Posts Tagged ‘Yaphet Kotto’
Thursday, February 1st, 2024
FIGHTING BACK (1982), a.k.a. DEATH VENGEANCE a.k.a. STREET WARS, is another vigilante drama produced by Dino De Laurentiis, obviously wanting to follow up on his success with DEATH WISH after selling that off to Cannon. DEATH WISH II came out about three months before this, but if Laurentiis was trying to take the wind out of its sails, he was not successful. Cannon kept all the wind and this one remains fairly obscure, despite a nice blu-ray release from Arrow.
But it has some good people behind it. It’s directed by Lewis Teague between ALLIGATOR and CUJO, written by Tom Hedley (FLASHDANCE) and David Zelag Goodman (STRAW DOGS, LOGAN’S RUN, THE EYES OF LAURA MARS, FREEDOM ROAD). Rather than a badass like Charles Bronson it stars the more everyman-ish Tom Skerritt (who would follow this with THE DEAD ZONE, TOP GUN and SPACECAMP) and it seems to be going for a less pulpy, more down to earth approach… except in the important matter of the inciting incident. For that they provide us with as hysterical of a “crime is out of control these days” exaggeration as we could ever ask for. (read the rest of this shit…)
Tags: David Rasche, David Zelag Goodman, Debra Laws, Dino De Laurentiis, Earle Hyman, Gina DeAngelis, Jim Moody, Lewis Teague, Machael Sarrazin, Patti Lupone, Pete Richardson, Peter Brocco, Piero Piccioni, Ted Ross, Tom Hedley, Tom Skerritt, vigilantes, Yaphet Kotto
Posted in Reviews, Action, Crime, Drama | 6 Comments »
Monday, July 31st, 2023
August 5, 1983
THE STAR CHAMBER is the most grown up thriller I’ve come across in this 1983 retrospective so far. You can tell because it stars Michael Douglas. As a judge. It’s a crime/vigilante movie with a message about the flaws of the justice system and the temptation to take short cuts toward justice. Kinda like MAGNUM FORCE without the badass shit, but still good. Peter Hyams (between OUTLAND and 2010: THE YEAR WE MAKE CONTACT) directs the shit out of it, and is credited as co-writer with Roderick Taylor (a recording artist turned rookie screenwriter who explored related themes many years later in THE BRAVE ONE).
It takes place in L.A., with a great L.A. atmosphere. It opens around 6 am one sunny morning when two undercover cops decide to follow a suspicious pedestrian, who notices them and takes off running. They see him ditch something in his garbage can as he runs into his house, and are aware they can’t search it without a warrant, but decide to wait until a garbage man dumps it in his truck, and then search the truck. (read the rest of this shit…)
Tags: Bo Welch, David Faustino, DeWayne Jessie, Don Calfa, Hal Holbrook, James B. Sikking, Joe Regalbuto, Michael Douglas, Peter Hyams, Roderick Taylor, Yaphet Kotto
Posted in Reviews, Thriller | 7 Comments »
Wednesday, September 23rd, 2020
EXTREME JUSTICE is a 1993 cop movie by director Mark L. Lester (STEEL ARENA, FIRESTARTER, COMMANDO, SHOWDOWN IN LITTLE TOKYO) that you can find on DVD, VHS or streaming on Prime. Lester has done a pretty broad range of b-movie types, but one thing some of them have in common is a great sense of exaggeration. In CLASS OF 1984, for example, he presents a world where juvenile delinquency is so severe that a previously mild-mannered music teacher has no better choice than to do battle with one of his students and dump him through a skylight into the school gym during the big recital. In its sci-fi sequel CLASS OF 1999, such out-of-control kids have led to an overreaction that includes militarized robot teachers.
So I wasn’t sure which way he would go in his movie starring Lou Diamond Phillips (RENEGADES, UNDERTOW, THE BIG HIT) as an LAPD detective who rather than getting in trouble for his police brutality gets promoted to a secret unit where “what useta get you in trouble’ll get you a round of beers.” I guess the reason I wasn’t familiar with this one is that they were worried about releasing it a year after the L.A. riots/uprising and dumped it to HBO. But I’m happy to report it doesn’t have to be a guilty pleasure – the movie is very clearly saying that this extreme justice is too extreme and not justice. It’s not the good kind of Paul Verhoeven “you have to be really thick to not understand this satire” clear, unfortunately, but right now I’ll settle for the more accessible “he has a girlfriend who’s the conscience of the movie and convinces him that this is all wrong” type. (read the rest of this shit…)
Tags: Chelsea Field, Ed Lauter, Lou Diamond Phillips, Mark Irwin, Mark L. Lester, Robert Boris, Scott Glenn, Spiro Razatos, William Lucking, Yaphet Kotto
Posted in Action, Crime, Reviews | 13 Comments »
Monday, July 16th, 2012
I didn’t realize this until recently, but the Pam Grier movie FRIDAY FOSTER came from a comic strip. It ran from 1970-1974 and was the first syndicated comic with an African-American woman in the lead. It was created by a journeyman writer named Jim Lawrence who also wrote for radio shows such as Green Hornet and comic strips based on James Bond and Dallas (!). The artist was a Spaniard named Jorge Longarón until the last year, when it was taken over by Gray Morrow, co-creator of MAN THING.
