"KEEP BUSTIN'."

Posts Tagged ‘Vic Armstrong’

Cutthroat Island

Wednesday, September 18th, 2019

It took me nearly a quarter of a century to get around to giving CUTTHROAT ISLAND (1995) a shot. Certified by the Guinness Book as the biggest financial bomb of all time, it got poor reviews, bankrupted Carolco Pictures (FIRST BLOOD, T2) before it even came out, diverted director Renny Harlin (following DIE HARD 2 and CLIFFHANGER) from the A-list and failed to create momentum for its revolutionary notion of giving a woman the lead role and top billing on a big budget summer adventure.

But I had reason to be suspicious of its reputation. Many of Harlin’s ‘90s movies, particularly his also-starring-Geena-Davis followup THE LONG KISS GOODNIGHT, deserve more credit than they got at the time. And there’s definitely precedent for mob mentality panning of movies that have been heavily covered as over budget, out of control productions. This had the additional gossip-bait of the star and director being married to each other, causing mean-spirited speculation that one was only hired because of the other one’s clout. (For example, an informative 1996 Independent article about what went wrong manages to refer to them as “Renny Harlin and his demanding wife.”) On top of all that, you know how it is with what I call the Old Timey Adventure genre. They almost always lose money, even when they’re great. That’s just how it is. (read the rest of this shit…)

Indiana Jones and the Last Crusade

Tuesday, June 18th, 2019

When INDIANA JONES AND THE TEMPLE OF DOOM came out two years after RAIDERS OF THE LOST ARK it was off-putting to many, and its PG-rated monkey brain and human heart munching outraged enough parents to inspire the more hardcore PG-13 rating. So five more years passed before director Steven Spielberg and producer/story-provider George Lucas came up with the next one, INDIANA JONES AND THE LAST CRUSADE, for summer of ’89.

To pull it off they had to back away from everything new they’d tried in TEMPLE OF DOOM and walk right up to everything old we all loved in RAIDERS. So it’s less mean, less weird, less gross, and more directly built onto the template of RAIDERS. Not that it was a total rehash. Nazis are involved, but not necessarily in charge. Marion isn’t there, and the new love interest follows a very different arc. There’s less desert and more water. There’s a wacky old man sidekick played by Sean Connery (ENTRAPMENT). And a whole sequence from Indy’s childhood. But he steals an artifact and brings it to school and then finds out about a quest for another artifact and offers his expertise and travels to different countries and looks at ancient texts that lead him to a series of riddles that he solves while pursued by Nazis, murderers and betrayers and teamed with Brody and Sallah and ultimately when they find the thing it kills the bad guys in cool face-melting special effects sequences and etc. So it’s kind of the same thing. But they did a good job of hiding it. (read the rest of this shit…)

American Assassin

Thursday, December 7th, 2017

The trailers for AMERICAN ASSASSIN had me confused. Here is this mainstream, slick and expensive looking movie, Michael Keaton is in it, they’re advertising it before respectable movies. And then the plot is that a guy’s fiancee is killed in a terrorist attack, so he trains himself into a super-duper-badass warrior and master of covert ops and goes on a personal mission undercover into the terrorist cell to get revenge on the motherfuckers. That sounds exactly like a movie I would watch if it starred Scott Adkins or Jason Statham or The Rock or somebody. But this just stars some guy. Some actor.

Well it’s on video now so I had to find out the deal. Turns out the actor is Dylan O’Brien and additionally it turns out that Dylan O’Brien is the guy that starred in those movies THE MAZE RUNNER that somebody has probly watched at some point. Also it turns out that there is still a serious TV show based on TEEN WOLF and the show has Teen Wolf’s wacky buddy Stiles in it and Dylan O’Brien plays this Stiles. We are learning alot here today in my opinion. (read the rest of this shit…)

The Mechanic: Resurrection

Tuesday, August 30th, 2016

tn_mechanicrJason Statham returns as Arthur Bishop, his character from the 2011 Simon West film THE MECHANIC. He is not the type of mechanic who might help out his driving characters in THE TRANSPORTER, THE ITALIAN JOB, DEATH RACE and FURIOUS 7. He’s the type that is a euphemism for an assassin-for-hire, as seen in the original THE MECHANIC starring Charles Bronson and Jan Michael Vincent.

Having faked his death at the end of the first one, we find Bishop living an appealing lifestyle in Rio de Janeiro. (Do the people of Rio ever get tired of Hollywood helicopters swooping around that Jesus statue?) He’s now known as Otto Santos and he lives on a nice houseboat where he sits and enjoys his espresso and reconstituted vinyl collection.

