgets, I did get a kick out of all that in VAN HELSING and G.I. JOE: RISE OF COBRA. So maybe I could soften to him.

Now I have a new problem, though. I finally did it. I went and watched the movie again, in the modern year of 2022. I tried to like it. I might be able to say there’s more of it I like than the other ‘90s blockbusters I hate. But I can’t say I turned around on it. So welcome, Mummy fans, to the latest annoying chapter of what I suppose I should start calling Vern Never Learns.

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The Jackal

Thursday, April 28th, 2022

Bruce Willis is… THE JACKAL. This one came out in 1997, between THE FIFTH ELEMENT and MERCURY RISING. It was coming off an adventurous couple of years in Bruce’s career that included NOBODY’S FOOL and 12 MONKEYS, and this is more of a normal Hollywood picture than those, but it was still an unusual role for him. He’s top-billed over Richard Gere (who was between RED CORNER and RUNAWAY BRIDE) but playing the antagonist, a very cold and serious assassin hired to kill the head of the FBI.

It comes from director Michael Caton-Jones (DOC HOLLYWOOD) and it’s based on Kenneth Ross’s screenplay to the 1973 Fred Zinnemann film DAY OF THE JACKAL, which itself was based on a 1971 novel by Frederick Forsyth. The new screenplay is credited to Chuck Pfarrer, a national hero because he wrote HARD TARGET and part of DARKMAN. (He was also a Navy SEAL and wrote NAVY SEALS.) Reportedly there was an uncredited rewrite by Kevin Jarre (who has a “story by” credit on RAMBO: FIRST BLOOD PART II). (read the rest of this shit…)

Rambo: First Blood Part II

Friday, May 22nd, 2020

May 22, 1985
(yes, 35 years ago today!)

RAMBO: FIRST BLOOD PART II was a phenomenon. And an unlikely one. It’s right there in the title: FIRST BLOOD PART II? How the hell do you do a FIRST BLOOD PART II?

Sure, the makers of FIRST BLOOD famously went with the ending where Rambo didn’t die, as he did in David Morrell’s book. But the character doesn’t exactly lend himself to a rousing second adventure. He wasn’t your typical action movie protagonist, a hero who comes along and saves the day. He was a drifter who was mistreated and fought back hard. Went on a rampage. Single-handedly waged a war against law enforcement (one guy died falling off a helicopter), wrecked a whole town, finally broke down about his experiences in the war and then turned himself in. A great movie because of its simple, character-driven story mechanisms, emotional center and excellent, largely internal and physical (and finally blubbering) performance by Sylvester Stallone.

So what’s Rambo gonna do, get out of prison, try to go straight, and get hassled by some other sheriff? Nope. They figured we got a perfect killing machine, let’s plug it in. Let him out for a dangerous mission, a one-man DIRTY DOZEN.

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