SHAMO is a weird 2007 manga adaptation that I stumbled across on DVD and gave a chance because it’s from Cheang Pou-soi, the excellent director who later did MOTORWAY and SPL 2: A TIME FOR CONSEQUENCES. This one’s basically an evil version of a karate competition movie. It has many of the beloved traditions of the format, with an underdog finding a mentor, training hard, and getting an unlikely shot in a crooked sports organization. But this is not a good person – he’s introduced as a kid who snapped and murdered his parents, he learns to fight in juvenile detention, he seeks acceptance but not redemption, he gets his way by behaving very dishonorably, including to his loyal friends. I know some people would hate it for that, but to me it makes it a compellingly uncomfortable viewing experience. (read the rest of this shit…)
Posts Tagged ‘Shawn Yue’
Shamo
Monday, July 10th, 2023Tags: Annie Liu, Bruce Leung, Chau Ka Sing, Cheang Pou-soi, Dylan Kuo, Francis Ng, Izo Hashimoto, Masato, Pei Pei, Ryo Ishibashi, Shawn Yue, Terri Kwan
Posted in Reviews, Action, Martial Arts, Sport | 1 Comment »
The Brink
Thursday, September 19th, 2019I first paid attention to Max Zhang (aka Zhang Jin) because of the modern classic KILL ZONE 2 (SPL 2). He played the villain’s #1 henchman, a daintily dressed psycho with a fighting style like whirling scalpels. But I’ve come to know him more as a dreamy long-haired brooder like his character in IP MAN 3, who was spun off into the hero of MASTER Z: IP MAN LEGACY. And that’s closer to Sai Gau, the rule-breaking cop character he plays in the, uh, aquatic police thriller THE BRINK (2017).
He’s introduced just going fuckin berserk in a one-man raid on a… penthouse crackhouse? It’s some sort of trashed drug den with broken windows high enough for him to throw people out of and have them destroy the police cars they land on. Psychedelically lit with primary colored lights and with a questionable amount of electric guitars on the soundtrack, he spins and kicks and chops through crowds of criminals. Not all of them survive. (read the rest of this shit…)
Tags: Cecilia So, Cheang Pou-soi, Derek Tsang, Gordon Lam, Janice Man, Kurata Yasuaki, Max Zhang, Shawn Yue, underwater fight, Wu Yue
Posted in Action, Martial Arts, Reviews | 28 Comments »
Motorway
Monday, August 19th, 2019Cheang Pou-soi has been directing movies since 1999, but I never knew about him until 2015 when I was blown away by KILL ZONE 2 (SPL II). MOTORWAY is from 2012, and it’s a much simpler film – shorter, less complicated, less thematically heavy, and it works really well that way. Maybe some of this simplicity comes out of the type of action. Martial arts scenes like KILL ZONE 2’s require increasing complexity – for example the knockout prison riot scene – but this is a car chase movie. At its heart it’s about two drivers. One guy in a car driving very fast after another guy in a car. Literally straight forward.
It’s a serious movie, but it’s got a nice tinge of absurdity to it. Its law enforcement protagonists are not cool homicide detectives or badass SWAT dudes, they’re part of an elite squad of, uh, traffic cops. I guess they’re there for their high level driving skills, but their regular job is camping out with the speed gun, pulling people over, wearing dorky windbreakers and reflective vests, the kind of thing most action movie cops only have to do in a funny montage after they get in trouble. Cheung (Shawn Yue, LEGEND OF THE FIST, THE GUILLOTINES) takes the job seriously and is annoyed that his older partner Lo (Anthony Wong, HARD BOILED, GEN-X COPS 2, EXILED, THE MUMMY: TOMB OF THE DRAGON EMPEROR, IP MAN: FINAL FIGHT) seems to not give a fuck. (Having him browse literature about an upcoming retirement seminar is a good spin on the ol’ two-weeks-from-retirement cliche). (read the rest of this shit…)
Tags: Anthony Wong, automotive magical realism, Barbie Shu, car chases, Cheang Pou-soi, Guo Xiodong, Hong Kong action, Hong Kong Film Awards, Johnnie To, Li Haitao, Michelle Ye, Shawn Yue
Posted in Action, Reviews | 5 Comments »
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* * * * Recent commentary and jibber-jabber
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