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Posts Tagged ‘Shudder’

Influencer

Tuesday, June 6th, 2023

INFLUENCER (2022) is an excellent horror/thriller that recently came to Shudder. A friend recommended it and I watched it blind, which was a good way to go. I’ll try to set the stage and then I’ll warn you when I’m going to get into specifics of the structure and plot that you might prefer to experience first hand.

It’s set in Thailand, but all the characters are westerners, most of them on vacation. The opening introduces us to Madison (Emily Tennant, SNIPER: ASSASSIN’S END), who narrates in the form of an Instagram video or social media post about her love of travel and adventure, of meeting new people and learning about new places. But we see she’s doing none of that – she’s almost entirely alone at a luxury resort, floating in the pool, getting a massage, lounging on scenic overlooks, occasionally smiling for selfies. (read the rest of this shit…)

Resurrection (2022)

Monday, January 9th, 2023

RESURRECTION is an interesting 2022 horror-thriller you can find on disc, VOD or Shudder. I saw the trailer play before movies many times and found it kind of intriguing, but I could never remember the name. I must’ve confused it with the 1909 D.W. Griffith short, or the silent films from 1910, 1912, 1917, 1918, 1923 and 1927, or the pre-code Tolstoy adaptation from 1931, or the Italian one from the same year, or the 1943 Mexican film, or the 1944 Italian one, or the 1958 German/Italian/French one, or the 1960 Russian one, or the 1968 British one, or the 1980 one starring Ellen Burstyn, or the 1999 Russell Mulcahy one I still haven’t seen although you guys really convinced me I have to and then Vinegar Syndrome even put it out on blu-ray, or the one from 2001 or 2010 or the three from 2016. But this is a different RESURRECTION, the one starring Rebecca Hall (THE B.F.G.) and Tim Roth (THE MUSKETEER).

Hall plays Margaret, a successful, seemingly well-liked single mother living in Albany. Her daughter Abbie (Grace Kaufman, BAD TEACHER) is about to leave for college, and she’s protective of her to an annoying level, but they seem to be on pretty good terms. At first it’s funny how often Margaret will tell her daughter things like “you’re safe” and “it’s going to be okay” when she clearly has no use for such affirmations. At one point when Margaret says something particularly ridiculous, Abbie very astutely points out, “Mom, when you say things like that, I mean… that’s for you, not me.” (read the rest of this shit…)

Saloum

Thursday, October 27th, 2022

SALOUM (2021) is kind of an action movie, kind of a western, ultimately a horror story. The promotional materials classify it as a “southern,” because it’s from Senegal. It might be the first movie I’ve seen from a Congolese director; his name is Jean Luc Herbulot, and this is his second feature, after DEALER (2014), but he also created a TV show called Sakho & Mangane, which is on Netflix. SALOUM has some ghosty business in it, though, so it gets to be on Shudder.

Before it morphs into a haunting supernatural folk tale, it’s a swaggering, stylish action movie set to bouncy African hip hop and a great score by French dance producer Reksider. And it stars this trio of badass soldier guys. Chaka (Yann Gael, who plays Mangane on Sakho & Mangane), Rafa (Roger Sallah), and Minuit (Mentor Ba) – a.k.a. the infamous mercenaries Bangui’s Hyenas – have been hired to snatch a Mexican drug lord and his suitcase of gold bricks during the 2003 coup d’etat in Guinea-Bissau. They’re introduced walking through streets full of dead bodies, their faces obscured by hooded rain ponchos. But as they march rhythmically up a set of stairs they’re differentiated by their footwear: Chaka in boots, Rafa in shiny Gucci loafers, Minuit with bare feet. (read the rest of this shit…)

Dark Glasses

Wednesday, October 5th, 2022

Every once in a while the streaming service Shudder does a “secret screening” – a one time only showing on their live feed of a movie they’re not gonna have available until later. I think this is a really cool idea, and something they can do specifically because they’re one of the more lovingly put together services, run by actual programmers trying to curate horror movies they think their subscribers will be excited about.

I caught what I believe was the first time they did it, when it was a time loop thriller called LUCKY. I was into it but something about the ending that I don’t remember anymore fell flat with me and I never actually reviewed it. (Others thought more highly of it.) But I happened to be free last Saturday when I saw they were doing another one, so I gave it a shot again.

When the credits started in Italian I admit that my limited horror brain did immediately think “Is this an Dario Argento movie?” But I didn’t specifically remember he had a new one called DARK GLASSES (Occhiali neri) until his credit and the title came on after the ominous opening scene. If there’s a giveaway, it’s the swaggeringly aggressive use of electronic score by Arnaud Rebotini (a French musician from a band called Black Strobe). It sounds John Carpentery at first, then a little Gobliny, and by the end you’re at some evil rave. (read the rest of this shit…)

Cold Hell (Die Hölle)

Tuesday, November 9th, 2021

COLD HELL (Die Hölle) is a 2017 German/Austrian movie that’s still exclusive to Shudder in the U.S. I wish they’d put it out on disc like they have with so many of their exclusives, because this is a good one that I’d like to recommend to everybody. As far as I can find the only part of the world to release it on physical media is Germany.

