Well, I’m afraid it seems my fellow people who write about movies were not open to a giant corporation treating an 80+ year old animation masterpiece as i.p. to remake in a modern style, especially coming from a once A-list director they’ve turned on in his later, weirder years. So they engaged in a hyperbole measuring contest to find out who could hate Robert Zemeckis’s PINOCCHIO (2022) most outlandishly.
I get it, I guess, but I don’t relate. I can see refusing to give in to the existence of these remakes, I can see not wanting them to do it to PINOCCHIO specifically (it’s my personal favorite Disney movie), I can see not liking the finished product. But I can’t see thinking it’s terrible, let alone the worst thing you’ve seen lately/in years/ever. That’s just silly talk.
Yes, that is correct, I liked it for what it was. I’ll get into it in a minute. Just let me pre-amble a little bit more. (read the rest of this shit…)
May 10, 1991
SWITCH is late period Blake Edwards. That’s not a period held in high regard by anyone I’ve come across, but I did kind of like 
