"KEEP BUSTIN'."

Posts Tagged ‘Tim Man’

One More Shot

Thursday, January 18th, 2024

Well, Scott Adkins has another franchise. ONE MORE SHOT is the new sequel to ONE SHOT, director James Nunn’s 2021 siege thriller shot in ROPE style (simulated to look like one continuous shot). The first film is really well made, with surprisingly good drama and performances, in addition to the cleverly planned camera moves and action. Many fans ranked it among Adkins’ best, but it’s a movie where he mostly just uses guns and never does a single flying kick, so I could not be a party to that. It also has a bit of a War On Terror mindset that I wasn’t too excited about. But it’s good.

Adkins, Nunn, and co-writer Jamie Russell have reunited for the sequel, which not only avoids those things I complained about, but is just a bigger and more novel action movie anyway. While the first was set at a CIA black site similar to the location of over 432,000 other military action movies since the George W. Bush administration, this one is set at an evacuated airport. (read the rest of this shit…)

Accident Man: Hitman’s Holiday

Thursday, October 13th, 2022

ACCIDENT MAN: HITMAN’S HOLIDAY is the latest real-deal Scott Adkins movie (like, he’s the star, not just a guest appearance), and joins the first ACCIDENT MAN, THE DEBT COLLECTOR and DEBT COLLECTORS as one of the movies that showcase the once-stoic actor’s sense of humor and verbal dexterity along with his trademark flying kicks.

If you’re unfamiliar with ACCIDENT MAN, it was Adkins’ passion project, based on a ‘90s comic strip by Pat Mills and Tony Skinner about elite hitman Mike Fallon, who elaborately plans murders to look like freak accidents. It has a sort of DEADPOOL style of heavy-narration cheekiness, but it’s a top notch indie martial arts movie with a great cast and fights. Ray Stevenson (PUNISHER: WAR ZONE) plays Fallon’s mentor and father figure Big Ray, who runs a pub for colorful assassins called the Oasis. When Mike’s environmental activist girlfriend is murdered, he suspects a conspiracy, and ends up in battles to the death with his colleagues, including ones played by Michael Jai White, Ray Park and Amy Johnston.

Well, that left Mike on bad terms with Big Ray and banned from the Oasis, so the sequel picks up with him working far away in Malta. A crime boss named Mrs. Zuuzer (Flaminia Cinque, Thomas & Friends) gives him jobs and pays him well, the work is easy for him, the weather is beautiful, he has a nice place and a big TV. (read the rest of this shit…)

Never Back Down: Revolt

Wednesday, November 17th, 2021

I’ve said it before and I’ll say it again: I want them to keep making these franchise western martial arts movies until the cows come home. And how ya gonna get a cow back on the farm after they’ve seen KICKBOXER: RETALIATION? So I’m glad they’re keeping the prestigious NEVER BACK DOWN brand name alive with NEVER BACK DOWN: REVOLT, which came out on Blu-Ray, DVD and digital file download licensing transaction this week. It isn’t connected to the characters or events of the other three, and it’s a very different tone, but Never Backing Down doesn’t belong to any one team of filmmakers or DTV sequelizers. It belongs to the whole world of people who aspire to never backing down (in a good way). And that world apparently includes director Kellie Madison (THE TANK) and screenwriter Audrey Arkins (ELYSE), who bring us a different take on underground fighting movies, this time with all women fighters.

Anya (Olivia Popica, “Receptionist,” FANTASTIC BEASTS 2: FAREWELL TO THE FLESH) is a Chechen immigrant in London. She lives with and supports her brother Aslan (Tommy Bastow, The Crossing), a small time MMA fighter, while studying (and working as a janitor) at a nursing school. But one day her stupid brother and his stupid trainer get her into some shit – Aslan is supposed to throw a fight, but doesn’t (we got a regular Butch Coolidge on our hands here, guys) and when he’s assaulted by the thugs of kingpin Julian (James Faulkner, ATOMIC BLONDE) Anya jumps in to defend him, catching the eye of lusty fight recruiter Mariah (Brooke Johnston, ACCIDENT MAN, ). (read the rest of this shit…)

One Shot

Monday, November 8th, 2021

ONE SHOT is the new Scott Adkins joint, and the most heavily hyped and anticipated movie of the moment for those who stay plugged in to “Action Twitter.” I’m sure Adkins would prefer to work in a little higher budget range, but I think having a dedicated and growing following as he continues to make movies like this is a much better outcome than if he had been cast as Iron Fist or some big movie character like we all used to say he should. Instead of a super hero he’s an institution.

