HATCHET II is at least more fun than HATCHET I. Both are maybe too tongue-in-cheek, but at least they’re kind of slasher throwbacks, nothing meta-y or postmodernish or self-reflexable about them, and I appreciate that. They got Kane Hodder from FRIDAY THE 13TH parts whatever playing Victor Crowley, a Madman Marz-type ghost-of-a-murdered-deformed-guy chopping up trespassers in a Louisiana swamp. (read the rest of this shit…)
Posts Tagged ‘Tony Todd’
Hatchet II
Wednesday, February 2nd, 2011The Crow
Friday, July 17th, 2009
Man, it’s so sad to think about all these artists who get real good and then die in their twenties. How interesting would it be to hear old Jimi Hendrix recount the recording of Electric Ladyland, to see James Dean playing a father, or a grandfather, or Heath Ledger playing a character like Ennis at the end of BROKEBACK MOUNTAIN, but without aging makeup? That guy would’ve grown up to be rugged, but he didn’t have enough time. There’s such a long list of these guys who died after a period of fierce innovation, or seemingly on the verge of greatness. (read the rest of this shit…)
Candyman 2 and 3
Wednesday, November 9th, 2005
CANDYMAN in: FAREWELL TO THE FLESH and CANDYMAN in: DAY OF THE DEAD
Last week I watched this CANDYMAN movie. The review is above but maybe somebody is too lazy to read it so I’ll just say it was surprisingly good and classy for a slasher movie about a guy with bees in his stomach that likes to gut people with a gorey hook hand. Anyway I decided as a completist and foolish optimist I should give these two other Candyman adventures a shot. Maybe lightning strikes three times, you know.
Well truth be told, number 2 is not all that bad. It’s just not all that good either. This one is directed by Bill Condon, who went on to do GODS AND MONSTERS and KINSEY and write some musicals. So it’s not just a random hack, although nobody knew it at the time because this was 1995, it was before they had time travel. Anyway it treats the material as seriously as the first one does, but it’s less dreamy and more literal. The setting is moved to New Orleans which we find out is Candyman’s birthplace. (read the rest of this shit…)
Candyman
Sunday, October 30th, 2005
This movie surprised me. Everything about it is classier than I expected. From his reputation you’d think this Candyman guy is just a B-list Jason or Freddy type. But it turns out he’s more a classic movie monster like Dracula or the Phantom of the Opera. And his movie has more subtext than all of Freddy and Jason’s pictures put together, including JASON X. Hell, throw in a couple Child’s Plays too. And one or two Halloweens. And one Silent Night Deadly Night. No Texas Chainsaws though, that would tip the scale.
You know why we have to deal with Jason? Because of some horny counselors not doing their job. Freddy, because of some overzealous parents who took the law into their own hands. Dr. Phibes because some doctors fucked up a heart operation. But we got Candyman because of a bigger reason: America’s history of racist oppression. This is the only slasher/ghost movie I know of that deals with the legacy of slavery and racism (only BLACULA comes close). (read the rest of this shit…)
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