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Posts Tagged ‘Martha Coolidge’

Plain Clothes

Monday, September 11th, 2023

Not to brag but we all know the secret to my great success in this most respected artform of filmatic criticism is my appeal to the youths. You almost definitely can’t tell, it’s basically imperceptible to the human eye, but the individual pictured to the left here is not a cool young teen. He is in fact an adult man of age. But he wears a headband and passes for a youth. That’s pretty much what my reviews are like. Grown up, but ageless, vital, wearing a headband with a picture of a skull on it. Cool.

My timeless words and topics reach out even to generations that have largely abandoned the watching of movies, let alone the reading about them, in favor of other forms of expression such as short video clips of some jackass looking into their phone jabbering about some inane topic or other. I just get them and they get me so it’s not necessary, but just in case I’m gonna pander to that important demographic by offering this fun “back to school” themed review. If I know Gen-whichever-letter-we’re-on-now as well as I think I do those little dorks are gonna flip for my thoughts on Martha Coolidge’s PLAIN CLOTHES, an obscure 1988 bomb about a cop going undercover as a high school student to prove his brother didn’t murder his teacher.

Arliss Howard, in his mid-thirties and fresh off of FULL METAL JACKET, plays 24-year-old Seattle Police Department detective Nick Dunbar.  He’s introduced undercover as an ice cream man while his partner Ed Malmburg (Seymour Cassel, HONEYMOON IN VEGAS), whose out-of-fashion mustache and suits signify a generation gap, is on lookout. Nick hates being around so many kids, but when he goes to complain about it to his captain (Reginald VelJohnson right before DIE HARD), who’s sipping from a “Trust Me I’m a Father” mug, is deeply offended and yells that it’s “goddamned unamerican” to not like kids. (read the rest of this shit…)

Real Genius

Thursday, August 6th, 2020

August 7th, 1985

REAL GENIUS is a Summer of 1985 movie that’s completely new to me. I’ve seen the cover and known for most of my life that it was a comedy starring a young Val Kilmer that certain people swore by, and that’s about it. So the whole tone and content was a surprise to me. I had no idea it was a college movie, or that it’s grounded in a little bit of serious world. It opens like a thriller, telling us about a CIA militarization-of-space initiative called the Crossbow Project, which is very similar to the Grazer One satellite in UNDER SIEGE 2: DARK TERRITORY. Using lasers, it could zero in on and assassinate people from space. But at this point it’s imcomplete, and they’re putting pressure on professor (and TV host) Jerry Hathaway (William Atherton, after playing a punchable prick in GHOSTBUSTERS, before playing one in DIE HARD) to push his team of young geniuses at the Pacific Technical University to crack that problem with the energy source so they can “have a working weapon by June.”

Another thing that surprised me is that Val Kilmer (TOP SECRET!)’s Chris Knight, the only character on the cover, is kind of the second lead. It wasn’t as shocking as learning that CADDYSHACK was about teenagers, but still, I wasn’t expecting it to center on 15-year old physics prodigy Mitch Taylor (Gabriel Jarret, “Boy at Funeral,” GOING APE!) who, while other whiz kids his age are staying home doing weird science with their horny friends, is personally recruited by Professor Hathaway to go to college and work on this project. He’s a genius, but very aware of how physically young and socially inexperienced he is, making this a very scary move. He’s heard legends of Chris, the only other person recruited to the team when he was a freshman, and can’t believe it when they turn out to be roommates. (read the rest of this shit…)

If These Walls Could Talk 2

Wednesday, October 11th, 2000

Sometimes at my age a fella has to admit he’s not exactly up on things. Not exactly with it. Specially when it seems like every other weekend I’m writing a review for a sequel to some movie where I never even saw the first one. Hell I never even HEARD of the first one half the time how the fuck I’m supposed to seen it already. Cut me some slack buddy.

But I picked up the dvd for this one because of a certain powerful force – the force of young Chloe Sevigny’s eyes staring out at me from the cover. I think most of you know how I feel about this gal, ever since I first spied her in the Last Days of Disco picture where her eyes were able to cut through seven layers of postmodern bullshit spewing out of the mouths of the pretentious yuppies in the movie. This girl is a hell of an actor but the main thing I’m talking about here is the presence. She has the presence of a real movie star. In my opinion. So I’ll see any movie she’s in even if it has her with her hair slicked back, wearing a tie, like in this one. (read the rest of this shit…)