"KEEP BUSTIN'."

Posts Tagged ‘Matt Sazama’

Madame Web

Monday, February 19th, 2024

As you can see in my reviews of VENOM and MORBIUS (I didn’t write about VENOM: LET THERE BE CARNAGE for some reason, but it’s probly the best one), I sort of have a soft spot for the In Association with Marvel Comics Universe, the last vestige of the era when the movie rights to different Marvel characters were sold to different studios. I definitely don’t consider these to be among the better comic book movies, but there’s something charmingly out of fashion about them that I get a kick out of. They seem magically transported from another time when super heroes were still kind of niche and many of the movie adaptations were trying to make them palatable for normal people, but the people in charge were clueless business assholes who didn’t know what normal people were like anyway, so they ended up making them accidentally weird. The VENOMs are the best merely because they’re a chance for one of my favorite actors to get a paycheck for being a big goof, but all of them have a similar late ‘90s/early 2000s kind of attitude that now seems kind of novel.

What I’ve come to realize is that I tend to go to movies with a mentality of “show me what you got, movie” while some people go to them with more of a “listen up you dirty sonofabitch, you can’t slip one past me.” So I’m gonna be listing a bunch of stupid things in this movie because those were the things that made it fun for me, while others will cite those exact same things as proof that this movie is terrible. We’re really not that far off, I’ve just learned how to get a chuckle from some silly shit instead of get mad at it. If it’s the right type of silly shit. (read the rest of this shit…)

Morbius

Thursday, April 7th, 2022

MORBIUS is a movie I have been semi-anticipating. Not because I expected it to be particularly good, but because I have an interest in these sort of misbegotten wannabe blockbusters that seem already rejected by the public by the time it’s too late for the studio to turn back. I’m talking about movies that are the kind of pulpy lowbrow crap I enjoy, but seem somewhat misguided or clueless about what the public wants in such a movie, and therefore might do something kind of interesting. I think of them as big budget b-movies, as discussed in my review for SNAKE EYES: G.I. JOE ORIGINS. Although I waited for video on that one I tend to see them at sparsely attended matinees – that’s what I did for STEALTH, KING ARTHUR: LEGEND OF THE SWORD, HERCULES, ROBIN HOOD and THE LAST WITCH HUNTER.

I did kind of enjoy this thing, but I think I got more out of all of the above mentioned movies. This one’s officially a part of Sony’s In Association With Marvel Cinematic Universe with VENOM and VENOM: LET THERE BE CARNAGE, and I think it’s a little less clunky than those on a narrative level, but not as good because it lacks the magic of Tom Hardy having a blast playing two bickering characters inhabiting one shapeshifting body. It does have the novelty of an Academy Award winning weirdo serious actor (Jared Leto, URBAN LEGEND) who’s usually in a supporting role trying to carry a questionable mainstream franchise on his shoulders. (read the rest of this shit…)

Gods of Egypt

Friday, March 4th, 2016

tn_godsofegyptAlex Proyas’s new fantasy GODS OF EGYPT debuted at the top of the box office this week, ahead of ZOOTOPIA and DEADPOOL. Only in Russia, though. Here it’s a disastrous flop with merciless reviews.

Honestly this movie was dead the second they released a trailer. I don’t think I ever once saw it discussed in any context other than a criticism of “whitewashing,” since its lead Egyptian gods are played by white Europeans. Obviously a poor choice. Otherwise my take on the trailer was different from the conventional wisdom. I say appealingly weird, you say hahaha razzies haha sobaditsgood howdidthisgetmade haha.

Reading the headlines of the savage reviews, and seeing the weird stills accompanying them, pushed me to not miss it in the theater. At the multiplex here it opened with only two 3D screenings and two 2D each day. By comparison a nearby theater has three each of Stephen Chou’s THE MERMAID, for which Sony has been criticized for having too small of a release. (Sorry, I didn’t see that. I’m an asshole.)

The main thing here is that it’s Alex Proyas. I wasn’t gonna get my hopes up, but I didn’t trust the responses of normal people on a movie by him. Those guys said KNOWING was terrible too, for many of the same reasons I enjoyed it. In fact, his movies wouldn’t be as fun if they didn’t put some people off. They have a little bit of that “how did he get away with this?” appeal.

The good news is GODS OF EGYPT is not as bad as they said. The bad news is it’s not as crazy I’d hoped. (read the rest of this shit…)

The Last Witch Hunter

Monday, October 26th, 2015

tn_lastwitchhunterA tale has long been whispered of Vin Diesel – musclebound, gravel-voiced, meat-headed action star, professor of macho brotherhood and cinematic tributes to muscle cars and jumping from moving vehicles – and how he’s a huge nerd who loves playing Dungeons & Dragons. It’s an unusual badass juxtaposition and although I always believed it I also knew it could’ve been exaggerated as a way to endear himself to the “Geek” sights who helped turn PITCH BLACK into a minor cult success and get two unlikely sequels off the ground even though it seemed like no one believed in them like he did.

But the proof is in the pudding, and in this flavor of pudding Diesel plays Kaulder, an 800 year old witch hunter aided by a Catholic secret society called The Axe and Cross in controlling the descendants of the monstrous Witch Queen who killed his wife and daughter and cursed him to be immortal even though he was real sad. He uses spells to travel into his memories, where he has a long beard like a Lord of the Rings dwarf and yells “IRON AND FIRE!” whenever leaping at someone with his sword (which he notes he does not have a name for but has heard it called Such-and-Such the Witch Killer by others). I should also mention that sometimes his sword is on fire. So yes, he plays Dungeons & Dragons. He lives his life a quarterstaff at a time. And I bet he gets really into doing voices and yelling out battle cry catch phrases and stuff.

Most of the movie takes place in present day Philadelphia Pittsburgh (or present day Unnamed City Filmed in Philadelphia Pittsburgh). Here Kaulder, like Dominic Torretto, enjoys wearing fitted black long sleeve button up shirts with the collar opened wide, but he drives a different type of fast car. (There’s one part in the movie where a car drifts, but it’s an FX shot and he’s not supposed to be the driver.)

Michael Caine (ON DEADLY GROUND) plays Dolan, his Alfred-like right hand man of 50 years, but since Kaulder is older than him he always calls him “kid.” (read the rest of this shit…)