"KEEP BUSTIN'."

Posts Tagged ‘Mexican border’

Wanted Man

Monday, March 4th, 2024

Note: in conjunction with this review I also made my third appearance on I MUST BREAK THIS PODCAST, discussing the movie with Sean Malloy. Thanks for having me, Sean! Always a fun time. CLICK HERE TO LISTEN TO THE EPISODE.

WANTED MAN is the latest film by director Dolph Lundgren (MISSIONARY MAN). If you’re not aware, Lundgren is also an actor, so he stars as Mike Johansen, a way-past-his-prime cop. He’s introduced taking a morning beach jog, and of course he’s Dolph Lundgren (or stunt double – his hood is up), but he’s kinda limping, lumbering around. He has to take a bunch of pills. Later we find out he needs ankle surgery.

And he’s also in hot water. When he pulls up to the station and the protesters and media say, “That’s him!,” we realize oh shit… he’s the cop they were talking about on TV, the one that brutally assaulted a “migrant driver.” He sees the protesters and kinda does a whoops! and comically turns his pickup truck around. Later we see the indefensible bodycam footage, where he repeatedly slams a car door on the poor guy, yells about Mexicans and punches another officer trying to pull him off. (read the rest of this shit…)

Desierto

Tuesday, February 20th, 2024

DESIERTO is a straight ahead chased-by-a-sniper thriller that I know at least one person has encouraged me to review, but I couldn’t find who. Thanks for the recommendation, whoever it was. I remembered it after watching THE COURIER last week, because The Courier himself, Jeffrey Dean Morgan, plays the sniper in this one.

It’s directed by Jonás Cuarón, son of Alfonse and co-writer of GRAVITY. This time he co-wrote with Mateo Garcia. It’s about a group of Mexican migrant workers trying to cross the US border illegally, and encountering a crazy fuckin asshole (Morgan).

I don’t remember them ever saying the main characters’ names, but Gael García Bernal (THE LIMITS OF CONTROL) plays our protagonist Moises, a sometime mechanic who is trying to return to his family in Oakland after being deported for a broken tail light. When the truck they’re being transported on breaks down in the middle of the desert, their guides Mechas (Diego Cataño, SAVAGES, THE MULE) and Lobo (Marco Pérez, AMORES PERROS) reluctantly lead them on foot through a dangerous area they don’t know very well called the Badlands.
(read the rest of this shit…)

Perdita Durango

Thursday, January 6th, 2022

Twenty years ago when I was an enthusiastic but not that good internet movie reviewer I wrote a column called “I have seen the future of Badass pictures,” because I had seen THE DAY OF THE BEAST (1995) and PERDITA DURANGO (1997), the second and third films of Spanish director Alex de la Iglesia. Although the director hasn’t quite become a household name here in the intervening years, he has made many interesting films, of which I’ve reviewed 800 BULLETS (2002), FERPECT CRIME (2004) and THE LAST CIRCUS (2010). He’s still going strong, for example I’ve heard good things about his recent TV show 30 Coins.

For the holidays I rewatched the Christmas-Eve-set THE DAY OF THE BEAST (it held up – I wrote about it a little bit on Letterboxd) and I’d been meaning to revisit PERDITA DURANGO for quite some time. Reviewing Javier Bardem’s first English language movie, where he plays a human-sacrificing psycho who looks like this…


…as a followup to his more Oscar-baity turn in BEING THE RICARDOS is the sort of thing that amuses me, so I pulled the trigger.

PERDITA DURANGO is based on a 1992 book called 59° and Raining: The Story of Perdita Durango by Barry Gifford (who co-wrote the script with de la Iglesia and two others). It’s part 3 in the Sailor and Lula series, part 1 being the basis of WILD AT HEART. (Isabella Rossellini played Perdita in David Lynch’s movie.) (read the rest of this shit…)

Sicario

Monday, October 19th, 2015

tn_sicarioHere we go yo, here we go yo, so what’s a what’s a what’s a sicario? In Mexico, the onscreen text tells us, it’s a hitman. And the movie SICARIO is a nightmarish portrait of the byzantine conflict such a hitman would be in the middle of. Literally that would be the War On Drugs but metaphorically, it’s easy to think, it could be about the War On Terror, or any number of seemingly intractable cycles of violence. This is, after all, Canadian director Denis Villeneuve (PRISONERS, ENEMY) making an American movie about Mexico. It’s international and cross-cultural.

Our guide into Hell is Emily Blunt (EDGE OF TOMORROW, LOOPER) as Kate Macer, a new but talented FBI agent who raids a drug house in Phoenix and accidentally finds where a cartel has been stashing bodies. Next thing you know a meeting room full of mysterious higher-ups recruits her to aid in a vaguely defined interagency mission they say will lead her to the people responsible. She finds herself at an Air Force base with a couple dozen macho CIA, Delta Force and US Marshal tough guys who all seem to go way back and know exactly what’s going on and do this kinda mission in their sleep. And next thing you know they’re cruising over the border meeting up with militarized Mexican police forces and God knows who else. Nobody tells Kate anything. She just has to stay quiet and keep up. (read the rest of this shit…)