"KEEP BUSTIN'."

Posts Tagged ‘Minnie Driver’

The Beekeeper

Monday, January 15th, 2024

THE BEEKEEPER is a proudly absurd new Jason Statham vehicle where he plays a humble beekeeper – a guy who cultivates beehives and collects honey. But also he’s retired from being another type of Beekeeper – an operative for a secret organization who kill bad guys and use bee, hive and queen metaphors to describe their role in protecting civilization. (Not puns, though, sadly.) It has a good pedigree as far as these things go – the director is David Ayer (HARSH TIMES, STREET KINGS, SABOTAGE, FURY, SUICIDE SQUAD) and the writer is Kurt Wimmer (DOUBLE TROUBLE, EQUILIBRIUM, ULTRAVIOLET, director of ONE TOUGH BASTARD). Not that you really need that information. Honestly if you’re not sold on “Jason Statham plays an asskicking beekeeper” alone I don’t know what your deal is. But also I’m kinda glad because I wrote a whole review, I hope you will read it.

I’m not the first to note that this is a very January movie, that month dismissed as a dumping ground, which really means it’s a good time to release a certain type of mid-budget, low expectations studio action movie I dig. January releases of the last decade include TAKEN 3, WILD CARD, THE COMMUTER, PROUD MARY, DEN OF THIEVES, THE RHYTHM SECTION, THE MARKSMAN, and PLANE. Some of these I saw on video, some I saw in the theater, probly at a show starting between 12:50 and 1:30, with less than five other people in the theater, all men, all by themselves. That’s the natural state of this type of movie, in my experience.

THE BEEKEEPER takes the tradition of the January-ass action movie a little further. It’s not elevated January, but maybe January+. It looked so promising my wife wanted to see it too, so we went to a 7:30 pm show on the six story tall, 80’ wide Imax screen in the Science Center. With no one else in the theater. It was beautiful. (read the rest of this shit…)

Hard Rain

Wednesday, April 14th, 2021

HARD RAIN is a very enjoyable ‘90s studio action movie (with a side order of disaster) that it turns out I must never have seen. I thought I had, but I would’ve remembered how good it is!

It starts, like many good films, by pulling out of the Paramount logo and using the logo’s mountain as part of its scenery. I was thinking it would be cool if it continued to be in the background of shots throughout the movie, but no dice.

Anyway, a very cool shot that I think combines live action, digital and miniature models establishes the geography of the small town of Huntingburg, Indiana, where the Sheriff (Randy Quaid, VEGAS VACATION) is trying to evacuate the locals as the titular aggressive precipitation causes flooding that will soon be worsened by trouble with levees and dams.

Meanwhile this dude Tom (Christian Slater, THE WIZARD) and his uncle Charlie (Edward Asner, voice of Jabba the Hutt, Star Wars: Return of the Jedi – The Original Radio Drama) are working their shitty job driving an armored car, and they get stuck on a flooded road, unable to move further. Suddenly they’re blinded by floodlights and some guys pretend they’re going to help, but of course they really intend to rob the car. Uncle Charlie is mistakenly shot to death in the hubbub and Charlie runs away with the money. (read the rest of this shit…)

Stage Fright (2014)

Thursday, July 10th, 2014

tn_stagefrightI honestly thought this new-to-disc movie STAGE FRIGHT was gonna be a loose remake of the Italian STAGE FRIGHT directed by Michel Soavi, but after seeing it I don’t think they’re suppoosed to be connected. It’s just the logical title for a stage-performance-themed masked killer whodunit (or whoslashedit I guess). This one’s got completely different characters and backstory, it’s set at a camp for kids learning musical theater, and instead of a silent killer in a creepy as hell owl mask it’s a guy who sings rock songs in a kabuki mask that looks like that puppet from SAW.

See, that’s the thing about this, it’s a musical. And by “thing” I mean both “unique part” and “problem for me.” You know I don’t have a completely closed mind, I have appreciated a musical now and again. I loved the critically trashed THE MISERABLES, for godsake, I thought it was amazing. And you know how I feel about MARY POPPINS. But by my way of thinking “slasher movie with musical numbers” is kinda like BRICK‘s “hardboiled detective story, but in a high school.” I can admire the cleverness of how it’s put together, but that extra element is a drawback to me, not a bonus. I’d be more excited for the regular thing. I guess I still see room for great straightahead slasher movies in the world. The slots haven’t been filled yet, no need to start getting all fancy. (read the rest of this shit…)