This one is not from Jesse V. Johnson or Isaac Florentine, but rising #3 most prolific Adkins director James Nunn (GREEN STREET 3, ELIMINATORS). And as you might guess from the title, yes, it is a movie like ROPE or RUNNING TIME designed to look like it was filmed in one continuous shot. I know there are some who don’t like that approach, so I will say in its defense that it doesn’t come across as flashy or show-offy at all (not that I would see that as a bad thing, personally) and the real time feeling serves to heighten the tension of its siege scenario. And in case you were wondering there is an organic explanation of the title (the protagonists believe they are defending their “one shot” to stop a terrorist attack). (read the rest of this shit…)

Abduction (2019)

Monday, July 15th, 2019

As I might’ve mentioned once or twice before, Scott Adkins has really been on a roll in his recent movies with director Jesse V. Johnson. But let’s not get too comfortable. He’s got a new one coming to DVD tomorrow called ABDUCTION. It’s not of similar quality, but I had fun with it, and it’s something different for him. The cover just shows him with a big gun, so I assumed it was a COMMANDO deal with him rescuing his daughter from kidnappers. Yeah, pretty much, but the kidnappers are aliens! Or inter-dimensional beings? I think inter-dimensional beings. Forgive my ignorance.

So no, it’s not a remake of John Singleton’s 2011 movie starring Taylor Lautner. I also got it mixed up with another upcoming Adkins project called SEIZED, which I have confirmed is a different movie, an Isaac Florentine joint where a daughter and son are kidnapped, presumably by humans.

I don’t think I can say ABDUCTION is Adkins’ weirdest, because there’s always UNIVERSAL SOLDIER: DAY OF RECKONING, a far more atmospheric, moody and hard-hitting movie, better on every level. This one is literally a Roger Corman production and has the bland glossiness and chintzy digital effects I associate with the SyFy Channel. But it’s definitely not generic. It has a hell of an opening that immediately dunks your head in the craziness and takes its time before letting you take a breath. I was into it. (read the rest of this shit…)

Triple Threat

Friday, March 15th, 2019

TRIPLE THREAT is the long-awaited international co-production that teams Tony Jaa (ONG BAK, THE PROTECTOR, KILL ZONE 2), Iko Uwais (THE RAID, HEADSHOT, THE NIGHT COMES FOR US) and Tiger Chen (MAN OF TAI CHI, KUNG FU TRAVELER). That in itself is an event, but wait until I tell you who plays the villains. Directed by Jesse V. Johnson (THE BUTCHER, SAVAGE DOG), it’s not an envelope-pusher like some of the modern classics each of those three have under their belts, but it’s a solid action romp with tons of clearly shot fighting, taking advantage of all the possible match-ups and varying martial arts styles.

Jaa is first billed and shown first, but Uwais is the protagonist and the one with the best hair*. Jaa and Chen play mercenaries duped into a “humanitarian mission” that’s actually an attack on a village in which Uwais’ character’s (very briefly glimpsed) wife and friends are killed. Seeking revenge, he tracks the two to their day jobs as underground fighters… and gets beat up. But they recognize him from the village, explain themselves and become his on again, off again allies as he uses them to try to lure out the criminal syndicate responsible. Meanwhile those two try not to be killed by the gang for knowing too much, as well as to protect a Chinese heiress (Celina Jade, LEGENDARY ASSASSIN, SKIN TRADE, WOLF WARRIOR 2) they discover is being targeted by them. (read the rest of this shit…)