Wanting to see this movie is what originally inspired me to subscribe to Shudder a few years ago, but for some reason I failed to write it up back then. I watched it again in October and it holds up, so I made sure to share it with everyone this time.

Its greatest asset is a strong lead character, Özge, played by Violetta Schurawlow (HEAD FULL OF HONEY, ICEMAN). She’s Turkish, but a citizen of Austria, working as a cab driver. And the movie slowly unveils how tough she is. At first it just seems like the grit required by her occupation, considering how some motherfuckers treat cab drivers, and immigrants, and women. Then it seems to go a step or two beyond that when she needs two guys to stop blocking an alley and beats one up for calling her the c-word. (read the rest of this shit…)

Psycho Goreman

Tuesday, June 22nd, 2021

As you may know, I can sometimes be a grump about horror comedies, because I’d rather be watching a horror movie that’s funny than a funny movie that references horror. But here’s a movie that’s on Shudder and has gore in it that is a straight up comedy and I kinda loved it.

The closest I can come to succinctly describing the vibe of PSYCHO GOREMAN is “that movie STAR KID combined with THE TOXIC AVENGER.” Or “WISHMASTER meets POWER RANGERS but a comedy.” Or “THE GUYVER meets SATAN’S LITTLE HELPER.” It’s about two little kids who find an alien artifact called “The Gem of Praxidike” buried in their backyard and then learn that it gives them power over a murderous alien supervillain the opening narration describes as “a nameless evil” and “ruthless being” that “had amassed power beyond measure, and was preparing to strike down all that was good and just in the universe.” He says he’s called “The Arch-Duke of Nightmares,” but Mimi (Nita-Josee Hanna) and Luke (Owen Myre) think that’s stupid, so they rename him Psycho Goreman, or P.G. for short. And Mimi treats this hateful monster as her personal play thing, making him do silly things and not really caring when he uses his powers to turn people into goo. (read the rest of this shit…)

Blood Machines

Tuesday, June 9th, 2020

BLOOD MACHINES is a very strange, kinda psychedelic retro-sci-fi thing that’s new on Shudder. I thought it was gonna be a movie but they list it as season 1, which almost scared me off. Turns out it’s only three episodes of around 20 minutes each, so it’s less of a time commitment than a movie.

If I had to describe it with a formula of existing movies I would say it’s DARK STAR meets MANDY with the TRON: LEGACY soundtrack. It drops you into a world straight out of Heavy Metal magazine (but with a score by French “synthwave” dude Carpenter Brut, not Sammy Hagar and shit) where an A.I.-controlled warship called the Mima crashes on a barren planet. A ship crewed by two men – arrogant captain Vascan (Anders Heinrichsen, “Police Officer,” VALERIAN AND THE CITY OF A THOUSAND PLANETS) and friendly old mechanic Lago (Christian Erickson, HITMAN) – shot it down, but when they try to salvage it they’re blocked by the all-female inhabitants of the planet, who see it as an injured being they must help. (read the rest of this shit…)

Blood Quantum

Thursday, April 30th, 2020

I keep having to write this same exact preamble, so here’s the short version: yes, we all think we’re sick of zombie movies, but here’s another really good one. (See also: TRAIN TO BUSAN, THE GIRL WITH ALL THE GIFTS.) The fresh spin on BLOOD QUANTUM – a Canadian one that opened the Midnight Madness portion of the 2019 Toronto International Film Festival and got a surprise release on Shudder this week – starts with it taking place on a First Nations reserve (or Indian reservation as people here call it).

It has a vivid weird-day-unfolding feel, like a serious THE DEAD DON’T DIE, rolling out the odd characters in town through the point of view of Red Crow reserve chief of police Traylor (Michael Greyeyes, DANCE ME OUTSIDE, FIRESTORM, Fear the Walking Dead, True Detective). But it starts on his dad, Gisigu (Stonehorse Lone Goeman, a sturdy, bald old badass with no other acting credits) gutting a bunch of salmon he caught. The fucking things won’t stop flipping around like they’re in that Faith No More video. (read the rest of this shit…)

Downrange

Wednesday, December 11th, 2019

DOWNRANGE is a simple, solid 2017 film by Ryûhei Kitamura (AZUMI, GODZILLA: FINAL WARS, BRADLEY COOPER IN BRADLEY COOPER’S THE MIDNIGHT MEAT TRAIN, NO ONE LIVES) that’s exclusively on the streaming service Shudder in the U.S., though it’s on disc in some other countries. Written by Kitamura and Joey O’Bryan (MOTORWAY, TRIPLE THREAT), it’s about six road-tripping college students who get a flat tire on a highway out in the middle of nowhere and soon realize they’re being targeted by a cruel, patient sniper.

It’s a little odd how abruptly it starts with the blowout – no chance to see them in their normal state of driving. And I was confused by their relationships – some of them don’t know each other, and I thought they were talking about being involved in some kind of race or contest, but I guess I must’ve misunderstood? No matter. You get enough seeds of who they are and what they’re up to in their lives that I genuinely didn’t know which characters were included just to suddenly get shot and kick this thing off. They all seem like they’ll be around for a while. (read the rest of this shit…)