But one day a woman comes up to him, knows who he is, says her employer wants him to kill three people. Arthur “Otto ‘The Mechanic’ Santos” Bishop is no chump, though, so he fights her and her henchmen, escapes in spectacular (though blatantly green-screeny) fashion, and gets ready for a fight. There’s almost a running joke about how many stashes he has around. When he self destructs his boat he goes right to a shipping container with guns and passports. When he resurfaces at his old hut on a picturesque beach in Thailand there’s another stash under the floorboards. I bet if you dropped him off at any random spot in the North Pole it would turn out he hid some guns under the ice there years ago. (read the rest of this shit…)

The Young Indiana Jones Chronicles

Thursday, February 4th, 2016

tn_youngindylucasminusstarwarsThe Young Indiana Jones Chronicles was an ABC TV show that ran from 1992-1993. I never saw an episode. I still haven’t, because the version that’s on video is called The Adventures of Young Indiana Jones and it’s re-edited. According to legend (as well as Wikipedia) the Chronicles were hour long episodes about Indiana Jones as a young man having adventures and/or chronicles in different exotic locations. The stories would jump around in time, so sometimes it would be Sean Patrick Flanery (BOONDOCK SAINTS) as teen/early-twenties Indy, sometimes it would be Corey Carrier (school band cymbal player in THE WITCHES OF EASTWICK) as 8-10 year old Indy. And the episodes would be bookended by George Hall (BIG DADDY) as 93-year-old Indy (with eye patch) remembering the stories.

Wait a minute – that would mean in the then-present day? I always think of him in the WWII era, but it turns out he stuck around a while. Think about that. Indiana Jones was around for Woodstock, for disco, for “We Are the World,” for “Baby Got Back.” If he had grand kids there might’ve been an Indiana Jones and the Elusive Cabbage Patch Doll adventure one Christmas. None of this is covered in the show though.

The first season (1992) was 6 episodes, the second season they made 22, but only aired 18 before cancelling it. Then from 1994-1996 they followed it up with four TV movies for the Family Channel. Finally, in 1999 they paired up the hour long episodes, plus a couple new ones, and re-edited them into movies, which came out on VHS and later DVD. One major change was to remove all the segments with 93 year-old Indy, so you never get to see Indiana Jones in contemporary situations, like the one where he tells the story of his teenage love of cars after seeing a monster truck at the gas station.

(Do you think they said if Indy went to movies when he was in his 90s? Do you think he saw UNDER SIEGE?) (read the rest of this shit…)

Cover-Up

Wednesday, September 3rd, 2014

tn_coverupex3-dolphYou know, if I find some funk record I never heard of I look at the year, if it came out between 1970 and 1976 then I get higher hopes. ’77 and later is risky. This is a similar concept. There’s still a few Dolph Lundgren pictures I haven’t seen, but I figured COVER-UP was the most promising one because of where it came in his filmography: 1991, that glorious time between the late ’80s and mid-’90s when American action movies were reaching their peak fitness levels, their maximum potential. Dolph did THE PUNISHER and I COME IN PEACE, then this, then SHOWDOWN IN LITTLE TOKYO and UNIVERSAL SOLDIER.

Well, turns out there’s a reason why you hear those ones mentioned occasionally and this one never. It’s not that memorable. But it has moments. I like moments.

It’s directed by Manny Coto (DR. GIGGLES, STAR KID) who is now mainly known as a writer and producer on 24. This was probly pretty good practice for that. Writer William Tannen is usually a director, he did HERO AND THE TERROR. (read the rest of this shit…)

Army of One

Sunday, July 27th, 2008

Recently I was discussing the upcoming James Bond movie with some buddies. I was joking that the trailer should say “from the director of FINDING NEVERLAND.” That dude’s movies are all over the map, but nothing ever hinted that he would end up directing a 007 movie. One of my buddies said that it didn’t really matter that he didn’t do action because usually the action in Bond movies is shot by a second unit guy named Vic Armstrong.

(I looked it up, and Armstrong actually hasn’t worked on the Daniel Craig ones, but he was stunt coordinator and/or 2nd unit director for DIE ANOTHER DAY, THE WORLD IS NOT ENOUGH, TOMORROW NEVER DIES and NEVER SAY NEVER AGAIN and stunt double for 3 other Bond movies.) (read the rest of this shit…)