(read the rest of this shit…)
Tags: Arthur Marks, blaxploitation, Carl Weathers, Eartha Kitt, Godfrey Cambridge, Jim Backus, Julius Harris, Pam Grier, Paul Benjamin, Scatman Crothers, Yaphet Kotto
Posted in Comic strips/Super heroes | 9 Comments »
Friday, February 18th, 2011
Everybody knows Isaac Hayes’s music for SHAFT, but he also scored TRUCK TURNER. And while he was at it he decided to also star as Truck Turner. Why not? I guess at one point it was gonna be Robert Mitchum, which would’ve made for a really weird blaxploitation movie.
Under Hayes’s super-funky theme song the movie opens with a montage of vintage L.A. lowlife spots: liquor stores, blood banks, pawn shops, a corner where a bunch of old drunks have an awkward slap fight until a cop breaks it up. And I’m pretty sure those are real dudes. The montage also shows the signs for more than ten bail bonds places, which shows that our man Truck has alot of competition.
(read the rest of this shit…)
Tags: blaxploitation, Isaac Hayes, Nichelle Nichols, pimps, Scatman Crothers, Yaphet Kotto
Posted in Action, Crime, Reviews | 32 Comments »
Tuesday, May 12th, 2009
Arnold Schwarzenegger is… THE RUNNING MAN. That’s actually what it says on the credits, which makes me feel good, makes me proud to be an American. In fact, I’m gonna make a new tag for this review called “is…” If you can think of some other movies where the star “is…” the title, let me know. But only if it’s in the actual opening credits, not just the trailer or the poster, at least for now. We’ll see how many we can find.
THE RUNNING MAN was a book Stephen King wrote in 1982 when he was on the lam and hiding out under the alias Richard Bachman. I read it back in the ’80s so I don’t remember it in much detail, but I’m pretty sure it wasn’t the same kind of goofy cartoon shit as the movie. It was about a brutal game show of the future where contestants tried to get across the country without being killed. I think there were bounty hunters after them, but also they’d become famous through the show and regular people would try to kill them to collect a reward. It’s like American Idol except instead of participating by calling in you do it by shooting at the guy. The main character was kind of like Kowalski in VANISHING POINT, he ended up capturing the hearts of everybody at home and they started rooting for him to get away. (read the rest of this shit…)
Tags: Arnold Schwarzenegger, is..., Jesse Ventura, Jim Brown, satire, Stephen King, Yaphet Kotto
Posted in Action, Reviews, Science Fiction and Space Shit | 48 Comments »
Saturday, February 25th, 2006
This movie stars Steve McQueen as a bank robber, which automatically makes it worth seeing. And this is a good movie. But to be honest it doesn’t live up to its reputation or its potential. I know that Steve McQueen, like me, was someone who often could be spotted out and about striving for excellence. So I don’t think he would have a problem with me holding him to a high standard of achievement.
The first thing you’ll notice about the movie is that it’s very stylish. The opening and various other scenes use split-screen up the wazoo, splitting the screen into something like six different little boxes to show the different people intersecting for a heist. The cinematographer is Haskell Wexler (see TELL THEM WHO YOU ARE above for more on him) so despite all the showoffery in the editing alot of the footage is very handheld, documentary looking, like you’re there. Alot of the scenes are just dialogue-free footage of Steve McQueen as Thomas Crown fucking around. For example he flies in a glider or drives around really fast in a dune buggy. The dune buggy footage is pretty spectular, it seems like he’s about to flip over at any moment and you can’t help but notice he’s got no roll bars above his head. (read the rest of this shit…)
Tags: Faye Dunaway, heists, Norman Jewison, Steve McQueen, Yaphet Kotto
Posted in Crime, Drama, Reviews, Romance, Thriller | No Comments »
Monday, January 1st, 2001
I don’t know how many of you are familiar with Paul Schrader. He is sort of a lesser known legend of independent film. Legendary because of the many screenplays he wrote for Martin Scorsese, including Taxi Driver, lesser because he went on to direct crap like the rock band movie Light of Day with Michael J. whatsisdick. And that sort of thing tends to lower people’s opinion of you. I mean, you don’t see the dude who did Satisfaction with Justine Bateman going on to inspire a new generation of filmmakers. That’s just the way it works.
But Paul Schrader did make sort of a comeback. After a really terrible Elmore Leonard/Tom Arnold picture called Touch he did Affliction with James Coburn and got some Oscars and what not. Now I am in favor of any picture that gets an Oscar for James Coburn just on basic principle, but I haven’t seen it yet so instead I will review Mr. Schrader’s first work as a director, and still maybe his best, Blue Collar. (read the rest of this shit…)
Tags: Ed Begley Jr., Harvey Keitel, Paul Schrader, Richard Pryor, Yaphet Kotto
Posted in Crime, Drama, Reviews | 2 Comments »