The Hard Way

Monday, March 11th, 2019

THE HARD WAY starring Michael Jai White is not a remake of THE HARD WAY starring Michael J. Fox. It’s a totally different story and he’s co-starring with Luke Goss and Randy Couture in a picture that as far as I can tell has gone straight to Netflix (no disc release). I gotta be honest, I had low expectations, because I first heard of it in an awkwardly worded tweet from co-writer Thomas J. Churchill (LAZARUS: APOCALYPSE), illustrated with key art that looks like the cover for a self-published Christian thriller novel. The director and co-writer is Keoni Waxman, who has churned out more Seagal movies than anyone else (THE KEEPER, A DANGEROUS MAN, MAXIMUM CONVICTION, FORCE OF EXECUTION, A GOOD MAN, ABSOLUTION, END OF A GUN, CARTELS, CONTRACT TO KILL and eight episodes of True Justice). He also did the Stone Cold Steve Austin movie HUNT TO KILL. (read the rest of this shit…)

Accident Man

Tuesday, January 23rd, 2018

For those who came in late… The English actor and martial artist Scott Adkins is the reigning champ of low budget action. After catching our eye as the villain-turned-anti-hero Boyka in three UNDISPUTED sequels (2, 3, 4), as well as starring in two NINJA movies (1, 2) and the incredible UNIVERSAL SOLDIER: DAY OF RECKONING, he was clearly the era’s strongest answer to the iconic action stars of the ’90s like Jean-Claude Van Damme – who he co-starred with in THE SHEPHERD: BORDER PATROL, ASSASSINATION GAMES and EXPENDABLES 2. The latter was one of the many times we got hyped up for impending mainstream recognition only to find him playing Knife Guy Who Has Short Fight With Jason Statham. For years people hoped he’d be cast as Iron Fist or somebody in the Marvel Universe, until finally he was in DOCTOR STRANGE – and got beat up by a magic cape.

Little did we know that there was a comic book he’d been wanting to make into a movie since the age of 15, and this didn’t require a big special effects budget or a subduing of his talents. ACCIDENT MAN – starring, produced and co-written by Adkins – is an action-packed, darkly humorous hitman saga based on stories that appeared in the British comics anthology Toxic! in 1991, written by Pat Mills (Judge Dredd, etc.) (read the rest of this shit…)

Acts of Vengeance

Tuesday, November 28th, 2017

Instead of thinking of ACTS OF VENGEANCE as the new one from DTV action master Isaac Florentine, I recommend viwing it as the new Antonio Banderas, and oh shit Isaac Florentine directed this! Held to the standards of Florentine’s amazing UNDISPUTED 2, 3 and 4, NINJA 1 and 2 or other Scott Adkins vehicles it can’t really compete. But for a non-martial artist Banderas has some good fights, and it has a nice, weird revenge story for him to sink his actor teeth into.

He plays Frank Valera, a successful defense attorney who, like all workaholic dads in movies, promises to be at his daughter (Lillian Blankenship, SECURITY)’s talent show where she’s singing a song specifically for him but he stays at work too long and gets there after it’s over and feels like a piece of shit and emotionally watches the cell phone video of her singing and tries to call to apologize to his wife (Cristina Serafini, DAY OF THE DEAD: BLOODLINE) but man did he fuck up, this guy.

(For what it’s worth, most of the delay was caused by gridlock, and he was honking his horn alot. It was mostly out of his control.) (read the rest of this shit…)

Ninja II: Shadow of a Tear

Tuesday, December 31st, 2013

tn_ninjaiiNINJA II: SHADOW OF A TEAR is the kind of action movie I always want more of: a pretty simple story about a badass in a personal conflict, stubbornly entrenched in the distinct values of a warrior subculture, with some absurdity but no joking around, and designed to deliver a whole bunch of great fight scenes done by real martial artists with lots of long takes, the camera always carefully composed and steady, moving in ways that always emphasize action and never obscure it. In other words it’s the long-awaited new Isaac Florentine/Scott Adkins joint. (read the rest of this shit…)